Showing posts with label 17th century. Show all posts
Showing posts with label 17th century. Show all posts

16/11/2022

Modern Science Is A Global History

 




 “Modern science – we are told – is a product of Europe alone,” begins James Poskett in his new book Horizons: a Global History of Science. “This story is a myth.”

Across cultures and disciplines, how history has been recorded and taught is being reassessed. Bids to rename buildings, replace statues and repatriate artefacts looted by European Empires are gaining ever more traction. Yet science has lagged behind in the discussion of its own history, with many claiming that looking back is a distraction to the forward vision of discovery.

In Horizons, Poskett – a science and technology historian at the University of Warwick, UK – instead argues that the “future of science ultimately depends on a better understanding of its global past”. He outlines a framework for an international history of science that sheds light on the significant but overlooked contributions of individuals around the world. In doing so, he challenges the idea that international science is purely a thing of the 21st century.

Organized in four chronological parts, Horizons spans five centuries, from 1450 to the aftermath of the Cold War (1990s). Each part explains a different era of scientific history: scientific revolution (1450–1700), empire and enlightenment (1650–1800), capitalism and conflict (1790–1914), and ideology and aftermath (1914–2000).

Poskett begins in the vast botanical gardens of the Aztec city Tenochtitlan, built in 1467. These gardens not only “predated European examples by almost a century” but serve as proof of the detailed understanding the Aztec civilization had of the natural world. He goes on to guide us through to the development of natural history in the Spanish Empire, which conquered Tenochtitlan in 1521. But Poskett does not pull his punches when describing the exploitative nature of this cultural exchange: “Much of what we know about Tenochtitlan comes from accounts written by the people who destroyed it.”

It is in this same vein, straddling specific examples and broader political and historical context, that Poskett traverses the next five centuries. Through each section, he unravels a complex global and geopolitical landscape, highlighting stories of translation, collaboration and struggle against colonial aggression. Poskett’s account of history is in no way self-righteous – his understanding of history is balanced and honest, both challenging empires and understanding their role in cultural exchange.

In my opinion, Horizons’ scope is impressive and handled with deft precision. The book has no want of moments that taught me something new and surprising: from the remarkable fact that the first German-to-English translations of Einstein’s papers on relativity were written by physicists Meghnad Saha and Satyendra Nath Bose in India, under British colonial rule; to Polynesian navigator Tupaia’s beautifully rendered map of the Society Islands in 1769, which replaces traditional compass direction with timings such as sunrise and sunset. Indeed, any reader will come away with their perspective of history shifted.

In his commitment to interesting individuals and scientific detail, however, Poskett’s pace sometimes gets away from him. The volume of examples and fast pace of the narrative means that the facts sometimes feel detached from the greater message. At points I found myself unable to see the woods for the trees, taking away anecdotes more than trends. Yet Poskett does try to counter this, with clear introductions and summaries to each of his chapters. These at times feel slightly repetitive and over-explained, like reading an essay or a set of lecture notes, but they have the benefit of ensuring that the reader comes away with a total understanding of his message.

The moments where Poskett pauses to unfurl a single story in more detail were the ones that captured me the most. An example being the story of Graman Kwasi (born around 1690), a young man captured from what is now Ghana and sold as a slave to the Dutch. Kwasi’s knowledge of natural medicine led to an effective treatment of malarial fever from which other remedies have spawned. These are the moments that allow the reader to really sit with history and examine their own biases about the past. How much more, for example, would we value the knowledge of the natural world provided by Indigenous populations if we had correctly written it into our history of science?

Poskett must walk a very fine line between providing the reader with a rich series of examples, across a range of scientific disciplines and traditions, while also addressing a complicated and often contentious backdrop of geopolitical history

The rapid pace does not undermine the accomplishment and relevance of Horizons. Poskett must walk a very fine line, after all, between providing the reader with a rich series of examples, across a range of scientific disciplines and traditions, while also addressing a complicated and often contentious backdrop of geopolitical history spanning five centuries. That Horizons, which is in this sense hugely ambitious, achieves this in roughly 350 pages is remarkable.

At the end of the book, Poskett summarizes the contemporary crises that modern science faces: climate change, the resurgence of race science, and the “new cold war”. He draws from root to branch how we have arrived where we are today, at a standoff between nationalism and globalization.

“We need to begin by getting the history right,” Poskett concludes. And as he claims in his introduction, Horizons is simply an attempt to reframe our narrative of history in a way that really informs us of the structures of power, national identity and colonial history that have led us to where we are today. To this end, I think he has succeeded. Horizons is an excellent reference text and corrective, a solid kernel around which a new understanding of history can grow.

 

The uncharted territories of scientific history : Anita Chandran reviews Horizons: a Global History of Science by James Poskett. By Anita Chandran. Physics World, November 7,  2022




We are told that modern science was invented in Europe, the product of great minds like Nicolaus Copernicus, Isaac Newton, Charles Darwin and Albert Einstein. But this is wrong. Science is not, and has never been, a uniquely European endeavour.

In this radical retelling of the history of science, Dr James Poskett challenges the Eurocentric narrative in conversation with Mary-Ann Ochota.

Copernicus relied on mathematical techniques borrowed from Arabic and Persian texts. When Newton set out the laws of motion, he relied on astronomical observations made in Asia and Africa. And when Darwin was writing On the Origin of Species, he consulted a 16th-century Chinese encyclopedia.

Histfest - Horizons: A Global History of Science. The British Library, May  13, 2022. 




In his new book, "Horizons: The Global Origins of Modern Science(opens in new tab)" (Mariner Books, 2022), James Poskett, a historian of science and technology at the University of Warwick in the United Kingdom, focuses on how science has always been a global endeavor and how that story was overshadowed by a biased Westernized version. Although the book spans several scientific fields, astronomy and physics play key roles in the story he tells, with cameos from key figures such as Ptolemy and Isaac Newton.

Space.com sat down with Poskett to discuss his new book and the insight it offers into the history of astronomy and physics. This interview has been edited for length and clarity.

Space.com: How did the book come about?

James Poskett: I trained as a historian of science and became very frustrated and slightly angry, I guess, at the version of the history of science that I'd been taught that was extremely Eurocentric. I was much more interested in thinking critically about globalization, and also thinking quite critically about things like anti-racism, the legacies of slavery, the legacies of empire. That led me to want to write a book that much more directly addresses those concerns and speaks to the concerns of present science and technology.

Space.com: Can you talk about how you decided to structure the book?

Poskett: The book is a celebration of scientists from around the world, for sure. You read the book, you learn lots about individuals, their lives. But I didn't just want it to be a laundry list of people who were forgotten; I wanted it to be this bigger narrative. And so the organization reflects that bigger argument that to understand the history of science and, indeed, to understand science today, we need to think in terms of world historical change. I think framing the organization of the book around that helps the reader follow along. When they're reading about an individual, they're also aware that that person is part of this bigger cultural and political shift that's happening at the time.

Space.com: How did you go about deciding which examples to include in the book?

Poskett: Partly, it was just a question of balance: I could have written every chapter about China quite easily. There are stories to be told about every period in China — and similarly, for many other places — so it was making sure that as you go through the book, there's this balance of examples.

The book presents science as part of world history, but also as the product of individual lives. I wanted to bring out the texture of these people's lives: what they did, how they felt, what kind of struggles they were dealing with. That often determined who I picked, because I needed the detail. It was all very well, knowing that someone made a scientific contribution and they had some fancy equation, but on its own, that's not too interesting for the general public.

Space.com: Any incidents you loved but ended up needing to cut?

 Poskett: I think the one thing that I didn't include, just because of structure and space, is the dispute between Galileo and the Jesuit astronomers who had gone to China. ... It's very easy when you write a book like this to be tempted to start with the people you know, but the whole point of the book is to get away from that. So Galileo basically isn't in the book. Lots of other famous people are, but I thought, "If I'm going to cut someone and I'm writing a book like this, I should cut Galileo, not the people you've not heard of."

Space.com: Are there any key examples that stand out to you from the chapters relating to astronomy and physics?

Poskett: There's two really important moments for the history of space — one earlier, one later.

The earlier one is the history of the understanding of the solar system in the Renaissance period. I show that the people who we usually associate with that important change — people like the Polish astronomer Nicolaus Copernicus — were really heavily reliant on, and quite happy to acknowledge, the fact that they were drawing on earlier, and also contemporary, ideas coming from the Islamic world.

How you put the sun at the center and model the planets — that's a history that you can't just tell from the perspective of Europe or indeed the Christian world. That's a story that stretches to places like Persia. In the same chapter, I talk about the advanced astronomical observations made by astronomers in the Ottoman Empire and Istanbul, astronomers in the Songhai Empire in what's today modern Mali and Timbuktu, and particularly the astronomers and mathematicians at the court of Jai Singh II in Mughal India, where there's these incredible observatories that you can still go to.

It's not saying that Copernicus wasn't important; of course he was. But there was this whole world of astronomical knowledge that was being blended together, in particularly the 16th and 17th centuries, that gave us what is really the basis of modern astronomy.

There's another key phase in the early 20th century, when you're getting the use of new ideas from special and general relativity and quantum mechanics. This isn't a story just of European and American astronomers and astrophysicists; this is very much a story that scientists from around the world are involved in.

