Six foot out of the turf,
And the harebell shakes on the windy hill--
O breath of the distant surf!--
And southward dreams the sea;
And with the sea-breeze hand in hand
Came innocence and she.
Red for the gatherer springs;
Two children did we stray and talk
Wise, idle, childish things.
Breast-deep 'mid flower and spine:
Her skin was like a grape whose veins
Run snow instead of wine.
Nor knew her own sweet way;
But there's never a bird, so sweet a song
Thronged in whose throat all day.
On the turf and on the spray;
But the sweetest flower on Sussex hills
Was the Daisy-flower that day!
She gave me tokens three:--
A look, a word of her winsome mouth,
And a wild raspberry.
A still word,--strings of sand!
And yet they made my wild, wild heart
Fly down to her little hand.
And candid as the skies,
She took the berries with her hand,
And the love with her sweet eyes.
Their scent survives their close:
But the rose's scent is bitterness
To him that loved the rose.
Then went her sunshine way--
The sea's eye had a mist on it,
And the leaves fell from the day.
She went and left in me
The pang of all he partings gone,
And partings yet to be.
Was sad that she was glad;
At all the sadness in the sweet,
The sweetness in the sad.
Look up with soft replies,
And take the berries with her hand,
And the love with her lovely eyes.
That is not paid with moan,
For we are born in other's pain,
And perish in our own.
To Olivia
Love's the ambassador of loss;
White flake of childhood, clinging so
To my soiled raiment, thy shy snow
At tenderest touch will shrink and go.
Love me not, delightful child.
My heart, by many snares beguiled,
Has grown timorous and wild.
It would fear thee not at all,
Wert thou not so harmless-small.
Because thy arrows, not yet dire,
Are still unbarbed with destined fire,
I fear thee more than hadst thou stood
Full-panoplied in womanhood.
The Hound of Heaven
I fled
Him, down the nights and down the days;
I fled Him, down the arches of the years;
I fled Him, down the labyrinthine ways
Of my own mind; and in the mist of tears
I hid from Him, and under running laughter.
Up vistaed hopes, I sped;
And shot, precipitated
Adown Titanic glooms of chasmed fears,
From those strong Feet that followed, followed after.
But with unhurrying chase,
And unperturbéd pace,
Deliberate speed, majestic instancy,
They beat—and a Voice beat
More instant than the Feet—
“All things betray thee, who betrayest Me.”
I pleaded, outlaw-wise,
By many a hearted casement, curtained red,
Trellised with intertwining charities;
(For, though I knew His love Who followéd,
Yet was I sore adread
Lest, having Him, I must have naught beside)
But, if one little casement parted wide,
The gust of His approach would clash it to
Fear wist not to evade, as Love wist to pursue.
Across the margent of the world I fled,
And troubled the gold gateways of the stars,
Smiting for shelter on their changèd bars;
Fretted to dulcet jars
And silvern chatter the pale ports o’ the moon.
I said to dawn: Be sudden—to eve: Be soon;
With thy young skiey blossoms heap me over
From this tremendous Lover!
Float thy vague veil about me, lest He see!
I tempted all His servitors, but to find
My own betrayal in their constancy,
In faith to Him their fickleness to me,
Their traitorous trueness, and their loyal deceit.
To all swift things for swiftness did I sue;
Clung to the whistling mane of every wind.
But whether they swept, smoothly fleet,
The long savannahs of the blue;
Or whether, Thunder-driven,
They clanged his chariot ’thwart a heaven,
Plashy with flying lightnings round the spurn o’ their feet:—
Fear wist not to evade as Love wist to pursue.
Still with unhurrying chase,
And unperturbèd pace,
Deliberate speed, majestic instancy,
Came on the following Feet,
And a Voice above their beat—
“Naught shelters thee, who wilt not shelter Me.”
I sought no more that, after which I strayed,
In face of man or maid;
But still within the little children’s eyes
Seems something, something that replies,
They at least are for me, surely for me!
I turned me to them very wistfully;
But just as their young eyes grew sudden fair
With dawning answers there,
Their angel plucked them from me by the hair.
