Snake
A snake
came to my water-trough
On a hot, hot day, and I in pyjamas for the heat,
To drink there.
In the deep, strange-scented shade of the great dark carob tree
I came down the steps with my pitcher
And must wait, must stand and wait, for there he was at the trough
before me.
He reached down from a fissure in the earth-wall in the gloom
And trailed his yellow-brown slackness soft-bellied down, over
the edge of the stone trough
And rested his throat upon the stone bottom,
And where the water had dripped from the tap, in a small clearness,
He sipped with his straight mouth,
Softly drank through his straight gums, into his slack long body,
Silently.
Someone was before me at my water-trough,
And I, like a second-comer, waiting.
He lifted his head from his drinking, as cattle do,
And looked at me vaguely, as drinking cattle do,
And flickered his two-forked tongue from his lips, and mused
a moment,
And stooped and drank a little more,
Being earth-brown, earth-golden from the burning bowels
of the earth
On the day of Sicilian July, with Etna smoking.
The voice of my education said to me
He must be killed,
For in Sicily the black, black snakes are innocent, the gold
are venomous.
And voices in me said, If you were a man
You would take a stick and break him now, and finish him off.
But must I confess how I liked him,
How glad I was he had come like a guest in quiet, to drink
at my water-trough
And depart peaceful, pacified, and thankless,
Into the burning bowels of this earth?
Was it cowardice, that I dared not kill him?
Was it perversity, that I longed to talk to him?
Was it humility, to feel so honoured?
I felt so honoured.
And yet those voices:
If you were not afraid, you would kill him!
And truly I was afraid, I was most afraid,
But even so, honoured still more
That he should seek my hospitality
From out the dark door of the secret earth.
He drank enough
And lifted his head, dreamily, as one who has drunken,
And flickered his tongue like a forked night on the air, so black,
Seeming to lick his lips,
And looked around like a god, unseeing, into the air,
And slowly turned his head,
And slowly, very slowly, as if thrice adream,
Proceeded to draw his slow length curving round
And climb again the broken bank of my wall-face.
And as he put his head into that dreadful hole,
And as he slowly drew up, snake-easing his shoulders,
and entered farther,
A sort of horror, a sort of protest against his withdrawing into
that horrid black hole,
Deliberately going into the blackness, and slowly drawing
himself after,
Overcame me now his back was turned.
I looked round, I put down my pitcher,
I picked up a clumsy log
And threw it at the water-trough with a clatter.
I think it did not hit him,
But suddenly that part of him that was left behind convulsed
in an undignified haste,
Writhed like lightning, and was gone
Into the black hole, the earth-lipped fissure in the wall-front,
At which, in the intense still noon, I stared with fascination.
And immediately I regretted it.
I thought how paltry, how vulgar, what a mean act!
I despised myself and the voices of my accursed human education.
And I thought of the albatross,
And I wished he would come back, my snake.
For he seemed to me again like a king,
Like a king in exile, uncrowned in the underworld,
Now due to be crowned again.
And so, I missed my chance with one of the lords
Of life.
And I have something to expiate:
A pettiness.
On a hot, hot day, and I in pyjamas for the heat,
To drink there.
In the deep, strange-scented shade of the great dark carob tree
I came down the steps with my pitcher
And must wait, must stand and wait, for there he was at the trough
before me.
He reached down from a fissure in the earth-wall in the gloom
And trailed his yellow-brown slackness soft-bellied down, over
the edge of the stone trough
And rested his throat upon the stone bottom,
And where the water had dripped from the tap, in a small clearness,
He sipped with his straight mouth,
Softly drank through his straight gums, into his slack long body,
Silently.
Someone was before me at my water-trough,
And I, like a second-comer, waiting.
He lifted his head from his drinking, as cattle do,
And looked at me vaguely, as drinking cattle do,
And flickered his two-forked tongue from his lips, and mused
a moment,
And stooped and drank a little more,
Being earth-brown, earth-golden from the burning bowels
of the earth
On the day of Sicilian July, with Etna smoking.
The voice of my education said to me
He must be killed,
For in Sicily the black, black snakes are innocent, the gold
are venomous.
And voices in me said, If you were a man
You would take a stick and break him now, and finish him off.
But must I confess how I liked him,
How glad I was he had come like a guest in quiet, to drink
at my water-trough
And depart peaceful, pacified, and thankless,
Into the burning bowels of this earth?
Was it cowardice, that I dared not kill him?
Was it perversity, that I longed to talk to him?
Was it humility, to feel so honoured?
I felt so honoured.
And yet those voices:
If you were not afraid, you would kill him!
And truly I was afraid, I was most afraid,
But even so, honoured still more
That he should seek my hospitality
From out the dark door of the secret earth.
He drank enough
And lifted his head, dreamily, as one who has drunken,
And flickered his tongue like a forked night on the air, so black,
Seeming to lick his lips,
And looked around like a god, unseeing, into the air,
And slowly turned his head,
And slowly, very slowly, as if thrice adream,
Proceeded to draw his slow length curving round
And climb again the broken bank of my wall-face.
And as he put his head into that dreadful hole,
And as he slowly drew up, snake-easing his shoulders,
and entered farther,
A sort of horror, a sort of protest against his withdrawing into
that horrid black hole,
Deliberately going into the blackness, and slowly drawing
himself after,
Overcame me now his back was turned.
I looked round, I put down my pitcher,
I picked up a clumsy log
And threw it at the water-trough with a clatter.
I think it did not hit him,
But suddenly that part of him that was left behind convulsed
in an undignified haste,
Writhed like lightning, and was gone
Into the black hole, the earth-lipped fissure in the wall-front,
At which, in the intense still noon, I stared with fascination.
And immediately I regretted it.
I thought how paltry, how vulgar, what a mean act!
I despised myself and the voices of my accursed human education.
And I thought of the albatross,
And I wished he would come back, my snake.
For he seemed to me again like a king,
Like a king in exile, uncrowned in the underworld,
Now due to be crowned again.
And so, I missed my chance with one of the lords
Of life.
And I have something to expiate:
A pettiness.
Taormina
Bat
At
evening, sitting on this terrace,
When the sun from the west, beyond Pisa, beyond the mountains of Carrara
Departs, and the world is taken by surprise ...
When the
tired flower of Florence is in gloom beneath the glowing
Brown hills surrounding ...
When
under the arches of the Ponte Vecchio
A green light enters against stream, flush from the west,
Against the current of obscure Arno ...
Look up,
and you see things flying
Between the day and the night;
Swallows with spools of dark thread sewing the shadows together.
A circle
swoop, and a quick parabola under the bridge arches
Where light pushes through;
A sudden turning upon itself of a thing in the air.
A dip to the water.
And you
think:
"The swallows are flying so late!"
Swallows?
Dark
air-life looping
Yet missing the pure loop ...
A twitch, a twitter, an elastic shudder in flight
And serrated wings against the sky,
Like a glove, a black glove thrown up at the light,
And falling back.
Never
swallows!
Bats!
The swallows are gone.
At a
wavering instant the swallows gave way to bats
By the Ponte Vecchio ...
Changing guard.
Bats,
and an uneasy creeping in one's scalp
As the bats swoop overhead!
Flying madly.
Pipistrello!
Black piper on an infinitesimal pipe.
Little lumps that fly in air and have voices indefinite, wildly vindictive;
Wings
like bits of umbrella.
Bats!
Creatures
that hang themselves up like an old rag, to sleep;
And disgustingly upside down.
Hanging
upside down like rows of disgusting old rags
And grinning in their sleep.
Bats!
In China
the bat is symbol for happiness.
Not for
me!
When the sun from the west, beyond Pisa, beyond the mountains of Carrara
Departs, and the world is taken by surprise ...