One example is an Indian scientist called Meghnad Saha, who was born in what then was part of British India. He is particularly known today for something called the Saha ionization equation. This was an equation, effectively, to be able to determine the chemical composition of stars from their spectra. He doesn't feature much in the mainstream history of science, because he was marginalized at the time — partly because he was Indian, so there was a history of racism here, but also because he actually was actively opposing the colonial government.

In addition to his own research, he helped translate Einstein's works from German into English in India because he sees that as part of the new world, as a way to break the shackles of this old, imperial Victorian world in which he was born. He sees quantum mechanics and general relativity as a way to break with the past. So there's a kind of connecting up with his radical politics and his radical but extremely important scientific ideas.

 Space.com: Of the traveling you did to research the book, what experience stood out to you the most?

Poskett: I think the Jantar Mantar stood out the most to me, a series of observatories across north India that were built by this Indian ruler, Jai Singh II. The one in Jaipur is the most famous. It's the biggest; it's spectacular; it's built out of this red sandstone; it's the most impressive. They're stone instruments, mainly, with metal attachments for various things. The scale is incredible — this really was the big science of the 17th, 18th centuries. And the bigness allowed a level of precision that was not possible before, in terms of calculating the movement of the stars to create, particularly, calendars and the star catalogs.




The interesting thing about Jai Singh is, he was a Hindu, but he ruled within the Mughal Empire, which was an Islamic empire. So the combination of Islamic, Hindu and actually Christian European cultures that was brought together is literally, in some cases, inscribed on the instruments. You get both the Islamic and Latin numbers that we're familiar with in the West, but also you get the numbers written in Sanskrit on the instruments as well. It's really satisfying as a historian to see that combination of cultures literally inscribed on the scientific instrument that is still there that you can visit.

Space.com: How do you think our understanding of the history of science got so warped?

Poskett: It's a remarkably recent story — I call it a myth — and it wouldn't have really rang true to many people before the middle of the 20th century. In the 19th century, at the height of European imperialism, that's when scientists and historians in Europe start to articulate this idea that maybe Asia and the rest of the world had this ancient or medieval glorious past, but it's since decayed and these places need to be modern, like Europe. And then they kind of project this back onto the past and think that Europe had always been modern and the rest of the world had not.

Interestingly, this relates back to the Jantar Mantar. When the British first encounter the Jantar Mantar in the 18th century, they recognize it's amazing; they think, "Wow, these are incredible scientific instruments, amazing." And then they basically say, "These must have been built thousands of years ago, because there's no way the contemporary inhabitants of India could have built them." Yet they're looking at something that's like 50 years old at that time. When they find contemporary impressive science in other cultures, Europeans — particularly in the context of colonialism — often say that must be ancient, and in fact, they're wrong.

Space.com: What role does the Cold War play in all this?

Poskett: In the Cold War, it becomes really, really important politically for the West to present itself as the place which is the most advanced and has got history on its side. Science and technology are at the heart of the Cold War, particularly after the launch of Sputnik. In the '40s and '50s, the Soviet Union is actually way ahead, and this scares the hell out of the West, the Americans particularly. There's not, like, a propaganda department that sets this up as a plan, but it becomes increasingly important for scientists in the U.S., in Britain, to tell themselves, to teach their students and to tell the world that modern science was invented, in not just Europe but in Western Europe.

 All this adds up, basically, to create a much narrower sense of the history of science than even existed at the start of the 20th century. If you'd asked early professional historians of science in even the 1920s, in the aftermath of the first World War, when there was a hope that there would be a new international, cosmopolitan world, they would have presented a much more global, cosmopolitan version of the history of science to you.

You get this slightly unholy combination of political forces in the middle of the 20th century. The short version is the Cold War, decolonization and empire gave us a warped view of the history of science.

Space.com: Why is keeping that outdated view an issue?

Poskett: We live in a different political time — which is problematic in different ways — but we don't live in the Cold War of the 1960s and '70s anymore. Now, the Cold War is over; people are suddenly realizing the histories we were told in the Cold War aren't actually fit for purpose. They don't help us explain the world we live in. Maybe they were helpful for particular political purposes in the Cold War — fair enough — but it's 2022, not 1952.

I think it's quite hard to maintain this old history of science when we're seeing a scientific present where it's actually China, the UAE, as well as obviously the U.S., sending missions to Mars; where India and Turkey are investing in space programs. How do we make sense of that with a history of science that says science and astronomy are basically a European thing?

Space.com: How do you hope readers might rethink astronomy given what's in the book?

Poskett: A broader point of the book is to recognize that this Eurocentric narrative has had a negative effect on diversity in science, particularly in places like Europe and the United States. There's still a long way to go in terms of recognizing that astronomy and space science have always been diverse sciences.

The other aspect is, a lot of my book is actually a history of colonialism, empire, slavery, capitalism, decolonization. I'm of the view that the past really matters for tackling the present. So it's just not good enough to say, "OK, we're going to have a diversity initiative to increase diversity in astronomical sciences." To make science more diverse, we've got to recognize that there's a long history that has produced the structures that need to be undone. So, for instance, particularly in the U.S., but in different ways in places like Britain, recognizing that the history of slavery has marginalized particularly African Americans and Black British citizens from the sciences — actually recognizing that and working out how to actively address that legacy is part of how we should connect the history and the present.

There's another political side to this, which is, yes, other countries are investing in space science, but this isn't a happy, celebratory story, necessarily. These countries are investing in the context of growing polarization and of growing nationalism, often quite ethnic-focused nationalism. And so whilst it's certainly true that we should be celebrating a more inclusive and global space science, the furious investment in space science by states like China and India and Turkey is as much for defensive purposes, if not explicitly, then implicitly. In that way, it's very much like the Cold War.

 The future of space science, particularly space exploration, is globalized but also nationalist. I think keeping an eye on that is going to be really important if the world isn't going to become even more fractured than it is at the minute. Space has always been a place in which people and nations contest politics. Science happens in the world, so it's wrapped up with everything else that we do in the world, for better or worse.

 

In 'Horizons,' a discarded global view of science shines. By Meghan Bartels. Space, May 2, 2022






For some time, Anglo-American historians have been obsessed with the G word. The word is not ‘God’ but ‘global’. Using it, we have learned to tell a self-comforting story. Until recently, we begin, we were all narrow-minded Eurocentricists who thought that the history of the ‘West’ (best left undefined) was the only history there was to recall. Thankfully, the story goes on, our neo-imperialist eyes have been opened. Now we write ‘global history’, which takes into account the past of all of humanity. The triumphalism of the historians who tell this story has often been deafening. A decade ago, one head of a leading history department thundered, ‘If you are not doing an explicitly … global project, you now have to explain why you are not.’ (Pity the poor young scholar who wants to write a new history of witch-burnings in rural France.)

Who could possibly disagree with such an exultant narrative? After all, it is a priori obvious that the more we know about the whole world, the better our histories will be. Of course, there is the small problem that knowing about the whole world is rather difficult. First and foremost, one needs to learn a lot of languages. Then one needs to absorb the many rich national historiographical traditions of the places one studies, ideally in collaboration with historians from those places. One would therefore expect to find that the Anglo-American historians who have been most vocal about the need for global histories have been busy learning Akkadian, Mandarin and Swahili, or initiating collaborations with historians from Japan, Peru and Nigeria.

Alas, here is where the problems begin. Since doing all this takes a very long time – far longer than the most ambitious historians can wait before advancing in their academic careers – short cuts have had to be adopted. The most common is simply to pontificate about the need for global history without actually doing it. The second is to (re)write the history of the British Empire as ‘global history’. In this way, one can talk about a world outside of the ‘West’ without straying from the easily ploughed soil of English-language sources, often readily available in British and American libraries or online.

Accordingly, global history has often turned out to be more Anglophone than its supposedly ‘Eurocentric’ counterpart, where the expectation is that one knows at least some French, German and Italian, and is familiar with sources in those languages. No less worryingly, the practitioners of global history have been suspiciously clustered in elite Anglo-American universities. In response, some brave souls have dared to suggest that global history could do with a little more self-reflection lest it become ‘merely a buzzword among historians, more a label than a practice … more a fashion of the moment than a durable approach to the serious study of history’ (words written as early as 2006). Such legitimate concerns have often been met with howls of indignation, implied or open accusations of racism and everything else that we have come to expect in an age of social media and hyper-polarisation.

 

One might think that the history of science would be relatively immune to such polemics. After all, anyone with even a basic knowledge of the subject must be aware that science has never been solely a Western enterprise. An ancient Mesopotamian astronomer contributed more to ‘science’ (in its modern meaning) than twenty Greek philosophers. China had an Astronomical Bureau that lasted for two millennia (nothing comparable existed in Europe). Medieval Islamic mathematicians, astronomers and physicians were producing spectacularly advanced ideas at a time when the education of European elites often did not extend beyond basic literacy and horse riding. Of course, there has long been talk of a ‘Scientific Revolution’ that occurred in early modern Europe, often said to have culminated in the theories of Isaac Newton. Personally, I do not believe in such a revolution, but I do not consider those who do to be moral scoundrels.