“Come then, ye other children, Nature’s—share
With me” (said I) “your delicate fellowship;
Let me greet you lip to lip,
Let me twine with you caresses,
Wantoning
With our Lady-Mother’s vagrant tresses,
Banqueting
With her in her wind-walled palace,
Underneath her azured daïs,
Quaffing, as your taintless way is,
From a chalice
Lucent-weeping out of the dayspring.”
So it was done:
I in their delicate fellowship was one—
Drew the bolt of Nature’s secrecies.
I knew all the swift importings
On the wilful face of skies;
I knew how the clouds arise
Spumèd of the wild sea-snortings;
All that’s born or dies
Rose and drooped with—made them shapers
Of mine own moods, or wailful or divine—
With them joyed and was bereaven.
I was heavy with the even,
When she lit her glimmering tapers
Round the day’s dead sanctities.
I laughed in the morning’s eyes.
I triumphed and I saddened with all weather,
Heaven and I wept together,
And its sweet tears were salt with mortal mine;
Against the red throb of its sunset-heart
I laid my own to beat,
And share commingling heat;
But not by that, by that, was eased my human smart.
In vain my tears were wet on Heaven’s grey cheek.
For ah! we know not what each other says,
These things and I; in sound I speak—
Their sound is but their stir, they speak by silences.
Nature, poor stepdame, cannot slake my drouth;
Let her, if she would owe me,
Drop yon blue bosom-veil of sky, and show me
The breasts o’ her tenderness:
Never did any milk of hers once bless
My thirsting mouth.
Nigh and nigh draws the chase,
With unperturbèd pace,
Deliberate speed majestic instancy
And past those noisèd Feet
A voice comes yet more fleet—
“Lo! naught contents thee, who content’st not Me.”
Naked I wait Thy love’s uplifted stroke!
My harness piece by piece Thou hast hewn from me,
And smitten me to my knee;
I am defenceless utterly,
I slept, methinks, and woke,
And, slowly gazing, find me stripped in sleep.
In the rash lustihead of my young powers,
I shook the pillaring hours
And pulled my life upon me; grimed with smears,
I stand amid the dust o’ the mounded years—
My mangled youth lies dead beneath the heap.
My days have crackled and gone up in smoke,
Have puffed and burst as sun-starts on a stream.
Yea, faileth now even dream
The dreamer, and the lute the lutanist;
Even the linked fantasies, in whose blossomy twist
I swung the earth a trinket at my wrist,
Are yielding; cords of all too weak account
For earth with heavy griefs so overplussed.
Ah! is Thy love indeed
A weed, albeit an amaranthine weed,
Suffering no flowers except its own to mount?
Ah! must—
Designer infinite!—
Ah! must Thou char the wood ere Thou canst limn with it?
My freshness spent its wavering shower i’ the dust;
And now my heart is as a broken fount,
Wherein tear-drippings stagnate, spilt down ever
From the dank thoughts that shiver
Upon the sighful branches of my mind.
Such is; what is to be?
The pulp so bitter, how shall taste the rind?
I dimly guess what Time in mists confounds;
Yet ever and anon a trumpet sounds
From the hid battlements of Eternity,
Those shaken mists a space unsettle, then
Round the half-glimpsèd turrets slowly wash again;
But not ere him who summoneth
I first have seen, enwound
With grooming robes purpureal, cypress-crowned;
His name I know, and what his trumpet saith.
Whether man’s heart or life it be which yields
Thee harvest, must Thy harvest fields
Be dunged with rotten death?
Now of that long pursuit
Comes on at hand the bruit;
That Voice is round me like a bursting sea:
“And is thy earth so marred,
Shattered in shard on shard?
Lo, all things fly thee, for thou fliest Me!
“Strange, piteous, futile thing!
Wherefore should any set thee love apart?
Seeing none but I makes much of naught” (He said),
“And human love needs human meriting:
How hast thou merited—
Of all man’s clotted clay the dingiest clot?
Alack, thou knowest not
How little worthy of any love thou art!
Whom wilt thou find to love ignoble thee,
Save Me, save only Me?
All which I took from thee I did but take,
Not for thy harms,
But just that thou might’st seek it in My arms.
All which thy child’s mistake
Fancies as lost, I have stored for thee at home:
Rise, clasp My hand, and come.”
Halts by me that footfall:
Is my gloom, after all,
Shade of His hand, outstretched caressingly?
“Ah, fondest, blindest, weakest,
I am He Whom thou seekest!