Brown hills surrounding ...
A green light enters against stream, flush from the west,
Against the current of obscure Arno ...
Between the day and the night;
Swallows with spools of dark thread sewing the shadows together.
Where light pushes through;
A sudden turning upon itself of a thing in the air.
A dip to the water.
"The swallows are flying so late!"
Yet missing the pure loop ...
A twitch, a twitter, an elastic shudder in flight
And serrated wings against the sky,
Like a glove, a black glove thrown up at the light,
And falling back.
Bats!
The swallows are gone.
By the Ponte Vecchio ...
Changing guard.
As the bats swoop overhead!
Flying madly.
Black piper on an infinitesimal pipe.
Little lumps that fly in air and have voices indefinite, wildly vindictive;
And disgustingly upside down.
And grinning in their sleep.
Bats!
Peach
Here, take all that’s left of my peach.
Blood-red, deep:
Heaven knows how it came to pass.
Somebody’s pound of flesh rendered up.
Wrinkled with secrets
And hard with the intention to keep them.
Why, from silvery peach-bloom,
From that shallow-silvery wine-glass on a short stem
This rolling, dropping, heavy globule?
I am thinking, of course, of the peach before I ate it.
Why so velvety, why so voluptuous heavy?
Why hanging with such inordinate weight?
Why so indented?
Why the groove?
Why the lovely, bivalve roundnesses?
Why the ripple down the sphere?
Why the suggestion of incision?
Why was not my peach round and finished like a billiard ball?
It would have been if man had made it.
Though I’ve eaten it now.
But it wasn’t round and finished like a billiard ball;
And because I say so, you would like to throw something at me.
Here, you can have my peach stone.
The Bride
But she is old.
The plaits that lie along her pillow
Are not gold,
But threaded with filigree silver,
And uncanny cold.
Is smooth and fair,
Her cheeks are very smooth, her eyes are closed.
She sleeps a rare
Still winsome sleep, so still, and so composed.
Of perfect things.
She lies at last, the darling, in the shape of her dream,
And her dead mouth sings
By its shape, like the thrushes in clear evenings.
It ought to be lovely to be old
to be full of the peace that comes of experience
and wrinkled ripe fulfilment.
The wrinkled smile of completeness that follows a life
lived undaunted and unsoured with accepted lies
they would ripen like apples, and be scented like pippins
in their old age.
Soothing, old people should be, like apples
when one is tired of love.
Fragrant like yellowing leaves, and dim with the soft
stillness and satisfaction of autumn.
And a girl should say:
It must be wonderful to live and grow old.
Look at my mother, how rich and still she is! -
And a young man should think: By Jove
my father has faced all weathers, but it's been a life!
Belief
Forever
nameless
Forever unknown
Forever unknown
Forever
unconnected
Forever unrepresented
yet forever felt in the soul.
Forever unrepresented
yet forever felt in the soul.
Self
Pity
I never saw a wild thing
sorry for itself.
A small bird will drop frozen dead from a bough
without ever having felt sorry for itself.
I never saw a wild thing
sorry for itself.
A small bird will drop frozen dead from a bough
without ever having felt sorry for itself.
Dissolute
Many years have I still to burn, detained
Like a candle flame on this body; but I enshine
A darkness within me, a presence which sleeps contained
In my flame of living, her soul enfolded in mine.
And through these years, while I burn on the fuel of life,
What matter the stuff I lick up in my living flame,
Seeing I keep in the fire-core, inviolate,
A night where she dreams my dreams for me, ever the same.
Many years have I still to burn, detained
Like a candle flame on this body; but I enshine
A darkness within me, a presence which sleeps contained
In my flame of living, her soul enfolded in mine.
And through these years, while I burn on the fuel of life,
What matter the stuff I lick up in my living flame,
Seeing I keep in the fire-core, inviolate,
A night where she dreams my dreams for me, ever the same.
Snap-Dragon
She bade me follow to her garden where
The mellow sunlight stood as in a cup
Between the old grey walls; I did not dare
To raise my face, I did not dare look up
Lest her bright eyes like sparrows should fly in
My windows of discovery and shrill 'Sin!'
So with a downcast mien and laughing voice
I followed, followed the swing of her white dress
That rocked in a lilt along: I watched the poise
Of her feet as they flew for a space, then paused to press
The grass deep down with the royal burden of her:
And gladly I'd offered my breast to the tread of her.
'I like to see,' she said, and she crouched her down,
She sunk into my sight like a settling bird;
And her bosom crouched in the confines of her gown
Like heavy birds at rest there, softly stirred
By her measured breaths: 'I like to see,' said she,
'The snap-dragon put out his tongue at me.'
She laughed, she reached her hand out to the flower
Closing its crimson throat: my own throat in her power
Strangled, my heart swelled up so full
As if it would burst its wineskin in my throat,
Choke me in my own crimson; I watched her pull
The gorge of the gaping flower, till the blood did float
Over my eyes and I was blind —
Her large brown hand stretched over
The windows of my mind,
And in the dark I did discover
Things I was out to find:
My grail, a brown bowl twined
With swollen veins that met in the wrist,
Under whose brown the amethyst
I longed to taste: and I longed to turn
My heart's red measure in her cup,
I longed to feel my hot blood burn
With the lambent amethyst in her cup.
Then suddenly she looked up
And I was blind in a tawny-gold day
Till she took her eyes away. So she came down from above
And emptied my heart of love . . .
So I helf my heart aloft
To the cuckoo that fluttered above,
And she settled soft.
It seemed that I and the morning world
Were pressed cup-shape to take this reiver
Bird who was weary to have furled
Her wings on us,
As we were weary to receive her:
This bird, this rich
Sumptuous central grain,
This mutable witch,
This one refrain,
This laugh in the fight,
This clot of light,
This core of night.
She spoke, and I closed my eyes
To shut hallucinations out.
I echoed with surprise
Hearing my mere lips shout
The answer they did devise.
Again, I saw a brown bird hover
Over the flowers at my feet;
I felt a brown bird hover
Over my heart, and sweet
Its shadow lay on my heart.
I thought I saw on the clover
A brown bee pulling apart
The closed flesh of the clover
And burrowing into its heart.
She moved her hand, and again
I felt the brown bird hover
Over my heart . . . and then
The bird came down on my heart,
As on a nest the rover
Cuckoo comes, and shoves over
The brim each careful part
Of love, takes possession and settles down,
With her wings and her feathers does drown
The nest in a heat of love.
She turned her flushed face to me for the glint
Of a moment. 'See,' she laughed, 'if you also
Can make them yawn.' I put my hand to the dint
In the flower's throat, and the flower gaped wide with woe.
She watched, she went of a sudden intensely still,
She watched my hand, and I let her watch her fill.
I pressed the wretched, throttled flower between
My fingers, till its head lay back, its fangs
Poised at her: like a weapon my hand stood white and keen,
And I held the choked flower-serpent in its pangs
Of mordant anguish till she ceased to laugh,
Until her pride's flag, smitten, cleaved down to the staff.
She hid her face, she murmured between her lips
The low word 'Don't!' I let the flower fall,
But held my hand afloat still towards the slips
Of blossom she fingered, and my crisp fingers all
Put forth to her: she did not move, nor I,
For my hand like a snake watched hers that could not fly.
Then I laughed in the dark of my heart, I did exult
Like a sudden chuckling of music: I bade her eyes
Meet mine, I opened her helpless eyes to consult
Their fear, their shame, their joy that underlies
Defeat in such a battle: in the dark of her eyes
My heart was fierce to make her laughter rise . . .