James Poskett complains that ‘we are told’ that modern science ‘is a product of Europe alone’. He seeks here to combat this ‘myth’. As should be clear, he is himself indulging in a spot of myth-building. Thankfully, once this rhetoric is out of the way, Poskett settles down to tell a lively story of global collaboration in the study of nature from 1500 to the present day. Horizons shares the strengths and weaknesses of other global histories. His own primary area of expertise is British imperial history. Accordingly, many of his examples concern the contribution made by colonised peoples to European science rather than the history of non-Western science itself. As one would expect, those contributions varied depending on the levels of expertise that were required. The best sections are those that make no references to Europeans at all. For example, the discussion of Li Shizhen’s natural history The Compendium of Materia Medica (1596) not only demonstrates the richness of early modern Chinese medicine, botany and pharmacology but also explains, clearly and elegantly, how these were grounded in the ancient Chinese separation of the world into five phases, a separation that is no less interesting or sophisticated than the well-known Greek matter theories that were dominant in 16th-century Europe.

In fact, botany and natural history provide many of the most interesting of Poskett’s examples, since the Europeans on whom he focuses were very aware that their native plants were only a small proportion of those that existed in the world and sought to remedy the situation. For example, at the end of the 17th century the German naturalist Maria Sibylla Merian travelled to Surinam, where she learned about the medicinal properties of plants from enslaved women. Some of these plants were then depicted in Merian’s Metamorphosis of the Insects of Suriname (1705), a lavishly illustrated tome that was used by all the most important European naturalists, including Carl Linnaeus. In this case, Poskett is undoubtedly correct to conclude that ‘the growth of Atlantic slavery in the seventeenth and eighteenth centuries had a profound effect on the development of European society’ – including in the realm of science.

In other cases, however, Poskett reaches similarly strong conclusions on the basis of far more slender evidence. The most egregious example comes in the discussion of Newton’s discovery of universal gravitation. Poskett rightly points out that Newton’s theory explained an observation made by Jean Richer in the French colony of Cayenne, where he found that a pendulum clock ran slower than in Paris. For Newton, here was another data point to add to the evidence that the Earth was not perfectly spherical – hence the varying force of gravity across its surface. But to conclude from this that ‘Newton was able to make a major scientific breakthrough only by virtue of his connections to the wider world of empire, slavery, and war’ is the kind of hyperbolic overstatement that gives global history a bad name. Newton discovered universal gravitation in his rooms in Cambridge, and his primary collaborators and interlocutors were English and European. Not everything has to be global.

None of this is to argue that Newton was completely disconnected from the atrocities of colonialism: late in his life he invested in the South Sea Company. But this had nothing to do with his earlier scientific work, and to call a whole chapter ‘Newton’s slaves’ is tendentious at best. The sad reality is that, as with many other spheres of activity, scientific flourishing often occurs in societies that have grown rich through empire, without that science necessarily being intrinsically connected to colonialism. Such societies have appropriated the knowledge and talent of those they have colonised, and their rulers and elites have used their riches to sponsor science and bask in the prestige of its achievements. This was as much the case in Athens in the fifth century BC, Han dynasty China, the medieval Islamic world and the Soviet Union in the mid-20th century as it was in Europe between the 16th and 20th centuries. All of these societies made huge contributions to the field that is today known as ‘science’. If the ideas that developed in Europe happen to look more ‘modern’, it is simply because many of them emerged nearer to the present than those that emerged elsewhere, and not because of any European or Western intellectual superiority (this is one of many reasons why ‘modern’ is a useless category of historical analysis).

I can warmly recommend Poskett’s rich and lucid book, with the caveat that it should be read with an awareness of the academic politics just discussed. When Poskett concludes that ‘there is no reason to think that the next big scientific discovery will come out of a laboratory in Europe or the United States’, he is certainly correct. Whether as many people would disagree with him as he thinks is another question. And when he hopes that global histories of science might encourage more international scientific collaboration, he – and we – might do better to look at our humanistic disciplines and our own practices. Poskett’s bibliography, consisting of several hundred items, contains only five works not written in English (and they are all in French). Perhaps all our talk of ‘going global’ is just another form of Anglo-American cultural imperialism after all.

The G Word. By Dmitri Levitin. Literary Review,  May 2022. 






If you worry  about the polarization of intellectual life, you’re certainly not the first. Consider Zera Ya’icob, the Ethiopian philosopher who defended a form of intellectual freedom in his Hatata (Inquiry) of 1667. Zera Ya’icob was torn between the religious sects that mingled in 17th-century East Africa. He engaged with Muslims, Coptic Christians, Jesuit missionaries, African Jews, and the local Oromo people, finding that they all said the same thing: “My faith is right and those who believe in another faith believe in falsehood, and are the enemies of God.” At once stimulated and bewildered, he wondered, “Who would be the judge for such kind of an argument?”

It is easy to sympathize with Zera Ya’icob when reading recent scholarship on the origins of modern science, which is riven by two orthodoxies in particular. One orthodoxy is that modern science was invented in early modern Europe. Important contributions came from other times and places, of course, but the decisive move toward modern science happened in Western Europe in the 17th century. The task of the historian of science is to understand how and why. If you disagree with this narrative, you may be accused of relativism, postmodernism, political correctness, or of not doing your job.

The second orthodoxy is that the first orthodoxy is wrong: science is global, not European. It took shape over many centuries, with the help of many cultures. To think otherwise is to buy into a myth about the inevitable rise of the West. The notion of “the West” is itself the product of recent geopolitics. The idea that science is Western is not just wrong, but wrong-headed. It is like a bad cold, or the Cold War. We just need to get over it.

 Who would be the judge of such an argument? The two schools not only make different claims but make them in starkly different ways. The first school is old but cohesive. The second is young but diffuse, made up of many stories rather than one story. It is easy to see why. Writing a history of European science is hard enough, with five centuries to cover and many scientific disciplines to master. Writing a history that takes in the rest of the world is a political and methodological minefield. Doing this in a way that appeals to the general reader looks like a fool’s game.

James Poskett, a historian of science and technology, is no fool. His new book, Horizons, is superb. It runs from 1400 to 2000, from the construction of the Samarkand Observatory to the completion of the Human Genome Project. It covers the human sciences as well as the natural sciences, taking in medicine and engineering along the way and covering a great range of people, places, and predicaments. We learn about an Ottoman astronomer captured by pirates in the 16th century; a Tahitian chief charting the Pacific Ocean in the 18th century; a geneticist working to save his life in communist China. Inevitably, there are gaps: Australia, the Holy Roman Empire, economics, most of the earth sciences, experimental science before 1800, Africa after 1800. The book is under 400 pages after all (without footnotes), and so it does not purport to be complete, which would indeed be foolish.

Horizons is global not only in its geographical scope but also in its narrative technique. Poskett uses concrete examples to reveal connections and similarities between parts of the world that are usually studied separately. The Ottoman astronomer Taqi al-Din spent much of his youth bouncing around the Mediterranean Sea, from Cairo to Rome to Istanbul. He bounced around intellectually as well, translating Arabic works into Latin while he was in Rome and introducing European clocks to a new observatory in Istanbul. Some scientists stayed put, including Isaac Newton, a global mathematician who never left England. There he sat, spider-like, at the center of a web of travelers that stretched from Senegal to Peru. Other scientists were more like flies than spiders, trapped in global webs. The physicist Lev Landau made one of his most important theoretical breakthroughs while spending a year in one of Stalin’s prisons. The physician Graman Kwasi was equally remarkable. Born in West Africa around 1690, Kwasi discovered a treatment for malarial fever while working as a slave on a sugar plantation in the Dutch colony of Suriname.

But Horizons is not just a collection of global biographies. These are embedded in a grand narrative about the last 600 years of world history. First comes the expansion of Islamic empires in the vicinity of the Silk Road. Next comes European imperialism: the colonization of the Americas, the transatlantic slave trade, and the exploration of the great expanses of Siberia and the Pacific Ocean. European empires became industrial in the 19th century, fueling nationalistic wars in the process. The 20th century was the age of ideology: fascists, communists, and anticolonialists staked their claims in the first half of the century; and decolonization and the Cold War dominated the second half. The book ends in the present, with the world in the grip of a new Cold War between China and the United States. The war in Ukraine, which broke out while I was writing this review, adds a tragic twist to the narrative.

Poskett links these geopolitical developments to intellectual ones, and much of his book’s originality lies in these linkages. The chapter on 19th-century biology, for example, is not simply a survey of the global reception of Charles Darwin’s theory of evolution by natural selection. It is an argument for the connection between biology, war, and nationalism, a connection captured in the phrase “struggle for existence.” Biology was a battlefield, with naturalists using martial metaphors in their theories and gathering specimens in the course of military expeditions. This was true across the globe: in Napoleonic Egypt, in the newly independent Argentina, in a Japan wracked by civil war, and in modernizing China. The titles of other chapters hint at similar arguments: “Newton’s slaves,” “Industrial experiments,” “Genetic states,” and so on. This is not just a history of science. It is a history of the modern world seen through the lens of science.