Thou dravest love from thee, who dravest Me.”
I fled Him, down the arches of the years;
I fled Him, down the labyrinthine ways
Of my own mind; and in the mist of tears
I hid from Him, and under running laughter.
Up vistaed hopes, I sped;
And shot, precipitated
Adown Titanic glooms of chasmed fears,
From those strong Feet that followed, followed after.
But with unhurrying chase,
And unperturbéd pace,
Deliberate speed, majestic instancy,
They beat—and a Voice beat
More instant than the Feet—
“All things betray thee, who betrayest Me.”
I pleaded, outlaw-wise,
By many a hearted casement, curtained red,
Trellised with intertwining charities;
(For, though I knew His love Who followéd,
Yet was I sore adread
Lest, having Him, I must have naught beside)
But, if one little casement parted wide,
The gust of His approach would clash it to
Fear wist not to evade, as Love wist to pursue.
Across the margent of the world I fled,
And troubled the gold gateways of the stars,
Smiting for shelter on their changèd bars;
Fretted to dulcet jars
And silvern chatter the pale ports o’ the moon.
I said to dawn: Be sudden—to eve: Be soon;
With thy young skiey blossoms heap me over
From this tremendous Lover!
Float thy vague veil about me, lest He see!
I tempted all His servitors, but to find
My own betrayal in their constancy,
In faith to Him their fickleness to me,
Their traitorous trueness, and their loyal deceit.
To all swift things for swiftness did I sue;
Clung to the whistling mane of every wind.
But whether they swept, smoothly fleet,
The long savannahs of the blue;
Or whether, Thunder-driven,
They clanged his chariot ’thwart a heaven,
Plashy with flying lightnings round the spurn o’ their feet:—
Fear wist not to evade as Love wist to pursue.
Still with unhurrying chase,
And unperturbèd pace,
Deliberate speed, majestic instancy,
Came on the following Feet,
And a Voice above their beat—
“Naught shelters thee, who wilt not shelter Me.”
I sought no more that, after which I strayed,
In face of man or maid;
But still within the little children’s eyes
Seems something, something that replies,
They at least are for me, surely for me!
I turned me to them very wistfully;
But just as their young eyes grew sudden fair
With dawning answers there,
Their angel plucked them from me by the hair.
“Come then, ye other children, Nature’s—share
With me” (said I) “your delicate fellowship;
Let me greet you lip to lip,
Let me twine with you caresses,
Wantoning
With our Lady-Mother’s vagrant tresses,
Banqueting
With her in her wind-walled palace,
Underneath her azured daïs,
Quaffing, as your taintless way is,
From a chalice
Lucent-weeping out of the dayspring.”
So it was done:
I in their delicate fellowship was one—
Drew the bolt of Nature’s secrecies.
I knew all the swift importings
On the wilful face of skies;
I knew how the clouds arise
Spumèd of the wild sea-snortings;
All that’s born or dies
Rose and drooped with—made them shapers
Of mine own moods, or wailful or divine—
With them joyed and was bereaven.
I was heavy with the even,
When she lit her glimmering tapers
Round the day’s dead sanctities.
I laughed in the morning’s eyes.
I triumphed and I saddened with all weather,
Heaven and I wept together,
And its sweet tears were salt with mortal mine;
Against the red throb of its sunset-heart
I laid my own to beat,
And share commingling heat;
But not by that, by that, was eased my human smart.
In vain my tears were wet on Heaven’s grey cheek.
For ah! we know not what each other says,
These things and I; in sound I speak—
Their sound is but their stir, they speak by silences.
Nature, poor stepdame, cannot slake my drouth;
Let her, if she would owe me,
Drop yon blue bosom-veil of sky, and show me
The breasts o’ her tenderness:
Never did any milk of hers once bless
My thirsting mouth.
Nigh and nigh draws the chase,
With unperturbèd pace,
Deliberate speed majestic instancy
And past those noisèd Feet
A voice comes yet more fleet—
“Lo! naught contents thee, who content’st not Me.”
Naked I wait Thy love’s uplifted stroke!
My harness piece by piece Thou hast hewn from me,
And smitten me to my knee;
I am defenceless utterly,
I slept, methinks, and woke,
And, slowly gazing, find me stripped in sleep.