Till her dark deeps shook with convulsive thrills, and the dark
Of her spirit wavered like water thrilled with light,
And my heart leaped up in longing to plunge its stark
Fervour within the pool of her twilight:
Within her spacious gloom, in the mystery
Of her barbarous soul, to grope with ecstasy.
And I do not care though the large hands of revenge
Shall get my throat at last — shall get it soon,
If the joy that they are lifted to avenge
Have risen red on my night as a harvest moon,
Which even Death can only put out for me,
And death I know is beter than not-to-be.
She bade me follow to her garden where
The mellow sunlight stood as in a cup
Between the old grey walls; I did not dare
To raise my face, I did not dare look up
Lest her bright eyes like sparrows should fly in
My windows of discovery and shrill 'Sin!'
So with a downcast mien and laughing voice
I followed, followed the swing of her white dress
That rocked in a lilt along: I watched the poise
Of her feet as they flew for a space, then paused to press
The grass deep down with the royal burden of her:
And gladly I'd offered my breast to the tread of her.
'I like to see,' she said, and she crouched her down,
She sunk into my sight like a settling bird;
And her bosom crouched in the confines of her gown
Like heavy birds at rest there, softly stirred
By her measured breaths: 'I like to see,' said she,
'The snap-dragon put out his tongue at me.'
She laughed, she reached her hand out to the flower
Closing its crimson throat: my own throat in her power
Strangled, my heart swelled up so full
As if it would burst its wineskin in my throat,
Choke me in my own crimson; I watched her pull
The gorge of the gaping flower, till the blood did float
Over my eyes and I was blind —
Her large brown hand stretched over
The windows of my mind,
And in the dark I did discover
Things I was out to find:
My grail, a brown bowl twined
With swollen veins that met in the wrist,
Under whose brown the amethyst
I longed to taste: and I longed to turn
My heart's red measure in her cup,
I longed to feel my hot blood burn
With the lambent amethyst in her cup.
Then suddenly she looked up
And I was blind in a tawny-gold day
Till she took her eyes away. So she came down from above
And emptied my heart of love . . .
So I helf my heart aloft
To the cuckoo that fluttered above,
And she settled soft.
It seemed that I and the morning world
Were pressed cup-shape to take this reiver
Bird who was weary to have furled
Her wings on us,
As we were weary to receive her:
This bird, this rich
Sumptuous central grain,
This mutable witch,
This one refrain,
This laugh in the fight,
This clot of light,
This core of night.
She spoke, and I closed my eyes
To shut hallucinations out.
I echoed with surprise
Hearing my mere lips shout
The answer they did devise.
Again, I saw a brown bird hover
Over the flowers at my feet;
I felt a brown bird hover
Over my heart, and sweet
Its shadow lay on my heart.
I thought I saw on the clover
A brown bee pulling apart
The closed flesh of the clover
And burrowing into its heart.
She moved her hand, and again
I felt the brown bird hover
Over my heart . . . and then
The bird came down on my heart,
As on a nest the rover
Cuckoo comes, and shoves over
The brim each careful part
Of love, takes possession and settles down,
With her wings and her feathers does drown
The nest in a heat of love.
She turned her flushed face to me for the glint
Of a moment. 'See,' she laughed, 'if you also
Can make them yawn.' I put my hand to the dint
In the flower's throat, and the flower gaped wide with woe.
She watched, she went of a sudden intensely still,
She watched my hand, and I let her watch her fill.
I pressed the wretched, throttled flower between
My fingers, till its head lay back, its fangs
Poised at her: like a weapon my hand stood white and keen,
And I held the choked flower-serpent in its pangs
Of mordant anguish till she ceased to laugh,
Until her pride's flag, smitten, cleaved down to the staff.
She hid her face, she murmured between her lips
The low word 'Don't!' I let the flower fall,
But held my hand afloat still towards the slips
Of blossom she fingered, and my crisp fingers all
Put forth to her: she did not move, nor I,
For my hand like a snake watched hers that could not fly.
Then I laughed in the dark of my heart, I did exult
Like a sudden chuckling of music: I bade her eyes
Meet mine, I opened her helpless eyes to consult
Their fear, their shame, their joy that underlies
Defeat in such a battle: in the dark of her eyes
My heart was fierce to make her laughter rise . . .
Till her dark deeps shook with convulsive thrills, and the dark
Of her spirit wavered like water thrilled with light,
And my heart leaped up in longing to plunge its stark
Fervour within the pool of her twilight:
Within her spacious gloom, in the mystery
Of her barbarous soul, to grope with ecstasy.
And I do not care though the large hands of revenge
Shall get my throat at last — shall get it soon,
If the joy that they are lifted to avenge
Have risen red on my night as a harvest moon,
Which even Death can only put out for me,
And death I know is beter than not-to-be.
Ballad
Of Another Ophelia
Oh the
green glimmer of apples in the orchard,
Lamps in a wash of rain!
Oh the wet walk of my brown hen through the stackyard,
Oh tears on the window pane!
Nothing now will ripen the bright green apples,
Full of disappointment and of rain,
Brackish they will taste, of tears, when the yellow dapples
Of autumn tell the withered tale again.
All round the yard it is cluck, my brown hen,
Cluck, and the rain-wet wings,
Cluck, my marigold bird, and again
Cluck for your yellow darlings.
For the grey rat found the gold thirteen
Huddled away in the dark,
Flutter for a moment, oh the beast is quick and keen,
Extinct one yellow-fluffy spark.
Once I had a lover bright like running water,
Once his face was laughing like the sky;
Open like the sky looking down in all its laughter
On the buttercups, and the buttercups was I.
What, then, is there hidden in the skirts of all the blossom?
What is peeping from your wings, oh mother hen?
’Tis the sun who asks the question, in a lovely haste for wisdom;
What a lovely haste for wisdom is in men!
Yea, but it is cruel when undressed is all the blossom,
And her shift is lying white upon the floor,
That a grey one, like a shadow, like a rat, a thief, a rain-storm,
Creeps upon her then and gathers in his store.
Oh the grey garner that is full of half-grown apples,
Oh the golden sparkles laid extinct!
And oh, behind the cloud-sheaves, like yellow autumn dapples,
Did you see the wicked sun that winked!
Lamps in a wash of rain!
Oh the wet walk of my brown hen through the stackyard,
Oh tears on the window pane!
Nothing now will ripen the bright green apples,
Full of disappointment and of rain,
Brackish they will taste, of tears, when the yellow dapples
Of autumn tell the withered tale again.
All round the yard it is cluck, my brown hen,
Cluck, and the rain-wet wings,
Cluck, my marigold bird, and again
Cluck for your yellow darlings.
For the grey rat found the gold thirteen
Huddled away in the dark,
Flutter for a moment, oh the beast is quick and keen,
Extinct one yellow-fluffy spark.
Once I had a lover bright like running water,
Once his face was laughing like the sky;
Open like the sky looking down in all its laughter
On the buttercups, and the buttercups was I.
What, then, is there hidden in the skirts of all the blossom?
What is peeping from your wings, oh mother hen?
’Tis the sun who asks the question, in a lovely haste for wisdom;
What a lovely haste for wisdom is in men!
Yea, but it is cruel when undressed is all the blossom,
And her shift is lying white upon the floor,
That a grey one, like a shadow, like a rat, a thief, a rain-storm,
Creeps upon her then and gathers in his store.
Oh the grey garner that is full of half-grown apples,
Oh the golden sparkles laid extinct!
And oh, behind the cloud-sheaves, like yellow autumn dapples,
Did you see the wicked sun that winked!
New
Heaven And Earth
I
And so I cross into another world
shyly and in homage linger for an invitation
from this unknown that I would trespass on.