At the same time, it is the story of “the scientists who have been written out of history,” in Poskett’s words. Their excision was a product of the imperial history that drove so much of modern science. Overcoming this history means many things. It means writing the East into the history of modern science rather than consigning it to an ancient or medieval past. It means closing the gap between Islamic astronomers such as Taqi al-Din and European ones such as Nicolaus Copernicus. It means seeing that Cold War science was about Japan, Mexico, and Israel, not just about the USA and the USSR. It means realizing that imperial science was often done by the victims of empire, such as the Peruvian Indians whose labor helped to prove Newton’s theory of universal gravitation. These people were “barely distinguishable from beasts,” according to the French astronomer Charles-Marie de la Condamine. Yet the Frenchman relied on the astronomical expertise of these “beasts” in some of the most precise measurements done in the 18th century.

Indigenous knowledge is a major part of the book, but Poskett is no relativist. He does not say that science is just one form of knowledge among many other forms of knowledge. By “science” he means canonical topics like universal gravitation, natural selection, botanical classification, and molecular biology. The point is that the canon itself is global. As a result, Poskett is not afraid to praise the canon. He writes in terms of discoveries, breakthroughs, ingenious instruments, and keen scientific minds. He does not shy away from comparative judgments. The Aztecs were “particularly advanced” among American peoples in precolonial times; Russia “seemed stuck in the past” in the 17th century. This is a celebration of science as well as a critique of empire.

All this makes for a good story. But is it true? Or is it just another myth? There is no simple answer to this question. Horizons has several lines of argument, some more convincing than others. Poskett certainly shows that modern science was made by many people outside Europe who are undervalued in existing histories. He also shows that world history and global exchange are an excellent framework for understanding past science.

But he sometimes goes further. He writes that the Eurocentric story told by past historians is “a myth.” He also charges these historians with “European exceptionalism.” This suggests that there was nothing exceptional about Europe in the history of modern science. A different thesis is that Europe was exceptional, but mainly because of the wealth and power brought about by empire. A third thesis is that science develops when cultures come together and not when they stay apart.

These are all comparative claims. They compare Europe with the rest of the world, empire with other historical phenomena, and cultural exchange with cultural separation. To evaluate these claims, we need to see both sides of the comparison. The problem is that Horizons only shows one side of each comparison.

 Take the two chapters on the Enlightenment. These open with the statement that we can “better understand” Enlightenment science by thinking about the rise of European empires. There is ample evidence for this in the ensuing pages, which link Newtonian physics to the slave trade, the colonization of the Americas, and the exploration of the Pacific Ocean. But there is no evidence for the much stronger claim a few pages later: that the rise of European empires “best explains” the science of the Enlightenment. To defend this claim, Poskett would need to review all the other explanations for the growth of 18th-century science, from coffee houses to cameralism. But the other explanations are barely mentioned here.

The same goes for cultural exchange. There are many illuminating examples of cultural exchange in Horizons, often centered on artifacts such as maps, books, and instruments. This creates the impression that science thrives on interactions between diverse cultures. On closer inspection, many of these exchanges hint at long periods of separation. European astronomy and Incan astronomy did meet in 1736, when La Condamine and his team took their measurements in Peru. But for all we know, that was the first and last meeting between these two astronomical cultures. Moreover, the periods of separation may help to explain why the exchange was so fruitful. Cultural exchange works because cultures are different, and they are different partly because they develop separately.





Another one-sided comparison involves 17th-century Europe. Yes, there is a section called “The Scientific Revolution, 1450–1700.” But as far as Europe is concerned, the narrative leaps from 1543, when Copernicus declared that the Earth goes around the sun, to 1687, when Newton explained why it does. The most talked-about decades in the history of European science are passed over in near-total silence. The chapter on Renaissance astronomy has nothing to say about the invention of the telescope or the discovery that planets move in elliptical orbits, two milestones that feature in any ordinary history of Renaissance astronomy. This makes sense if the aim is to valorize non-European scientists. But it makes no sense if the aim is to show that Europe was unexceptional. Arguments against exceptionalism can’t just ignore the alleged exceptions. And arguments for the link between science and empire can’t ignore 17th-century Europe. On the received view, Europe already led the world scientifically in 1700, a century before it led the world in political or economic terms. The received view may be false, but it deserves a better falsification.

On current evidence, it is hard to avoid the conclusion that Europe was exceptional after all. Chapter one of Horizons helps to explain why European natural history was distinctive: it was transformed by the new knowledge generated by the colonization of the Americas. Chapter two is a global survey of astronomy that contains many surprises, but nothing quite as novel as telescopes and elliptical orbits. The material on China does little to disturb the conventional view that Europe raced ahead of China in terms of scientific achievement after 1500, and that China has only just caught up. The chapters on the 19th and 20th centuries cover an amazingly diverse group of scientists who had one thing in common: they all — or nearly all — learned much of their science from institutions that were either in Europe or were modeled on institutions in Europe. Europe is a black hole in Horizons. It is barely visible, but everything seems to gravitate around it.

Why does this matter? Why do we feel the need to show that modern science owes as much to Tokyo and Timbuktu as it does to Paris and London? After all, there is no rush to show that all cultures have made equally important contributions to slavery, for example. This is presumably because we value science but not slavery. We assume that science is a mark of rationality and a source of material progress, a sort of IQ test for world cultures.

Horizons doesn’t exactly support this assumption. It suggests that the main functions of science over the last 600 years have been to wage war, build empires, and rationalize racial prejudice. The book also suggests that any improvements that science has made to our understanding of the natural world are a historical accident. The narrative is driven by the interactions between individuals, nations, and empires. The narrative is not driven by the interactions between theory, experience, and mathematics. In the index there is a large entry on “empire,” but no entry on “empiricism.” Horizons has a lot to say about the politics of science, but little to say about the epistemology of science, and what it says about the former does not flatter science. This is a celebration of science that does not explain why science is worth celebrating.

Horizons shows the immense potential of global histories of science, but it also shows the continued need for other approaches. We need histories of science in Europe, because we need to know what happened inside the black hole. We need epistemic histories of science, because the value of science depends on its ability to understand the natural world. We also need relativist histories of science, because science is not the only way to be rational, and not always the best way. And we need national and regional histories, because cultural separation is as much a part of modern history as cultural exchange.

Let us remember Zera Ya’icob. We need to decolonize history, but we also need to depolarize history. Only then will we get over the Cold War.

 Arguing About the Origins of Science. By Michael Bycroft. Los Angeles Review of Books,  March 27, 2022  






Think of a  famous scientist from the past. What name did you come up with? Very likely, someone from Europe or the United States. That’s hardly surprising, because science is often taught in Western classrooms as though it’s a European-American endeavor.

James Poskett, a historian of science at the University of Warwick in England, believes this myth is not only misleading but dangerous — and it’s something he sets out to correct in his recent book, “Horizons: A Global History of Science.” Billed as “a major retelling of the history of science,” the book frames the last five centuries of the scientific enterprise as a truly globe-spanning project.

In a recent Zoom conversation, Poskett explained why he believes this retelling is needed. The interview has been edited for length and clarity.

Undark: You point out that the history of science, as it’s usually taught, focuses on figures like Galileo, Newton, Darwin, and Einstein. And I think we can agree that those people did actually make vital contributions. But what’s left out when we focus on those figures?

James Poskett: I agree, it’s really important to emphasize that those figures did make contributions that were significant. So my book isn’t about Newton and Darwin and Einstein not mattering. As you say, those people feature in the book. They’re all significant figures in their own right. But by focusing exclusively on them, we miss two global stories.

The first global story is that these famous figures we’ve heard of in fact relied on their global connections to do much of the work that they’re famous for. Newton is a good example, in terms of him relying on information he was collecting from around the world, often from East India Company officers in Asia, or astronomers on slave-trading ships in the Atlantic. So we miss the global dimension of these famous scientists — not just collecting information, but often actually relying on the culture and knowledge of other peoples too.

The other part is the people from outside of Europe who made their own really significant contributions in their own right. There were Chinese, Japanese, Indian, African astronomers, mathematicians, later evolutionary thinkers, geneticists, chemists, who made genuine important contributions to the development of modern science. It completely skews the story if we have this exclusive focus on White European pioneers.

UD: Another interesting point you make is that when textbooks or popular histories of science do mention the contributions of, say, Islamic science or Chinese science, it’s often framed as a historical episode. The reader gets the impression that this was something that happened in the past. In your book, you say this is not only misleading but it can have harmful consequences. How so?

JP: We’re quite actually familiar with the idea that civilizations in the Middle East and Asia, the Islamic world, Hindu civilizations, Chinese civilization — that these contributed in some way to science. But it’s always told as part of a narrative of an ancient or medieval golden age. And I always tell my students, you should be super suspicious, as soon as you hear the term “golden age,” because it’s massively loaded: It’s telling you that there was once this great achievement, there was this once-great civilization — but the emphasis is on “once,” because the “golden age” bit implies a fall from grace, or a dark age afterwards.

At face value, it sounds good — you know, Islamic mathematicians, chemists, astronomers made important contributions in the 10th century — but actually, that’s kind of pushing those achievements way back in the past. It has the rhetorical effect of saying that Islamic science isn’t modern, or Chinese science, or Hindu science, or Mesoamerican science are not part of modernity; there’s something kind of anti-modern about it.