In the rash lustihead of my young powers,
I shook the pillaring hours
And pulled my life upon me; grimed with smears,
I stand amid the dust o’ the mounded years—
My mangled youth lies dead beneath the heap.
My days have crackled and gone up in smoke,
Have puffed and burst as sun-starts on a stream.
Yea, faileth now even dream
The dreamer, and the lute the lutanist;
Even the linked fantasies, in whose blossomy twist
I swung the earth a trinket at my wrist,
Are yielding; cords of all too weak account
For earth with heavy griefs so overplussed.
Ah! is Thy love indeed
A weed, albeit an amaranthine weed,
Suffering no flowers except its own to mount?
Ah! must—
Designer infinite!—
Ah! must Thou char the wood ere Thou canst limn with it?
My freshness spent its wavering shower i’ the dust;
And now my heart is as a broken fount,
Wherein tear-drippings stagnate, spilt down ever
From the dank thoughts that shiver
Upon the sighful branches of my mind.
Such is; what is to be?
The pulp so bitter, how shall taste the rind?
I dimly guess what Time in mists confounds;
Yet ever and anon a trumpet sounds
From the hid battlements of Eternity,
Those shaken mists a space unsettle, then
Round the half-glimpsèd turrets slowly wash again;
But not ere him who summoneth
I first have seen, enwound
With grooming robes purpureal, cypress-crowned;
His name I know, and what his trumpet saith.
Whether man’s heart or life it be which yields
Thee harvest, must Thy harvest fields
Be dunged with rotten death?
Now of that long pursuit
Comes on at hand the bruit;
That Voice is round me like a bursting sea:
“And is thy earth so marred,
Shattered in shard on shard?
Lo, all things fly thee, for thou fliest Me!
“Strange, piteous, futile thing!
Wherefore should any set thee love apart?
Seeing none but I makes much of naught” (He said),
“And human love needs human meriting:
How hast thou merited—
Of all man’s clotted clay the dingiest clot?
Alack, thou knowest not
How little worthy of any love thou art!
Whom wilt thou find to love ignoble thee,
Save Me, save only Me?
All which I took from thee I did but take,
Not for thy harms,
But just that thou might’st seek it in My arms.
All which thy child’s mistake
Fancies as lost, I have stored for thee at home:
Rise, clasp My hand, and come.”
Halts by me that footfall:
Is my gloom, after all,
Shade of His hand, outstretched caressingly?
“Ah, fondest, blindest, weakest,
I am He Whom thou seekest!
Thou dravest love from thee, who dravest Me.”
A Portrait Before
As lovers, banished from their lady’s face
And hopeless of her grace,
Fashion a ghostly sweetness in its place,
Fondly adore
Some stealth-won cast attire she wore,
A kerchief or a glove:
And at the lover’s beck
Into the glove there fleets the hand,
Or at impetuous command
Up from the kerchief floats the virgin neck:
So I, in very lowlihead of love,—
Too shyly reverencing
To let one thought’s light footfall smooth
Tread near the living, consecrated thing,—
Treasure me thy cast youth.
This outworn vesture, tenantless of thee,
Hath yet my knee,
For that, with show and semblance fair
Of the past Her
Who once the beautiful, discarded raiment bare,
It cheateth me.
As gale to gale drifts breath
Of blossoms’ death,
And hopeless of her grace,
Fashion a ghostly sweetness in its place,
Fondly adore
Some stealth-won cast attire she wore,
A kerchief or a glove:
And at the lover’s beck
Into the glove there fleets the hand,
Or at impetuous command
Up from the kerchief floats the virgin neck:
So I, in very lowlihead of love,—
Too shyly reverencing
To let one thought’s light footfall smooth
Tread near the living, consecrated thing,—
Treasure me thy cast youth.
This outworn vesture, tenantless of thee,
Hath yet my knee,
For that, with show and semblance fair
Of the past Her
Who once the beautiful, discarded raiment bare,
It cheateth me.
As gale to gale drifts breath
Of blossoms’ death,
So dropping down the years from hour to hour
This dead youth’s scent is wafted me to-day:
I sit, and from the fragrance dream the flower.