I am very glad, and all alone in the world,
all alone, and very glad, in a new world
where I am disembarked at last.
I could cry with joy, because I am in the
new world, just ventured in.
I could cry with joy, and quite freely, there is nobody to know.
And whosoever the unknown people of this
un- known world may be
they will never understand my weeping for joy to be adventuring among them
because it will still be a gesture of the old world I am making
which they will not understand, because it is quite, quite foreign to them.
II
I was
so weary of the world
I was so sick of it
everything was tainted with myself,
skies, trees, flowers, birds, water,
people, houses, streets, vehicles, machines,
nations, armies, war, peace-talking,
work, recreation, governing, anarchy,
it was all tainted with myself, I knew it all to start with
because it was all myself.
When I gathered flowers, I knew it was
myself plucking my own flowering.
When I went in a train, I knew it was myself travelling by my own invention.
When I heard the cannon of the war, I listened with my own ears to my own destruction.
When I saw the torn dead, I knew it was my own torn dead body.
It was all me, I had done it all in my own flesh.
III
I shall never forget the maniacal horror of
it all in the end
when everything was me, I knew it all already, I anticipated it all in my soul
because I was the author and the result
I was the God and the creation at once;
creator, I looked at my creation;
created, I looked at myself, the creator:
it was a maniacal horror in the end.
I was a lover, I kissed the woman I loved,
and God of horror, I was kissing also myself.
I was a father and a begetter of children,
and oh, oh horror, I was begetting and conceiving in my own body.
shyly and in homage linger for an invitation
from this unknown that I would trespass on.
all alone, and very glad, in a new world
where I am disembarked at last.
I could cry with joy, and quite freely, there is nobody to know.
they will never understand my weeping for joy to be adventuring among them
because it will still be a gesture of the old world I am making
which they will not understand, because it is quite, quite foreign to them.
I was so sick of it
everything was tainted with myself,
skies, trees, flowers, birds, water,
people, houses, streets, vehicles, machines,
nations, armies, war, peace-talking,
work, recreation, governing, anarchy,
it was all tainted with myself, I knew it all to start with
because it was all myself.
When I went in a train, I knew it was myself travelling by my own invention.
When I heard the cannon of the war, I listened with my own ears to my own destruction.
When I saw the torn dead, I knew it was my own torn dead body.
It was all me, I had done it all in my own flesh.
when everything was me, I knew it all already, I anticipated it all in my soul
because I was the author and the result
I was the God and the creation at once;
creator, I looked at my creation;
created, I looked at myself, the creator:
it was a maniacal horror in the end.
and God of horror, I was kissing also myself.
I was a father and a begetter of children,
and oh, oh horror, I was begetting and conceiving in my own body.
IV
At last came death, sufficiency of death,
and that at last relieved me, I died.
I buried my beloved; it was good, I buried myself and was gone.
War came, and every hand raised to murder;
very good, very good, every hand raised to murder!
Very good, very good, I am a murderer!
It is good, I can murder and murder, and see them fall
the mutilated, horror-struck youths, a multitude
one on another, and then in clusters together
smashed, all oozing with blood, and burned in heaps
going up in a foetid smoke to get rid of them
the murdered bodies of youths and men in heaps
and heaps and heaps and horrible reeking heaps
till it is almost enough, till I am reduced perhaps;
thousands and thousands of gaping, hideous foul dead
that are youths and men and me
being burned with oil, and consumed in corrupt thick smoke, that rolls
and taints and blackens the sky, till at last it is dark, dark as night, or death, or hell
and I am dead, and trodden to nought in the smoke-sodden tomb;
dead and trodden to nought in the sour black earth
of the tomb; dead and trodden to nought, trodden to nought.
V
God, but it is good to have died and been
trodden out
trodden to nought in sour, dead earth
quite to nought
absolutely to nothing
nothing
nothing
nothing.
For when it is quite, quite nothing, then
it is everything.
When I am trodden quite out, quite, quite out
every vestige gone, then I am here
risen, and setting my foot on another world
risen, accomplishing a resurrection
risen, not born again, but risen, body the same as before,
new beyond knowledge of newness, alive beyond life
proud beyond inkling or furthest conception of pride
living where life was never yet dreamed of, nor hinted at
here, in the other world, still terrestrial
myself, the same as before, yet unaccountably new.
VI
I, in the sour black tomb, trodden to
absolute death
I put out my hand in the night, one night, and my hand
touched that which was verily not me
verily it was not me.
Where I had been was a sudden blaze
a sudden flaring blaze!
So I put my hand out further, a little further
and I felt that which was not I,
it verily was not I
it was the unknown.
Ha, I was a blaze leaping up!
I was a tiger bursting into sunlight.
I was greedy, I was mad for the unknown.
I, new-risen, resurrected, starved from the tomb
starved from a life of devouring always myself
now here was I, new-awakened, with my hand stretching out
and touching the unknown, the real unknown, the unknown unknown.
My God, but I can only say
I touch, I feel the unknown!
I am the first comer!
Cortes, Pisarro, Columbus, Cabot, they are noth-
ing, nothing!
I am the first comer!
I am the discoverer!
I have found the other world!
The unknown, the unknown!
I am thrown upon the shore.
I am covering myself with the sand.
I am filling my mouth with the earth.
I am burrowing my body into the soil.
The unknown, the new world!
and that at last relieved me, I died.
I buried my beloved; it was good, I buried myself and was gone.
War came, and every hand raised to murder;
very good, very good, every hand raised to murder!
Very good, very good, I am a murderer!
It is good, I can murder and murder, and see them fall
the mutilated, horror-struck youths, a multitude
one on another, and then in clusters together
smashed, all oozing with blood, and burned in heaps
going up in a foetid smoke to get rid of them
the murdered bodies of youths and men in heaps
and heaps and heaps and horrible reeking heaps
till it is almost enough, till I am reduced perhaps;
thousands and thousands of gaping, hideous foul dead
that are youths and men and me
being burned with oil, and consumed in corrupt thick smoke, that rolls
and taints and blackens the sky, till at last it is dark, dark as night, or death, or hell
and I am dead, and trodden to nought in the smoke-sodden tomb;
dead and trodden to nought in the sour black earth
of the tomb; dead and trodden to nought, trodden to nought.
trodden to nought in sour, dead earth
quite to nought
absolutely to nothing
nothing
nothing
nothing.
When I am trodden quite out, quite, quite out
every vestige gone, then I am here
risen, and setting my foot on another world
risen, accomplishing a resurrection
risen, not born again, but risen, body the same as before,
new beyond knowledge of newness, alive beyond life
proud beyond inkling or furthest conception of pride
living where life was never yet dreamed of, nor hinted at
here, in the other world, still terrestrial
myself, the same as before, yet unaccountably new.
I put out my hand in the night, one night, and my hand
touched that which was verily not me
verily it was not me.
Where I had been was a sudden blaze
a sudden flaring blaze!
So I put my hand out further, a little further
and I felt that which was not I,
it verily was not I
it was the unknown.
I was a tiger bursting into sunlight.
I was greedy, I was mad for the unknown.
I, new-risen, resurrected, starved from the tomb
starved from a life of devouring always myself
now here was I, new-awakened, with my hand stretching out
and touching the unknown, the real unknown, the unknown unknown.
I touch, I feel the unknown!
I am the first comer!
Cortes, Pisarro, Columbus, Cabot, they are noth-
ing, nothing!
I am the first comer!
I am the discoverer!
I have found the other world!
I am thrown upon the shore.
I am covering myself with the sand.
I am filling my mouth with the earth.
I am burrowing my body into the soil.
The unknown, the new world!
VII
It was the flank of my wife
I touched with my hand, I clutched with my hand
rising, new-awakened from the tomb!