Of course, the Islamic world made important contributions to science in the medieval period. But it didn’t suddenly stop. It continued throughout the 15th, 16th, 17th, 18th, 19th, 20th, and 21st centuries. And that’s really the message of the book.

UD: An obvious turning point, not just in the history of science, but in human history writ large, is when Europeans first made contact with the Indigenous peoples of the Americas. In your book, you say that these encounters were critical in terms of thinking of human beings as part of nature. You even write, “The discovery of the New World was also the discovery of humankind.” What do you mean by that?

JP: Broadly, for Europeans, the discovery that there was a “new world” was a major shock to the very foundations of how they thought about knowledge. Knowledge was supposed to be based on ancient texts; it was supposed to be on the authority of ancient Greek and Roman authors, people like Aristotle, or Pliny for geography. And also the Bible was kind of wrapped up with that as well, as a source of ancient authority.

 But of course, none of these ancient authors mentioned this enormous continent. And not only was this continent full of life, full of animals and vegetables and plants and minerals that in some cases had not been seen before and weren’t mentioned in the ancient texts — it was full of people!

So this then made thinkers in Europe start saying, well, maybe actually, knowledge isn’t best derived from ancient texts exclusively; maybe we need to go out into the world and look at things to make discoveries. And of course, that’s the metaphor we still use. We talk about scientific “discoveries.”

Humans were seen as separate from the natural world. They were created — in Christian Europe, and most of the major religions at that time — they’re created separately. Humans have a moral element that can be analyzed philosophically and morally, but they’re not meaningfully part of nature in the same way a horse is. But this idea of discovering nature also opened the opportunity that there were things that were to be discovered, not just about the outside world, but about the kind of internal world of the human – that if you could discover a tomato by looking out into the world, maybe you could discover something about humans by looking inside them.

UD: You point out that when we think of the structure of the atom, we tend to think of the New Zealand-born British scientist Ernest Rutherford, who’s often credited with figuring it out. In the book, you talk about an often overlooked figure, Hantaro Nagaoka. Who was he? What was his contribution?






JP: Hantaro Nagaoka was a Japanese physicist. He was born in the mid-19th century. He came from a Samurai family, like many 19th century Japanese scientists, and he was studying physics at a time that Japan was industrializing; where the Samurai were finding a new place for themselves in this modern industrial society. And in the very early 20th century, in 1904, he gave an account of the structure of the atom. He called it the “Saturnian” atom.

He’d worked this out theoretically, rather than by doing experiments. He worked out that, based on complex theoretical assumptions and following these through, that there must be a large, central, positively charged nucleus, surrounded by orbiting electrons. And he called it the Saturnian atom after the planet Saturn, with a big central thing with its rings around it. This is the basic structure of the atom that Rutherford later was famous for developing, for doing the experimental work for — but Rutherford published his paper seven years later, in 1911.

And in fact Rutherford would have acknowledged this. Rutherford cites Nagaoka’s paper at the end of his famous 1911 paper. And Rutherford actually corresponded with Nagaoka. Nagaoka wasn’t some unknown scientist nobody had ever heard of. He was attending conferences in Paris; he came to Britain and actually had a tour of Rutherford’s laboratory in Manchester, where Rutherford did the experiments. And actually, if you look at textbooks from the early 20th century, they mention Nagaoka — he’s kind of just fallen out of the history later on.

So he made this really serious contribution to atomic physics. But he’s one of the smoking gun examples of someone who really came up with a key theoretical piece of science, that was a major influence in the 20th century, but is almost completely forgotten outside of Japan.

 My point isn’t that Rutherford stole the idea. My point is that science is made through these processes of global cultural exchange, through these different people making different contributions.

UD: Turning to the present day: You describe the current relationship between the U.S. and China as being like a new Cold War. How does science fit in to this new “war”?

JP: Science fits into it in some ways like the original Cold War, in that science has a practical function. And that’s clearly how states like China, like the United States, like India, the United Arab Emirates —they see it as part of their economic strategy. Basically, that investment in sciences like artificial intelligence will allow a transformation of the economy, increased production — and this is really important for keeping citizens happy, and ultimately having the kind of economic clout to dominate the world economically and politically and through soft power.

Also, in more practical terms, space science has a really clear military element with respect to satellites, rocketry. I talk a lot about climate science being a science that fits with the new Cold War, in that it’s seen by states as a kind of security problem. For China, climate science is important to invest in because their coastal regions are major economic centers. They don’t want those going underwater.

So there are practical elements — but it’s also ideological. We’re seeing a return of a kind of nationalism — this weird combination of globalization and nationalism. Xi Jinping is a nationalist, much more so than some of the previous Chinese leaders. He’s just the most prominent example, and probably the person that’s most likely be able to to walk the walk as well as talk the talk. But nationalist leaders in India, in Turkey, in the UAE, in America, in Britain. Boris Johnson talked about making Britain a new “scientific superpower.” So science also becomes an ideological marker of national prestige.

UD: Throughout the book you sort of argue that it’s wrong to frame the history of science as a European endeavor or an Anglo-American endeavor. Why do you feel it’s so important to rewrite or update that framing?

JP: For overlapping reasons. A basic one is about representation and diversity in science; equity. Science, in Europe and Britain, certainly in America — United States and North America generally — is not equitable, particularly in terms of diversity with respect to minority ethnic groups, but other kinds of diversity as well, in terms of class and gender, disability, and the like.

So I think if the scientific profession is disproportionately people like me — White men who went to Cambridge — then part, but not the exclusive reason for that, is because we repeatedly present to the public, to school children, to university students, an image of the sciences which looks like me. It’s people like Newton or Einstein or Darwin — they’re these White men. And again, my point isn’t that they’re not part of the story. Absolutely they are. But that there are other people from around the world, from different cultural backgrounds, who are part of it.

We’re at a kind of crossroads in history, but also in science. And the narratives that scientists were taught and told themselves in the West was a narrative that was built for the Cold War. But the Cold War’s over — the original one. Yet we’re still telling these narratives about Western science, science being neutral. And I think a lot of public mistrust in the sciences generally is actually a function of this — that we need to present publicly a more realistic, political, diverse account of how science is done – how we got to now — in order to have the consent and engagement of the mass public in the sciences.

I really think that this kind of history of science shouldn’t be seen as a threat to scientists. I’m not doing it because I want to see the end of science, and for all of us become vaccine deniers. I’m doing it for the opposite reason: I think if you want to stem the tide of vaccine and climate denial, and xenophobic nationalism, then you need a history of science which really engages with these quite difficult histories.

In “Horizons,” a historian of science highlights the crucial achievements of non-Western scientists and thinkers. By Dan Falk. Undark , January 7, 2022. 
























04/09/2022

Katherine Rundell on John Donne

 




It was 1593 and John Donne was 21: tall, dark and exquisitely moustached. He was studying law at the Inns of Court in central London, and was living high. He excelled at the business of frivolity and was elected Master of the Revels, in charge of putting on pageantry and wild parties for his fellow scholars, with raucous singing and drunken dancing of the galliard. (The dance, which involved great leaps and kicks and spins, was Queen Elizabeth’s favourite: she was said, even in her 50s, to dance “six or seven galliards in a morning”.) He was writing, for a group of male friends, rakish poetry that was beginning to make him known.
 
 
But as the year went on, the plague was spreading: the theatres were ordered to close, the bear-baiting to cease. In the streets officials wielded 3ft-long marshal wands, to swat at people who weren’t social distancing. Donne wrote to a friend a lament for the city’s swagger:


“Now pleasure’s dearth our city doth possess:
Our theatres are fill’d with emptiness;
As lank and thin is ev’ry street and way
As a woman delivered yesterday.”
 
If you fell ill, your house was boarded up with your whole family inside it for 20 days. The illness came on so speedily that they said a man could “dine with his friends and sup with his ancestors”. One man, the playwright Thomas Dekker wrote, “felt a pricking in his arm … and upon this, plucking up his sleeve, he called to his wife to stay; there was no need to fetch him anything from the market; for see (quoth he) I am marked; and so showing God’s Token, died a few minutes later.” Symptoms were fast and cruel: a racing pulse was followed by buboes – hard, red plague sores, some as large as an apple. More wealthy students retreated to the countryside as the plague advanced; others, with nowhere to go, stayed in London. Donne was one such man; his brother Henry, just arrived at the Inns of Court, was another.
 
It had always been Donne’s job to look after Henry – his younger, more vulnerable brother. In the spring of 1593, Henry’s lodgings were raided: he had been hiding a young Catholic priest in his chambers. The penalty for practising as a priest was death. Henry was thrown in jail, through which the plague was raging. Donne did not immediately visit his brother. He delayed just a few days – he didn’t have days. Almost as soon as he arrived in Newgate, Henry became feverish, tortured by buboes. He died fast. He was 19 years old.
 
Henry’s death was to be one in a series of horrors that battered Donne’s life. Born into a family hounded for their Catholicism, he lost six children, as well as his wife, Anne, who died during childbirth at the age of 33. An attempt to be a swashbuckling privateer ended in him watching sailors leap burning into the sea to drown. He thought, relentlessly, of killing himself: he wrote the first full-length treatise on suicide in the English language. There are few poets who knew greater sorrow.
 