So, then, she looked (I say);
And so her front sunk down
Heavy beneath the poet’s iron crown:
On her mouth museful sweet—
(Even as the twin lips meet)
Did thought and sadness greet:
Sighs
In those mournful eyes
So put on visibilities;
As viewless ether turns, in deep on deep, to dyes.
Thus, long ago,
She kept her meditative paces slow
Through maiden meads, with wavèd shadow and gleam
Of locks half-lifted on the winds of dream,
Till love up-caught her to his chariot’s glow.
Yet, voluntary, happier Proserpine!
This drooping flower of youth thou lettest fall
I, faring in the cockshut-light, astray,
Find on my ’lated way,
And stoop, and gather for memorial,
And lay it on my bosom, and make it mine.
To this, the all of love the stars allow me,
I dedicate and vow me.
I reach back through the days
A trothed hand to the dead the last trump shall not raise.
The water-wraith that cries
From those eternal sorrows of thy pictured eyes
Entwines and draws me down their soundless intricacies!
This dead youth’s scent is wafted me to-day:
I sit, and from the fragrance dream the flower.
So, then, she looked (I say);
And so her front sunk down
Heavy beneath the poet’s iron crown:
On her mouth museful sweet—
(Even as the twin lips meet)
Did thought and sadness greet:
Sighs
In those mournful eyes
So put on visibilities;
As viewless ether turns, in deep on deep, to dyes.
Thus, long ago,
She kept her meditative paces slow
Through maiden meads, with wavèd shadow and gleam
Of locks half-lifted on the winds of dream,
Till love up-caught her to his chariot’s glow.
Yet, voluntary, happier Proserpine!
This drooping flower of youth thou lettest fall
I, faring in the cockshut-light, astray,
Find on my ’lated way,
And stoop, and gather for memorial,
And lay it on my bosom, and make it mine.
To this, the all of love the stars allow me,
I dedicate and vow me.
I reach back through the days
A trothed hand to the dead the last trump shall not raise.
The water-wraith that cries
From those eternal sorrows of thy pictured eyes
Entwines and draws me down their soundless intricacies!
And hopeless of her grace,
Fashion a ghostly sweetness in its place,
Fondly adore
Some stealth-won cast attire she wore,
A kerchief or a glove:
And at the lover’s beck
Into the glove there fleets the hand,
Or at impetuous command
Up from the kerchief floats the virgin neck:
So I, in very lowlihead of love,—
Too shyly reverencing
To let one thought’s light footfall smooth
Tread near the living, consecrated thing,—
Treasure me thy cast youth.
This outworn vesture, tenantless of thee,
Hath yet my knee,
For that, with show and semblance fair
Of the past Her
Who once the beautiful, discarded raiment bare,
It cheateth me.
As gale to gale drifts breath
Of blossoms’ death,
And hopeless of her grace,
Fashion a ghostly sweetness in its place,
Fondly adore
Some stealth-won cast attire she wore,
A kerchief or a glove:
And at the lover’s beck
Into the glove there fleets the hand,
Or at impetuous command
Up from the kerchief floats the virgin neck:
So I, in very lowlihead of love,—
Too shyly reverencing
To let one thought’s light footfall smooth
Tread near the living, consecrated thing,—
Treasure me thy cast youth.
This outworn vesture, tenantless of thee,
Hath yet my knee,
For that, with show and semblance fair
Of the past Her
Who once the beautiful, discarded raiment bare,
It cheateth me.
As gale to gale drifts breath
Of blossoms’ death,
So dropping down the years from hour to hour
This dead youth’s scent is wafted me to-day:
I sit, and from the fragrance dream the flower.
So, then, she looked (I say);
And so her front sunk down
Heavy beneath the poet’s iron crown:
On her mouth museful sweet—
(Even as the twin lips meet)
Did thought and sadness greet:
Sighs
In those mournful eyes
So put on visibilities;
As viewless ether turns, in deep on deep, to dyes.
Thus, long ago,
She kept her meditative paces slow
Through maiden meads, with wavèd shadow and gleam
Of locks half-lifted on the winds of dream,
Till love up-caught her to his chariot’s glow.
Yet, voluntary, happier Proserpine!
This drooping flower of youth thou lettest fall
I, faring in the cockshut-light, astray,
Find on my ’lated way,
And stoop, and gather for memorial,
And lay it on my bosom, and make it mine.