It was the flank of my wife
whom I married years ago
at whose side I have lain for over a thousand nights
and all that previous while, she was I, she was I;
I touched her, it was I who touched and I who was touched.
Yet rising from the tomb, from the black oblivion
stretching out my hand, my hand flung like a drowned man's hand on a rock,
I touched her flank and knew I was carried by the current in death
over to the new world, and was climbing out on the shore,
risen, not to the old world, the old, changeless I, the old life,
wakened not to the old knowledge
but to a new earth, a new I, a new knowledge, a new world of time.
Ah no, I cannot tell you what it is, the new world
I cannot tell you the mad, astounded rapture of its discovery.
I shall be mad with delight before I have done,
and whosoever comes after will find me in the new world
a madman in rapture.
VIII
Green streams that flow from the innermost continent of the new world,
what are they?
Green and illumined and travelling for ever
dissolved with the mystery of the innermost heart of the continent
mystery beyond knowledge or endurance, so sumptuous
out of the well-heads of the new world. -
The other, she too has strange green eyes!
White sands and fruits unknown and perfumes that never
can blow across the dark seas to our usual world!
And land that beats with a pulse!
And valleys that draw close in love!
And strange ways where I fall into oblivion of uttermost living! -
Also she who is the other has strange-mounded breasts and strange sheer slopes, and white levels.
Sightless and strong oblivion in utter life takes possession of me!
The unknown, strong current of life supreme
drowns me and sweeps me away and holds me down
to the sources of mystery, in the depths,
extinguishes there my risen resurrected life
and kindles it further at the core of utter mystery.
It was the flank of my wife
I touched with my hand, I clutched with my hand
rising, new-awakened from the tomb!
It was the flank of my wife
whom I married years ago
at whose side I have lain for over a thousand nights
and all that previous while, she was I, she was I;
I touched her, it was I who touched and I who was touched.
Yet rising from the tomb, from the black oblivion
stretching out my hand, my hand flung like a drowned man's hand on a rock,
I touched her flank and knew I was carried by the current in death
over to the new world, and was climbing out on the shore,
risen, not to the old world, the old, changeless I, the old life,
wakened not to the old knowledge
but to a new earth, a new I, a new knowledge, a new world of time.
Ah no, I cannot tell you what it is, the new world
I cannot tell you the mad, astounded rapture of its discovery.
I shall be mad with delight before I have done,
and whosoever comes after will find me in the new world
a madman in rapture.
VIII
Green streams that flow from the innermost continent of the new world,
what are they?
Green and illumined and travelling for ever
dissolved with the mystery of the innermost heart of the continent
mystery beyond knowledge or endurance, so sumptuous
out of the well-heads of the new world. -
The other, she too has strange green eyes!
White sands and fruits unknown and perfumes that never
can blow across the dark seas to our usual world!
And land that beats with a pulse!
And valleys that draw close in love!
And strange ways where I fall into oblivion of uttermost living! -
Also she who is the other has strange-mounded breasts and strange sheer slopes, and white levels.
Sightless and strong oblivion in utter life takes possession of me!
The unknown, strong current of life supreme
drowns me and sweeps me away and holds me down
to the sources of mystery, in the depths,
extinguishes there my risen resurrected life
and kindles it further at the core of utter mystery.
Humming-Bird
I can
imagine, in some otherworld
Primeval-dumb, far back
In that most awful stillness, that gasped and hummed,
Humming-birds raced down the avenues.
Before
anything had a soul,
While life was a heave of matter, half inanimate,
This little bit chirped off in brilliance
And went whizzing through the slow, vast, succulent stems.
I
believe there were no flowers then,
In the world where humming-birds flashed ahead of creation
I believe he pierced the slow vegetable veins with his long beak.
Probably
he was big
As mosses, and little lizards, they say, were once big.
Probably he was a jabbing, terrifying monster.
We look
at him through the wrong end of the telescope of time,
Luckily for us.
Primeval-dumb, far back
In that most awful stillness, that gasped and hummed,
Humming-birds raced down the avenues.
While life was a heave of matter, half inanimate,
This little bit chirped off in brilliance
And went whizzing through the slow, vast, succulent stems.
In the world where humming-birds flashed ahead of creation
I believe he pierced the slow vegetable veins with his long beak.
As mosses, and little lizards, they say, were once big.
Probably he was a jabbing, terrifying monster.
Luckily for us.
Virgin
Youth
Now and
again
All my body springs alive,
And the life that is polarised in my eyes,
That quivers between my eyes and mouth,
Flies like a wild thing across my body,
Leaving my eyes half-empty, and clamorous,
Filling my still breasts with a flush and a flame,
Gathering the soft ripples below my breasts
Into urgent, passionate waves,
And my soft, slumbering belly
Quivering awake with one impulse of desire,
Gathers itself fiercely together;
And my docile, fluent arms
Knotting themselves with wild strength
To clasp--what they have never clasped.
Then I tremble, and go trembling
Under the wild, strange tyranny of my body,
Till it has spent itself,
And the relentless nodality of my eyes reasserts itself,
Till the bursten flood of life ebbs back to my eyes,
Back from my beautiful, lonely body
Tired and unsatisfied.
All my body springs alive,
And the life that is polarised in my eyes,
That quivers between my eyes and mouth,
Flies like a wild thing across my body,
Leaving my eyes half-empty, and clamorous,
Filling my still breasts with a flush and a flame,
Gathering the soft ripples below my breasts
Into urgent, passionate waves,
And my soft, slumbering belly
Quivering awake with one impulse of desire,
Gathers itself fiercely together;
And my docile, fluent arms
Knotting themselves with wild strength
To clasp--what they have never clasped.
Then I tremble, and go trembling
Under the wild, strange tyranny of my body,
Till it has spent itself,
And the relentless nodality of my eyes reasserts itself,
Till the bursten flood of life ebbs back to my eyes,
Back from my beautiful, lonely body
Tired and unsatisfied.
Last
Words to Miriam
Yours is the shame and sorrow
But the disgrace is mine;
Your love was dark and thorough,
Mine was the love of the sun for a flower
He creates with his shine.
I was diligent to explore you,
Blossom you stalk by stalk,
Till my fire of creation bore you
Shrivelling down in the final dour
Anguish—then I suffered a balk.
I knew your pain, and it broke
My fine, craftsman's nerve;
Your body quailed at my stroke,
And my courage failed to give you the last
Fine torture you did deserve.
You are shapely, you are adorned,
But opaque and dull in the flesh,
Who, had I but pierced with the thorned
Fire-threshing anguish, were fused and cast
In a lovely illumined mesh.
Like a painted window: the best
Suffering burnt through your flesh,
Undressed it and left it blest
With a quivering sweet wisdom of grace: but now
Who shall take you afresh?
Now who will burn you free,
From your body's terrors and dross,
Since the fire has failed in me?
What man will stoop in your flesh to plough
The shrieking cross?
A mute, nearly beautiful thing
Is your face, that fills me with shame
As I see it hardening,
Warping the perfect image of God,
And darkening my eternal fame.
Yours is the shame and sorrow
But the disgrace is mine;
Your love was dark and thorough,
Mine was the love of the sun for a flower
He creates with his shine.
I was diligent to explore you,
Blossom you stalk by stalk,
Till my fire of creation bore you
Shrivelling down in the final dour
Anguish—then I suffered a balk.
I knew your pain, and it broke
My fine, craftsman's nerve;
Your body quailed at my stroke,
And my courage failed to give you the last
Fine torture you did deserve.
You are shapely, you are adorned,
But opaque and dull in the flesh,
Who, had I but pierced with the thorned
Fire-threshing anguish, were fused and cast
In a lovely illumined mesh.