But despite or perhaps because of it, there are also few who insisted so passionately on awe. A single human soul, he wrote, is larger than the world itself: “It is too little to call Man a little world … Man [is] the giant, and the world the dwarf.” He kept insisting – in his poetry and later, when he became the dean of St Paul’s, in his sermons, and on his deathbed – that life is an astonishment, and it behoves us to be astonished.
 
If Henry’s death changed Donne, it was to make his work only more intense, more urgent, more defiantly witty. His best verse is a triumphant call to life: it is desire, sincerity, joke, all bound into one. It’s there, for instance, in A Valediction, Forbidding Mourning: the lovers are imagined as the two feet of a pair of mathematical compasses, joined eternally at the base:
 
“If they be two, they are two so
As stiff twin compasses are two:
Thy soul, the fixed foot, makes no show
To move, but doth, if th’other do;
And though it in the centre sit,
Yet when the other far doth roam,
It leans, and hearkens after it,
And grows erect as it comes home.”
 
His poetry loves the body, because Donne, unlike so many of the poets who went before him, never pretended not to have a body – “grows erect as it comes home” is a pun so obvious it might as well be a little sketch of a penis. He revelled in the real fleeting delight of it: he wrote in To His Mistress Going to Bed:
 
“Full nakedness! All joys are due to thee:
As souls unbodied, bodies unclothed must be
To taste whole joys.”
 
Donne burst out from a poetic tradition that watched him, dismayed, as he laid waste their rules and traditions. Ben Jonson wrote that Donne, “for not keeping of accent, deserved hanging”. Many other poets of the time were still playing the “my lady is a perfect dove” game. Think of Walter Raleigh writing to Queen Elizabeth:
 
“A flower of Love’s own planting,
A pattern kept by Nature,
For Beauty, form and stature
When she would frame a darling.”
 
Donne saw that we need more than that: words that encompass the strangeness and mad sweep of human desire, human hunger. He summoned fleas, mathematical instruments, mythical fish, snakes, planets, kings. He chastised the sun for rising on his lover’s bed:
 
“Busy old fool, unruly Sun,
Why dost thou thus
Through windows, and through curtains call on us?
Must to thy motions lovers’ seasons run?”
 
He had, he wrote, “an hydroptique immoderate desire of humane learning”: a labyrinthical mind. Searching for a way to note down the majestically improbable problem of being alive, he became a wild inventor of words, a neologismist. He accounts for the first recorded use of about 340 words in the Oxford English Dictionary, including beauteousness, emancipation, enripen, fecundate and jig.
 
Donne is often said to be a difficult poet. But if he is difficult, it is the difficulty of someone who wants you to read harder, to pay better attention. And when you have read and reread them, the poems open – they salute you. The pleasures of Donne are akin to the pleasures of cracking a safe: there is gold inside. And besides, why should it be easy? Very little that is worth having is easy. We are not, he told us, easy: we are both a miracle and a disaster; our lives deserve pity and wonder, careful loving attention, the full untrammelled exuberance of our imagination. When you have known vast horror, and still found glory, you do not compare loves to doves. You write: “Taste whole joys.”
 
Donne knew what it was to be ruthlessly alone. He knew dread, and fear: and that’s why we can believe him when he tells us of their opposite, of ravishments and of love.
 
 
Plague poems, defiant wit and penis puns: why John Donne is a poet for our times. By Katherine Rundell. The Guardian, April 15, 2022.





Katherine Rundell: John Donne, Super-Infinite (1601)
 
John Donne led many lives, from a young rake in his early years to archdeacon of St Paul’s in his old age. Born into a grand Catholic family who had suffered persecution under Protestant monarchs, he was intimately acquainted with the cruelty of sixteenth-century England. In particular, the tragic death of his younger brother who, aged just nineteen, was thrown into prison for hiding a Jesuit priest and subsequently caught the plague.
 
However Donne’s poetry isn’t defeatist – he was famous in his time for his unusual, intelligent and imaginative work, which used fleas to talk about sex and violence to talk about God. And in the view of our guest today, Katherine Rundell, Donne should be considered alongside William Shakespeare as one of the finest wordsmiths this country has ever produced. That’s why she has written a sparkling new biography of the poet: Super-Infinite: The Transformations of John Donne.
 
Katherine Rundell is a Fellow of All Souls College, Oxford. Her bestselling books for children have been translated into more than thirty languages and have won multiple awards. She has written for, amongst others, the London Review of Books, The Times Literary Supplement and The New York Times: mostly about books, though sometimes about night climbing, tightrope walking, and animals.
 
Artemis Irvine talks with Katherine Rundell.
 
Travels Through Time, April 26, 2022.





Perhaps it was all because of his name. John Donne: for a poet this must have felt a little like destiny, and even in the most unlikely of moments he couldn’t resist making puns. He sat down to write a letter to the enraged father of the teenage girl he had just married in secret. A lesser man might have chosen to play this fairly straight, but not JD. ‘It is irremediably done,’ he wrote to his new father- in-law, and of course he spells it ‘donne’. His young bride’s family name was More; the jokes pretty much wrote themselves. The couple had 12 children and were, he later said, ‘undone’ by their marriage.
 
It is difficult to read Donne and not to like him, at least some of the time. This is in part because of his insistence that even the most pious of prayers might be improved with a penis joke. It is equally because his poems invite us, to an unusual degree, to feel that we might know him. Many poets play games with identity, with whether the speaker of the poem is or is not the same as the poet. Donne does something a little different, which is to circumvent this slightly tired question with an invitation to laugh along. One famous poem pictures his mistress undressing, but it is really the speaker who is revealed: in his desperate lust, his foolishness. ‘O my America! My new-found land!’ he greets her, absurdly. Everywhere, there is something raw and exposed about him. He’s like a child who plays hide and seek by closing his eyes and shouting out here I am. In ‘A Nocturnal upon St Lucy’s Day’, which is perhaps the most beautiful poem about grief in the English language, he insists: ‘Study me then, you who shall lovers be/ At the next world... For I am every dead thing.’
 
Donne turns his scholars into lovers, and as a result books about him tend surprisingly often to rise up to the sparkiness of their histrionic, funny and endlessly fascinating subject. Even the driest of textual scholarship is caught up in this Donne effect. John Carey’s idiosyncratic and brilliant 1981 study John Donne: Life, Mind and Art tracks the repeated images across the poems, prose works and sermons. Even odder and also dazzling is David Marno’s Death Be Not Proud: The Art of Holy Attention (2016), which spends 300 pages in the analysis of a single Donne sonnet. The poet has been extremely well treated by his biographers. The first to write his life was his friend Izaak Walton, who was more famous for his celebrations of fishing and whose life of Donne has a good claim to be the first literary biography. R.C. Bald’s wise, deliberate John Donne: A Life was published in 1970, followed by John Stubbs’s lively and elegant biography in 2006. Perhaps, if you are playing this game seriously, it is impossible to write a bad Donne book.
 
Katherine Rundell’s Super-infinite is a wonderfully Donnean book. It sits in a long pedigree of loving, scholarly responses to the poet, but captures with an unusual wit the variety and richness of its subject. It is neither a strict biography nor only a critical engagement with his poems, but offers instead half a riff on his life and half a love letter to him. There is a lot in the life, and Rundell gives us a quick march through.
 
Donne was born into a Catholic family in 1572 and converted to Protestantism; he was at times a pirate, law student, MP (twice), priest and pornographer. We might see in his life a cartoonish version of the cliché about men being radicals in their youth and conservatives in their old age. As a hot young poet he wrote poems which baffled his contemporaries and were immediately copied into commonplace books. By the time he was 50 he was Dean of St Paul’s Cathedral and preacher to the king. He was rich enough to buy a Titian, and moved his old Catholic mother into the deanery with him.
 
Rundell is a fabulous storyteller. Her children’s books – The Explorer, The Good Thieves and others – rollick through sturdy plots peopled by lively characters: the plucky orphan, the twinkly-eyed grandfather. They leave other contemporary tales for children in their dust. She has the storyteller’s instinct that a strong narrative and a couple of fireworks can carry you through almost anything. The challenge she faces in writing of Donne’s life is that there are so many gaps. Nothing is known, for example, of the exact circumstances of Donne’s wedding. Faced with this, biographers respond in characteristic ways. Bald notes: ‘Neither the exact date nor place of Donne’s marriage is known, although a conjecture to the place is worth hazarding.’ This is so honest and so humble. Stubbs jumps over the gap: ‘By this time, Donne was married.’ Rundell is different. ‘And so they married,’ she writes, and with a flourish conjures up a whole novelistic scene, including the words spoken by the couple and a little speculation as to what the bride wore.
 
What Rundell values in Donne is bravado, wit, invention. He was, she writes, ‘a pure original’, and this is a wholly convincing reading of Donne. But it is also – with some irony – a familiar story, and one that previous biographers and scholars have in their own drier styles often told. Rundell observes that Donne sounds like nobody else, and that he was aware of this quality in his own poetry. ‘Donne knew that he had the seeds of something original,’ she writes, and ‘that what he was doing with the English language was fresh and different.’ To prove this, she quotes a phrase from one of his poems: ‘I sing not, siren-like, to tempt; for I/ Am harsh.’ This is a fine point, that Donne was original and knew it, and this is also a fine proof of exactly that. There is indeed something striking – even harsh – about that line-break. But the argument for Donne’s originality is itself an old one. ‘The unusualness of Donne’s poetry was quite apparent to Donne,’ writes John Carey on the second page of his book, and then proves his point by quoting exactly that same line of Donne’s.
 