Like a painted window: the best
Suffering burnt through your flesh,
Undressed it and left it blest
With a quivering sweet wisdom of grace: but now
Who shall take you afresh?
Now who will burn you free,
From your body's terrors and dross,
Since the fire has failed in me?
What man will stoop in your flesh to plough
The shrieking cross?
A mute, nearly beautiful thing
Is your face, that fills me with shame
As I see it hardening,
Warping the perfect image of God,
And darkening my eternal fame.
Intimates
Don't you care for my love? she said bitterly.
I handed her the mirror, and said:
Please address these questions to the proper person!
Please make all requests to head-quarters!
In all matters of emotional importance
please approach the supreme authority direct! -
So I handed her the mirror.
And she would have broken it over my head,
but she caught sight of her own reflection
and that held her spellbound for two seconds
while I fled.
Don't you care for my love? she said bitterly.
I handed her the mirror, and said:
Please address these questions to the proper person!
Please make all requests to head-quarters!
In all matters of emotional importance
please approach the supreme authority direct! -
So I handed her the mirror.
And she would have broken it over my head,
but she caught sight of her own reflection
and that held her spellbound for two seconds
while I fled.
Baby Tortoise
You know what it is to be born alone,
Baby tortoise!
The first day to heave your feet little by little from
the shell,
Not yet awake,
And remain lapsed on earth,
Not quite alive.
A tiny, fragile, half-animate bean.
To open your tiny beak-mouth, that looks as if it would
never open
Like some iron door;
To lift the upper hawk-beak from the lower base
And reach your skinny neck
And take your first bite at some dim bit of herbage,
Alone, small insect,
Tiny bright-eye,
Slow one.
To take your first solitary bite
And move on your slow, solitary hunt.
Your bright, dark little eye,
Your eye of a dark disturbed night,
Under its slow lid, tiny baby tortoise,
So indomitable.
No one ever heard you complain.
You draw your head forward, slowly, from your little
wimple
And set forward, slow-dragging, on your four-pinned toes,
Rowing slowly forward.
Wither away, small bird?
Rather like a baby working its limbs,
Except that you make slow, ageless progress
And a baby makes none.
The touch of sun excites you,
And the long ages, and the lingering chill
Make you pause to yawn,
Opening your impervious mouth,
Suddenly beak-shaped, and very wide, like some suddenly
gaping pincers;
Soft red tongue, and hard thin gums,
Then close the wedge of your little mountain front,
Your face, baby tortoise.
Do you wonder at the world, as slowly you turn your head
in its wimple
And look with laconic, black eyes?
Or is sleep coming over you again,
The non-life?
You are so hard to wake.
Are you able to wonder?
Or is it just your indomitable will and pride of the
first life
Looking round
And slowly pitching itself against the inertia
Which had seemed invincible?
The vast inanimate,
And the fine brilliance of your so tiny eye,
Challenger.
Nay, tiny shell-bird.
What a huge vast inanimate it is, that you must row
against,
What an incalculable inertia.
Challenger,
Little Ulysses, fore-runner,
No bigger than my thumb-nail,
Buon viaggio.
All animate creation on your shoulder,
Set forth, little Titan, under your battle-shield.
The ponderous, preponderate,
Inanimate universe;
And you are slowly moving, pioneer, you alone.
How vivid your travelling seems now, in the troubled
sunshine,
Stoic, Ulyssean atom;
Suddenly hasty, reckless, on high toes.
Voiceless little bird,
Resting your head half out of your wimple
In the slow dignity of your eternal pause.
Alone, with no sense of being alone,
And hence six times more solitary;
Fulfilled of the slow passion of pitching through
immemorial ages
Your little round house in the midst of chaos.
Over the garden earth,
Small bird,
Over the edge of all things.
Traveller,
With your tail tucked a little on one side
Like a gentleman in a long-skirted coat.
All life carried on your shoulder,
Invincible fore-runner
You know what it is to be born alone,
Baby tortoise!
The first day to heave your feet little by little from
the shell,
Not yet awake,
And remain lapsed on earth,
Not quite alive.
A tiny, fragile, half-animate bean.
To open your tiny beak-mouth, that looks as if it would
never open
Like some iron door;
To lift the upper hawk-beak from the lower base
And reach your skinny neck
And take your first bite at some dim bit of herbage,
Alone, small insect,
Tiny bright-eye,
Slow one.
To take your first solitary bite
And move on your slow, solitary hunt.
Your bright, dark little eye,
Your eye of a dark disturbed night,
Under its slow lid, tiny baby tortoise,
So indomitable.
No one ever heard you complain.
You draw your head forward, slowly, from your little
wimple
And set forward, slow-dragging, on your four-pinned toes,
Rowing slowly forward.
Wither away, small bird?
Rather like a baby working its limbs,
Except that you make slow, ageless progress
And a baby makes none.
The touch of sun excites you,
And the long ages, and the lingering chill
Make you pause to yawn,
Opening your impervious mouth,
Suddenly beak-shaped, and very wide, like some suddenly
gaping pincers;
Soft red tongue, and hard thin gums,
Then close the wedge of your little mountain front,
Your face, baby tortoise.
Do you wonder at the world, as slowly you turn your head
in its wimple
And look with laconic, black eyes?
Or is sleep coming over you again,
The non-life?
You are so hard to wake.
Are you able to wonder?
Or is it just your indomitable will and pride of the
first life
Looking round
And slowly pitching itself against the inertia
Which had seemed invincible?
The vast inanimate,
And the fine brilliance of your so tiny eye,
Challenger.
Nay, tiny shell-bird.
What a huge vast inanimate it is, that you must row
against,
What an incalculable inertia.
Challenger,
Little Ulysses, fore-runner,
No bigger than my thumb-nail,
Buon viaggio.
All animate creation on your shoulder,
Set forth, little Titan, under your battle-shield.
The ponderous, preponderate,
Inanimate universe;
And you are slowly moving, pioneer, you alone.
How vivid your travelling seems now, in the troubled
sunshine,
Stoic, Ulyssean atom;
Suddenly hasty, reckless, on high toes.
Voiceless little bird,
Resting your head half out of your wimple
In the slow dignity of your eternal pause.
Alone, with no sense of being alone,
And hence six times more solitary;
Fulfilled of the slow passion of pitching through
immemorial ages
Your little round house in the midst of chaos.
Over the garden earth,
Small bird,
Over the edge of all things.
Traveller,
With your tail tucked a little on one side
Like a gentleman in a long-skirted coat.
All life carried on your shoulder,
Invincible fore-runner
A Baby
Asleep After Pain
As a drenched, drowned bee
Hangs numb and heavy from a bending flower,
So clings to me
My baby, her brown hair brushed with wet tears
And laid against her cheek;
Her soft white legs hanging heavily over my arm,
Swinging heavily to my movement as I walk.
My sleeping baby hangs upon my life,
Like a burden she hangs on me.
She has always seemed so light,
But now she is wet with tears and numb with pain
Even her floating hair sinks heavily,
Reaching downwards;
As the wings of a drenched, drowned bee
Are a heaviness, and a weariness.
As a drenched, drowned bee
Hangs numb and heavy from a bending flower,
So clings to me
My baby, her brown hair brushed with wet tears
And laid against her cheek;
Her soft white legs hanging heavily over my arm,
Swinging heavily to my movement as I walk.
My sleeping baby hangs upon my life,
Like a burden she hangs on me.
She has always seemed so light,
But now she is wet with tears and numb with pain
Even her floating hair sinks heavily,
Reaching downwards;
As the wings of a drenched, drowned bee
Are a heaviness, and a weariness.
Brooding Grief
A yellow leaf from the darkness
Hops like a frog before me.