The moments at which Rundell is a little conventional permit us to distinguish her own true invention: and through it, perhaps, Donne’s. Her innovations are rarely biographical. In a footnote, she describes Bald’s biography as ‘the bedrock of this book’, and her telling of the life draws from Bald’s version and to a lesser degree that of Stubbs, whose more recent biography she scarcely mentions. The life is a lovely melodrama, sometimes macho, sometimes Mills & Boon, but it is not really where Rundell’s interest lies. For her, his words are the magic: ‘Language, his poetry tells us, is a set, not of rules, but of possibilities.’ He invented new words by breaking apart and recombining the old ones. ‘Donne loved the trans-prefix’ she observes, and ‘he loved to coin formations with the super-prefix.’ (Carey, again, in 1981: Donne was ‘especially prone to invent verbs with the prefix “inter-’’’).
 
Rundell’s title Super-infinite comes from one of Donne’s own new formations, and the paradox is impatient with the limitations of language and what it can be used to describe. The book stages an often thrilling meeting between Donne and Rundell, and its basis is this supple, flexible wordplay in which sentences jump between registers and tones, between this world and the next, between everything and something more. On a portrait of the young Donne, soulful and seductive: ‘He wore a hat big enough to sail a cat in, a big lace collar, an exquisite moustache.’ On his despairs and griefs, and the deaths of his family members and too many of his young children: ‘He was a man who walked so often in darkness that it became for him a daily commute.’ On the violence of his style: ‘He wanted to wear his wit like a knife in his shoe.’
 
Phrases such as these do the work which literary critics are sometimes afraid to do. They attest to love, and perform that love, and in so doing Rundell returns us to a Donne who is new yet old, nicely paradoxical, his own man and everyone’s.
 
A pure original: the inventive genius of John Donne. By Daniel Swift. The Spectator, April 16, 2022. 





The last thing that keeps contemporary Anglican preachers awake at night is the risk of serious injury resulting from the crush of people in their congregations. As Katherine Rundell reminds us in this spirited and sympathetic biography, the risk was real enough when John Donne was in the pulpit, especially in the flower of his achievement as dean of St Paul’s. She avoids (thankfully) the cliché about the early modern preacher as a rockstar equivalent, but helps us see that someone like Donne combined the appeal of a great actor, a performance poet, and a charismatic media don – a mixture of Mark Rylance, Kae Tempest and Brian Cox.
 
People came to experience the sheer stage presence; but they also relished the physical energy of the words, the music of rhythms and cadences constructed by an expert rhetorician. And the subject matter was of intense concern: most hearers believed that what Donne was talking about had something to do with their ultimate nature and fate as human agents, and the detail of this was the topic of fierce public contest, literally a question of life and death.
 
Donne knew more than many about this life-and-death dimension. Born in 1572 into a Catholic family of Welsh origin connected with the martyred hero Thomas More, he grew up in the intense and secretive world of a religious minority subject to draconian restrictions and savage official penalties for non-compliance. As a young man studying at Lincoln’s Inn, he saw his younger brother arrested because of his involvement in harbouring a Catholic priest: the priest was executed, and Henry Donne died of the plague in prison, aged 19.
 
In the years that followed, Donne moved away from his Catholic roots, though the details are hard to chart, beginning a journey that would eventually lead him in 1615 to ordination in the Church of England. And part of this involved teaching himself to think of the Catholic culture he had grown up with in much the same terms as most of his English contemporaries did – as a sophisticatedly perverse world that weaponised suffering and death in a way careless of the fate of individuals like his younger brother, exposing innocent and ill-equipped people to lethal risks for political ends, and capable of planning large-scale atrocities.
 
Catholics in the late 16th and early 17th centuries were thought of in a similar way as we might think of Islamic State or al-Qaeda: for English Protestants, the Catholic martyr was not far removed from the suicide bomber in the modern imagination, someone who was as indifferent to the lives of others as to their own. Donne was to write about these matters in his late thirties with just a touch of obsessiveness, overcompensating, perhaps, for guilt at the abandonment of his family’s costly faith.
 
But his first literary flowering was as a love poet. Rundell sensibly warns us against imagining that the astonishingly vivid, funny, exuberantly sensual verses of Donne’s twenties imply that he was an exceptionally promiscuous man. These poems are no more autobiographical than Shakespeare’s sonnets; of course they would be impossible without personal experience, but they are not chronicles of such experience, and the conventional description of the young Donne as a “rake” is probably misleading. What is undeniable, though, is that his is a deeply physical poetry of almost manic intellectual and metaphorical complexity which never wanders far from “this bed thy centre”.
 
Donne undercuts, parodies and inverts all sorts of commonplaces, scolding the rising sun for disturbing lovers in bed, telling his partner that before their coupling they were like unweaned children or snoring sleepers, and, most boldly of all, cheerfully upending the pious idea that physical love is a step on the ladder to pure, spiritual union by insisting that the whole point of spiritual communion is to culminate in physical intercourse.
 
Our bodies “are ourselves, though they are not we”; in an image he uses more than once, drawn from medieval cosmology, he presents the relation of soul to body as that of “intelligence” to its “sphere” – the shaping, ordering force, and the material landscape to which it gives consistency and purpose. A soul deprived of its embodied activity, abstracted from its role as making sense of the world’s stuff, is unimaginable (and later on, in his devotional poetry, he will give this a further twist, describing the human soul as itself a “sphere” in which the “intelligence” is devotion to God: focusing on God is intelligible only when it is giving order to the confused tangle of impulses and longings that are going on within).
 
Donne’s world is, in all sorts of important respects, medieval – meaning quite the opposite of what that word so often evokes in popular discourse now. It is a place in which connections are everywhere, in which the material stuff of the world is always “speaking” and pointing and cross-referencing. In a world like this, you can take enormous risks in playing with concepts and images, because of a confidence that things will join up sooner or later; you can launch out from a trapeze, knowing that someone or something else’s trajectory will bring them to a place where they can catch you.
 
Donne’s poetry, then, often has the flavour of an experiment: suppose we start with this image? Where will it take us? “Let man’s soul be a sphere” is a little like, “Let R be the rate of acceleration of a body with mass M.” Set up the coordinates and see what comes out. Rundell is right to underline the way in which Donne, whether writing about sex or God, sees the human body as the site of the most demanding and exhilarating explorations of what language can produce.
 
If the early love poems play with all the dimensions of delight and surprise that can surround physical love, the devotional poetry and prose linger on the equally diverse and complex realities of human mortality. “Donne hunted death, battled it, killed it, saluted it, threw it parties,” as Rundell splendidly puts it, and he did so in the face of his own death, using protracted illness as an occasion for intense and intricately composed meditations, and quite literally posing for a portrait in his shroud.
 
Mortality was not a quiet cessation but an entry into an unimaginably enhanced and concentrated sensuality, the “one equal music” he evokes in a much-quoted sermon. One of the real strengths of this book is that we are encouraged to see the continuity of Donne’s imagination – and not just in its blazing metaphorical fertility but in its awareness of how readily it can be distracted by the momentary and trivial.
 
In poetry, this can be turned into a new cycle of inventiveness (that extraordinary poem “The Flea” is a case in point); in prayer and devotion, it serves more as a humbling reminder of the difficulty of focusing one’s attention on God: “I ignore God and his angels for the noise of a fly.” But something of the same spirit is there throughout: nothing is beneath notice in this kaleidoscopic world of material change. To quote Rundell again, “The human animal is worth your attention, your awe, your love.” Being aware of mortality does not divert your attention from the passing world but challenges you to think of the depth of what you experience, what you will lose, and – for Donne and his fellow Christians – what you will rediscover in some unrecognisably enriched mode.
 
A sensibility like Donne’s was never going to be comfortable company. It is not surprising that his various attempts to establish himself as soldier of fortune, civil servant, member of parliament and diplomat were not successful. Single-mindedness and professional competence were not his priorities. Most spectacularly, he jeopardised his career and his freedom by marrying the teenage daughter of an aristocratic patron without the family’s consent.
 
Rundell manages to make Anne Donne a credible and lively presence in the story, with her own pathos – a bright and well-educated young woman, doomed to a premature death by poverty and ceaseless child-bearing. It is clear that Donne was deeply in love with her before and after the marriage; yet we can wonder, as Rundell does, what Anne felt about being so often left to cope with the household while her husband desperately tried to court influential patrons (including influential ladies) and establish some kind of financial stability. He wrote some wonderful poems for her; did she get to read them?
 
No life of Donne can be a hagiography. Apart from all the ambiguities around the marriage, it is hard for the contemporary reader to stomach the humiliating flatteries that pretty much every aspiring literary figure of the era had to offer to potential benefactors. In a society still dependent on patronage to an extent we can barely imagine, very few could afford to stand on their dignity. It is tempting to reduce – as some have wanted to do – Donne’s priestly career to a last, barrel-scraping effort to find secure employment. But Rundell insists that this is a skewed picture when set against the evidence of Donne’s own letters; he is never less than serious about ordination and its demands.
 