Why should I start and stand still?
I was watching the woman that bore me
Stretched in the brindled darkness
Of the sick-room, rigid with will
To die: and the quick leaf tore me
Back to this rainy swill
Of leaves and lamps and traffic mingled before me.
Sorrow
Why does the thin grey strand
Floating up from the forgotten
Cigarette between my fingers,
Why does it trouble me?
Ah, you will understand;
When I carried my mother downstairs,
A few times only, at the beginning
Of her soft-foot malady,
I should find, for a reprimand
To my gaiety, a few long grey hairs
On the breast of my coat; and one by one
I let them float up the dark chimney.
Lies
About Love
We are a
liars, because
the truth of yesterday becomes a lie tomorrow,
whereas letters are fixed,
and we live by the letter of truth.
The love I feel for my friend, this year,
is different from the love I felt last year.
If it were not so, it would be a lie.
Yet we reiterate love! love! love!
as if it were a coin with a fixed value
instead of a flower that dies, and opens a different bud.
the truth of yesterday becomes a lie tomorrow,
whereas letters are fixed,
and we live by the letter of truth.
The love I feel for my friend, this year,
is different from the love I felt last year.
If it were not so, it would be a lie.
Yet we reiterate love! love! love!
as if it were a coin with a fixed value
instead of a flower that dies, and opens a different bud.
Winter-Lull
Because of the silent snow, we are all hushed
Into awe.
No sound of guns nor overhead no rushed
Vibration to draw
Our attention out of the void wherein we are crushed
A crow floats past on level wings
Noiselessly.
Uninterrupted silence swings
Invisibly, inaudibly
To and fro in our misgivings.
We do not look at each other, we hide
Our daunted eyes.
White earth, and ruins, ourselves, and nothing beside ...
It all belies
Our existence; we wait, and are still denied.
We are folded together, men and the snowy ground
Into nullity.
There is silence, only the silence, never a sound
Nor a verity
To assist us; disastrously silence-bound!
Because of the silent snow, we are all hushed
Into awe.
No sound of guns nor overhead no rushed
Vibration to draw
Our attention out of the void wherein we are crushed
A crow floats past on level wings
Noiselessly.
Uninterrupted silence swings
Invisibly, inaudibly
To and fro in our misgivings.
We do not look at each other, we hide
Our daunted eyes.
White earth, and ruins, ourselves, and nothing beside ...
It all belies
Our existence; we wait, and are still denied.
We are folded together, men and the snowy ground
Into nullity.
There is silence, only the silence, never a sound
Nor a verity
To assist us; disastrously silence-bound!
How
Beastly the Bourgeois Is
‘How
beastly the bourgeois is
especially the male of the species —
Presentable,
eminently presentable —
shall I make you a present of him?
Isn’t he
handsome? Isn’t he healthy? Isn’t he a fine specimen?
Doesn’t he look the fresh clean Englishman, outside?
Isn’t it God’s own image? tramping his thirty miles a day
after partridges, or a little rubber ball?
wouldn’t you like to be like that, well off, and quite the
thing
Oh, but
wait!
Let him meet a new emotion, let him be faced with another
man’s need,
let him come home to a bit of moral difficulty, let life
face him with a new demand on his understanding
and then watch him go soggy, like a wet meringue.
Watch him turn into a mess, either a fool or a bully.
Just watch the display of him, confronted with a new
demand on his intelligence,
a new life-demand.
How
beastly the bourgeois is
especially the male of the species —
Nicely
groomed, like a mushroom
standing there so sleek and erect and eyeable —
and like a fungus, living on the remains of a bygone life
sucking his life out of the dead leaves of greater life
than his own.
And even
so, he’s stale, he’s been there too long.
Touch him, and you’ll find he’s all gone inside
just like an old mushroom, all wormy inside, and hollow
under a smooth skin and an upright appearance.
Full of
seething, wormy, hollow feelings
rather nasty —
How beastly the bourgeois is!
Standing
in their thousands, these appearances, in damp
England
what a pity they can’t all be kicked over
like sickening toadstools, and left to melt back, swiftly
into the soil of England.
especially the male of the species —
shall I make you a present of him?
Doesn’t he look the fresh clean Englishman, outside?
Isn’t it God’s own image? tramping his thirty miles a day
after partridges, or a little rubber ball?
wouldn’t you like to be like that, well off, and quite the
thing
Let him meet a new emotion, let him be faced with another
man’s need,
let him come home to a bit of moral difficulty, let life
face him with a new demand on his understanding
and then watch him go soggy, like a wet meringue.
Watch him turn into a mess, either a fool or a bully.
Just watch the display of him, confronted with a new
demand on his intelligence,
a new life-demand.
especially the male of the species —
standing there so sleek and erect and eyeable —
and like a fungus, living on the remains of a bygone life
sucking his life out of the dead leaves of greater life
than his own.
Touch him, and you’ll find he’s all gone inside
just like an old mushroom, all wormy inside, and hollow
under a smooth skin and an upright appearance.
rather nasty —
How beastly the bourgeois is!
England
what a pity they can’t all be kicked over
like sickening toadstools, and left to melt back, swiftly
into the soil of England.
A Sane
Revolution
If you
make a revolution, make it for fun,
don't make it in ghastly seriousness,
don't do it in deadly earnest,
do it for fun.
Don't do
it because you hate people,
do it just to spit in their eye.
Don't do
it for the money,
do it and be damned to the money.
Don't do
it for equality,
do it because we've got too much equality
and it would be fun to upset the apple-cart
and see which way the apples would go a-rolling.
Don't do
it for the working classes.
Do it so that we can all of us be little aristocracies on our own
and kick our heels like jolly escaped asses.
Don't do
it, anyhow, for international Labour.
Labour is the one thing a man has had too much of.
Let's abolish labour, let's have done with labouring!
Work can be fun, and men can enjoy it; then it's not labour.
Let's have it so! Let's make a revolution for fun!
don't make it in ghastly seriousness,
don't do it in deadly earnest,
do it for fun.
do it just to spit in their eye.
do it and be damned to the money.
do it because we've got too much equality
and it would be fun to upset the apple-cart
and see which way the apples would go a-rolling.
Do it so that we can all of us be little aristocracies on our own
and kick our heels like jolly escaped asses.
Labour is the one thing a man has had too much of.
Let's abolish labour, let's have done with labouring!
Work can be fun, and men can enjoy it; then it's not labour.
Let's have it so! Let's make a revolution for fun!
To Women
As Far As I'm Concerned
The feelings I don't have I don't have.
The feeling I don't have, I won't say I have.
The feelings you say you have, you don't have.
The feelings you would like us both to have, we neither of us have.
The feelings people ought to have, they never have.
If people say they've got feelings, you may be pretty sure they haven't got them.
So if you want either of us to feel anything at all
You'd better abandon all ideas of feelings altogether.
The feelings I don't have I don't have.
The feeling I don't have, I won't say I have.
The feelings you say you have, you don't have.
The feelings you would like us both to have, we neither of us have.
The feelings people ought to have, they never have.
If people say they've got feelings, you may be pretty sure they haven't got them.
So if you want either of us to feel anything at all
You'd better abandon all ideas of feelings altogether.
The White Horse
The youth walks up to the white horse, to put its halter on
and the horse looks at him in silence.
They are so silent, they are in another world.
The Ship
of Death
Now it is autumn and the falling fruit
and the long journey towards oblivion.
The apples falling like great drops of dew
to bruise themselves an exit from themselves.
And it is time to go, to bid farewell
to one’s own self, and find an exit
from the fallen self.
II
Have you built your ship of death, O have you?
O build your ship of death, for you will need it.