More uncomfortably, what do we make of Donne’s “male gaze”? The erotic poetry is wonderfully inventive, witty and joyful; is it also a poetry that leaves the female partner silent and (we hope at least) compliant? Even when Donne uses erotic imagery in his devotional work, there are uncomfortable notes of violence – as in the famous “Batter my heart…” sonnet with its stark concluding image of divine rape.
 
“O my America! my new-found land!” is a deservedly celebrated line, but Donne’s roving fingers exploring the woman’s body can hardly fail to evoke the story of colonial penetration and possession that was beginning to dominate the political imagination of the age. Donne was fascinated by maps. Rundell has some good things to say about the place of maps in Britain’s political imagination in the period as part of a defence strategy, and also about how they can work as metaphors for a strange and unexplored human body, one’s own or another’s – a theme that Donne develops with gusto. But this reminds us that mapmaking was no innocent activity in this first era of transcontinental empire-building.
 
Rundell rightly cautions against writing Donne off as a misogynist. There are poems and prose passages which seem to express disgust or contempt at the female body. But as with so much of the period’s literature, we cannot know exactly what is and isn’t an exercise in conventional forms and tropes. We are on safer ground concentrating on what is not conventional and predictable – and there is no shortage of that in Donne. But this does not relieve us of the anxiety around the silent partner (“For God’s sake, hold your tongue,” as one well-known poem begins), the Other who must be encompassed, mapped and possessed – nor should it.
 
The poetry of the past, like its fiction and drama, and indeed its theology or philosophy, will often shake us by its tone-deafness to the moral registers we take for granted. It is no concession to moral relativism to say that it still deserves intelligent reading; we can even say, in many instances, that such reading helps us see how the resources of a historic text lay foundations for new perceptions that its authors would not and could not have contemplated directly. We can appreciate without absolving or ignoring – and without a desperate attempt to show that any anxieties are unfounded and that a historical author is really just an inoffensive contemporary in fancy dress.
 
We go on reading Donne, as we go on reading any serious writer, because we are surprised, frustrated, exhilarated; we resonate with the voice, and we recognise that we have work to do (on ourselves as well as on the text). Katherine Rundell does in this book what any good literary biographer must do: share that sense of work to do, as well as the wonder and delight. Donne presents an interconnected world, both human and more-than-human, “not as a burden but as a great project”, she says – recommendation enough, we might think, in a culture so damagingly confused about how we are involved in our material setting. And, she asks, unanswerably, “Who else of his peers had been able to hold grotesqueries and delights, death and life, so tightly in the same hand?”
 
The infinite art of John Donne. By Rowan Williams. The New Statesman, May 11, 2022.











If you were a gentleman in Elizabethan London, a gentleman of more or less regular means and habits, your typical day went something like this: You rose at 4 a.m., you wrote 14 letters and a 30-page treatise on the nonexistence of purgatory, you fought a duel, you composed a sonnet, you went to watch a Jesuit get publicly disemboweled, you invented a scientific instrument, you composed another sonnet, you attended the premiere of As You Like It, you romanced someone else’s wife, and then you caught the bubonic plague and died.

They packed a lot in, the Elizabethans, is my point. Maybe posterity, considering our own age, will judge that we are packing a lot in, with the fascism and the COVID and the melting glaciers. Maybe. But there was a peculiar paradoxical ugly-beautiful density to life as the Elizabethans lived it. The Reformation was just behind them; the civil war was coming; Elizabeth, the virgin queen, may have been semi-celestial, but her subjects lived in a police state. They had a passion for virtue and a genius for cruelty. They had wonderful manners and barbaric inclinations, lovely clothes and terrible diseases. They oscillated madly between the abstract and the corporeal. And among his contemporaries, nobody oscillated more madly than John Donne.

Donne was made of contradiction, or of transformation. Born an outsider, a Catholic at a time when being Catholic in England was illegal—his uncle and then his brother went to prison for their faith, and his brother would die there—Donne worked his way in, into the inside, shifting and shedding as he went.

He was a bookish lover-poet who went to sea with the doomed and dashing Earl of Essex and caught a vision of hell when he watched Spanish sailors being burned alive in the harbor at Cádiz. (His Rutger Hauer–in–Blade Runner moment: “I’ve seen things you people wouldn’t believe. Attack ships on fire off the shoulder of Orion.”) He was a splenetic satirist, all-observing, all-condemning, who was also a world-class flatterer/ingratiator. He had a slicing, dicing, predatory mind that he applied with equal force to sex, to politics, and finally to a religious vocation. Young Donne had an inflamed libido, old Donne an inflamed conscience. The man who wrote “License my roving hands, and let them go / Before, behind, between, above, below” would become, as the dean of St. Paul’s Cathedral, the grave divine who warned his congregants that “a man may be an adulterer in his wife’s bosom, though he seek not strange women.”

As for his poetry, it’s unlovable and it’s irresistible. English verse is not the same after Donne. Harmony and gentility—the music of Spenser—go out the window, and in comes a ferocious, sometimes grating intellectual energy and an intense superiority. You can read pages of Donne and register only the oppressive proximity of his pulsing brain. But then he’ll snag you. “Busy old fool, unruly sun,” grumbles the lover as daylight pushes in at the bedroom window. “Saucy pedantic wretch, go chide / Late school boys.” Encrusted as his vocabulary could be, he had a shocking talent for immediate, everyday speech. One moment his verse is alien, twisted, full of fussy wiring and strange mechanical conceits (Dr. Johnson: “Who but Donne would have thought that a good man is a telescope?”); the next he writes “For God’s sake hold your tongue, and let me love,” or “I run to death, and death meets me as fast,” and we hear him speaking to us across four centuries in ringing monosyllables.

Super-Infinite is the title of Katherine Rundell’s new biographical study of Donne. It sounds like an album by Monster Magnet. And indeed, Rundell responds to Donne in something of a heavy-metal, hyperbolizing register. Read the first stanza of “Love’s Growth,” she promises us, and “all the oxygen in a five-mile radius rushes to greet you.” Another poem, “The Comparison,” in which Donne contrasts the charms of his mistress with those of another woman, takes the tradition of poets praising female beauty “and knifes it in a dark alley.” And so on.

But overpraise, or praise with reverb, is very Elizabethan and very, very John Donne, as Rundell shows us. “Compliments,” she writes, “were core currency,” and Donne was loaded. He flung out admirations; he strewed encomia. “Your going away,” he assured one Lady Kingsmill in a letter, “hath made London a dead carcass.” Rundell calls this Donne’s “pleasure in extravagance.” When Elizabeth, the young daughter of Sir Robert Drury, died, Drury (the sort of grandee to whom Donne was always sucking up) commissioned an elegy. And although Donne had never met Elizabeth Drury, he went at it with a vengeance: In two long, slightly bonkers poems, “The First Anniversary” and “The Second Anniversary,” he unfurled the full howling panorama of human existence and almost beatified the deceased girl. “She, she is dead; she’s dead; when thou knowest this / Thou knowest how dry a cinder this world is.” It was heavenly hackwork. “If he had written it of the Virgin Mary,” opined Ben Jonson, “it had been something.”

Donne’s love poetry is extreme: Bodies melt, souls commingle, genders elide, death is an atom away. For sheer piercing morbidity, what image can match the “bracelet of bright hair about the bone” that he summons in “The Relic,” his fantasy of being exhumed while still wearing the tokens of his love? His religious poetry is equally extreme: “Spit in my face you Jews, and pierce my side,” runs one of his Holy Sonnets (more of those hammering monosyllables), in which he prays to take on the sufferings of Christ. “Buffet, and scoff, scourge, and crucify me, / For I have sinned, and sinned.” On a good day, Donne saw the world as an organic biological-spiritual unity, the famous whole where “no man is an island.” On a bad one, it became a slaughterhouse, a Boschian mill: “Th’ earth’s race is but thy table; there are set / Plants, cattle, men, dishes for Death to eat. / In a rude hunger now he millions draws / Into his bloody, or plaguey, or starved jaws” (“Elegy on Mistress Bulstrode”).
 
An extremity of perception, in the end, is where the two Donnes meet: He was a mystic in bed, and a mystic in the pulpit. The almost Tantric lover, seeking an essence beyond the body, was also the yearning-for-eternity preacher: “As soon as my soul enters heaven, I shall be able to say to the angels, I am of the same stuff as you.”

He managed his exit like David Bowie, stripping naked in the weeks before he died and wrapping himself in his winding-sheet so that an artist could make sketches for the posthumous carving of a marble monument. As a preacher, Rundell tells us, Donne’s “speciality” was his gift for riffing on infinity. One imagines his congregants at St. Paul’s creaking and shuffling in their pews as he laid the vision upon them: “There shall be no cloud nor sun, no darkness nor dazzling, but one equal light; no noise nor silence, but one equal music.” And there it is, the final resolving power chord: the radiant wave in which all the contradictions—of the age, and of the man—would be consumed.


The Unlovable, Irresistible John Donne : The Elizabethan poet and divine was a mystic in bed and a mystic in the pulpit. By James Parker. The Atlantic, August 16, 2022.