The grim frost is at hand, when the apples will fall
thick, almost thundrous, on the hardened earth.
And death is on the air like a smell of ashes!
Ah! can’t you smell it?
And in the bruised body, the frightened soul
finds itself shrinking, wincing from the cold
that blows upon it through the orifices.
III
And can a man his own quietus make
with a bare bodkin?
With daggers, bodkins, bullets, man can make
a bruise or break of exit for his life;
but is that a quietus, O tell me, is it quietus?
Surely not so! for how could murder, even self-murder
ever a quietus make?
IV
O let us talk of quiet that we know,
that we can know, the deep and lovely quiet
of a strong heart at peace!
How can we this, our own quietus, make?
V
Build then the ship of death, for you must take
the longest journey, to oblivion.
And die the death, the long and painful death
that lies between the old self and the new.
Already our bodies are fallen, bruised, badly bruised,
already our souls are oozing through the exit
of the cruel bruise.
Already the dark and endless ocean of the end
is washing in through the breaches of our wounds,
already the flood is upon us.
Oh build your ship of death, your little ark
and furnish it with food, with little cakes, and wine
for the dark flight down oblivion.
VI
Piecemeal the body dies, and the timid soul
has her footing washed away, as the dark flood rises.
We are dying, we are dying, we are all of us dying
and nothing will stay the death-flood rising within us
and soon it will rise on the world, on the outside world.
We are dying, we are dying, piecemeal our bodies are dying
and our strength leaves us,
and our soul cowers naked in the dark rain over the flood,
cowering in the last branches of the tree of our life.
Now it is autumn and the falling fruit
and the long journey towards oblivion.
The apples falling like great drops of dew
to bruise themselves an exit from themselves.
And it is time to go, to bid farewell
to one’s own self, and find an exit
from the fallen self.
II
Have you built your ship of death, O have you?
O build your ship of death, for you will need it.
The grim frost is at hand, when the apples will fall
thick, almost thundrous, on the hardened earth.
And death is on the air like a smell of ashes!
Ah! can’t you smell it?
And in the bruised body, the frightened soul
finds itself shrinking, wincing from the cold
that blows upon it through the orifices.
III
And can a man his own quietus make
with a bare bodkin?
With daggers, bodkins, bullets, man can make
a bruise or break of exit for his life;
but is that a quietus, O tell me, is it quietus?
Surely not so! for how could murder, even self-murder
ever a quietus make?
IV
O let us talk of quiet that we know,
that we can know, the deep and lovely quiet
of a strong heart at peace!
How can we this, our own quietus, make?
V
Build then the ship of death, for you must take
the longest journey, to oblivion.
And die the death, the long and painful death
that lies between the old self and the new.
Already our bodies are fallen, bruised, badly bruised,
already our souls are oozing through the exit
of the cruel bruise.
Already the dark and endless ocean of the end
is washing in through the breaches of our wounds,
already the flood is upon us.
Oh build your ship of death, your little ark
and furnish it with food, with little cakes, and wine
for the dark flight down oblivion.
VI
Piecemeal the body dies, and the timid soul
has her footing washed away, as the dark flood rises.
We are dying, we are dying, we are all of us dying
and nothing will stay the death-flood rising within us
and soon it will rise on the world, on the outside world.
We are dying, we are dying, piecemeal our bodies are dying
and our strength leaves us,
and our soul cowers naked in the dark rain over the flood,
cowering in the last branches of the tree of our life.
VII
We are dying, we are dying, so all we can do
is now to be willing to die, and to build the ship
of death to carry the soul on the longest journey.
A little ship, with oars and food
and little dishes, and all accoutrements
fitting and ready for the departing soul.
Now launch the small ship, now as the body dies
and life departs, launch out, the fragile soul
in the fragile ship of courage, the ark of faith
with its store of food and little cooking pans
and change of clothes,
upon the flood’s black waste
upon the waters of the end
upon the sea of death, where still we sail
darkly, for we cannot steer, and have no port.
There is no port, there is nowhere to go
only the deepening black darkening still
blacker upon the soundless, ungurgling flood
darkness at one with darkness, up and down
and sideways utterly dark, so there is no direction any more
and the little ship is there; yet she is gone.
She is not seen, for there is nothing to see her by.
She is gone! gone! and yet
somewhere she is there.
Nowhere!
VIII
And everything is gone, the body is gone
completely under, gone, entirely gone.
The upper darkness is heavy as the lower,
between them the little ship
is gone
she is gone.
It is the end, it is oblivion.
IX
And yet out of eternity a thread
separates itself on the blackness,
a horizontal thread
that fumes a little with pallor upon the dark.
Is it illusion? or does the pallor fume
A little higher?
Ah wait, wait, for there’s the dawn,
the cruel dawn of coming back to life
out of oblivion.
Wait, wait, the little ship
drifting, beneath the deathly ashy grey
of a flood-dawn.
Wait, wait! even so, a flush of yellow
and strangely, O chilled wan soul, a flush of rose.
A flush of rose, and the whole thing starts again.
X
The flood subsides, and the body, like a worn sea-shell
emerges strange and lovely.
And the little ship wings home, faltering and lapsing
on the pink flood,
and the frail soul steps out, into the house again
filling the heart with peace.
Swings the heart renewed with peace
even of oblivion.
Oh build your ship of death, oh build it!
for you will need it.
For the voyage of oblivion awaits you.
We are dying, we are dying, so all we can do
is now to be willing to die, and to build the ship
of death to carry the soul on the longest journey.
A little ship, with oars and food
and little dishes, and all accoutrements
fitting and ready for the departing soul.
Now launch the small ship, now as the body dies
and life departs, launch out, the fragile soul
in the fragile ship of courage, the ark of faith
with its store of food and little cooking pans
and change of clothes,
upon the flood’s black waste
upon the waters of the end
upon the sea of death, where still we sail
darkly, for we cannot steer, and have no port.
There is no port, there is nowhere to go
only the deepening black darkening still
blacker upon the soundless, ungurgling flood
darkness at one with darkness, up and down
and sideways utterly dark, so there is no direction any more
and the little ship is there; yet she is gone.
She is not seen, for there is nothing to see her by.
She is gone! gone! and yet
somewhere she is there.
Nowhere!
VIII
And everything is gone, the body is gone
completely under, gone, entirely gone.
The upper darkness is heavy as the lower,
between them the little ship
is gone
she is gone.
It is the end, it is oblivion.
IX
And yet out of eternity a thread
separates itself on the blackness,
a horizontal thread
that fumes a little with pallor upon the dark.
Is it illusion? or does the pallor fume
A little higher?
Ah wait, wait, for there’s the dawn,
the cruel dawn of coming back to life
out of oblivion.
Wait, wait, the little ship
drifting, beneath the deathly ashy grey
of a flood-dawn.
Wait, wait! even so, a flush of yellow
and strangely, O chilled wan soul, a flush of rose.
A flush of rose, and the whole thing starts again.
X
The flood subsides, and the body, like a worn sea-shell
emerges strange and lovely.
And the little ship wings home, faltering and lapsing
on the pink flood,
and the frail soul steps out, into the house again
filling the heart with peace.
Swings the heart renewed with peace
even of oblivion.
Oh build your ship of death, oh build it!
for you will need it.
For the voyage of oblivion awaits you.
Recent
articles :
D. H. Lawrence, Arch-Heretic : ‘The Bad Side of Books’ By By George Scialabba.
Commonweal,
October 10, 2020.
The D.
H. Lawrence We Forgot. By Frances
Wilson. The New Yorker , October 8, 2020.
What D.
H. Lawrence Left Behind. Interview with
Geoff Dyer by Lucas Iberico Lozada
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