To this, the all of love the stars allow me,
I dedicate and vow me.
I reach back through the days
A trothed hand to the dead the last trump shall not raise.
The water-wraith that cries
From those eternal sorrows of thy pictured eyes
Entwines and draws me down their soundless intricacies!
This dead youth’s scent is wafted me to-day:
I sit, and from the fragrance dream the flower.
So, then, she looked (I say);
And so her front sunk down
Heavy beneath the poet’s iron crown:
On her mouth museful sweet—
(Even as the twin lips meet)
Did thought and sadness greet:
Sighs
In those mournful eyes
So put on visibilities;
As viewless ether turns, in deep on deep, to dyes.
Thus, long ago,
She kept her meditative paces slow
Through maiden meads, with wavèd shadow and gleam
Of locks half-lifted on the winds of dream,
Till love up-caught her to his chariot’s glow.
Yet, voluntary, happier Proserpine!
This drooping flower of youth thou lettest fall
I, faring in the cockshut-light, astray,
Find on my ’lated way,
And stoop, and gather for memorial,
And lay it on my bosom, and make it mine.
To this, the all of love the stars allow me,
I dedicate and vow me.
I reach back through the days
A trothed hand to the dead the last trump shall not raise.
The water-wraith that cries
From those eternal sorrows of thy pictured eyes
Entwines and draws me down their soundless intricacies!
Gilded Gold
Thou
dost to rich attire a grace,
To let it deck itself with thee,
And teachest pomp strange cunning ways
To be thought simplicity.
But lilies, stolen from grassy mold,
No more curlèd state unfold
Translated to a vase of gold;
In burning throne though they keep still
Serenities unthawed and chill.
Therefore, albeit thou’rt stately so,
In statelier state thou us’dst to go.
Though
jewels should phosphoric burn
Through those night-waters of thine hair,
A flower from its translucid urn
Poured silver flame more lunar-fair.
These futile trappings but recall
Degenerate worshippers who fall
In purfled kirtle and brocade
To ’parel the white Mother-Maid.
For, as her image stood arrayed
In vests of its self-substance wrought
To measure
of the sculptor’s thought—
Slurred by those added braveries;
So for thy spirit did devise
Its Maker seemly garniture,
Of its own essence parcel pure,—
From grave simplicities a dress,
And reticent demurenesses,
And love encinctured with reserve;
Which the woven vesture should subserve.
For outward robes in their ostents
Should show the soul’s habiliments.
Therefore I say,—Thou’rt fair even so,
But better Fair I use to know.
The
violet would thy dusk hair deck
With graces like thine own unsought.
Ah! but such place would daze and wreck
Its simple, lowly rustic thought.
For so advancèd, dear, to thee,
It would unlearn humility!
Yet do not, with an altered look,
In these weak numbers read rebuke;
Which are but jealous lest too much
God’s master-piece thou shouldst retouch.
Where a sweetness is complete,
Add not sweets unto the sweet!
Or, as thou wilt, for others so
In unfamiliar richness go;
But keep for mine acquainted eyes
The fashions of thy Paradise.
To let it deck itself with thee,
And teachest pomp strange cunning ways
To be thought simplicity.
But lilies, stolen from grassy mold,
No more curlèd state unfold
Translated to a vase of gold;
In burning throne though they keep still
Serenities unthawed and chill.
Therefore, albeit thou’rt stately so,
In statelier state thou us’dst to go.
Through those night-waters of thine hair,
A flower from its translucid urn
Poured silver flame more lunar-fair.
These futile trappings but recall
Degenerate worshippers who fall
In purfled kirtle and brocade
To ’parel the white Mother-Maid.
For, as her image stood arrayed
In vests of its self-substance wrought
Slurred by those added braveries;
So for thy spirit did devise
Its Maker seemly garniture,
Of its own essence parcel pure,—
From grave simplicities a dress,
And reticent demurenesses,
And love encinctured with reserve;
Which the woven vesture should subserve.
For outward robes in their ostents
Should show the soul’s habiliments.
Therefore I say,—Thou’rt fair even so,
But better Fair I use to know.
With graces like thine own unsought.
Ah! but such place would daze and wreck
Its simple, lowly rustic thought.
For so advancèd, dear, to thee,
It would unlearn humility!
Yet do not, with an altered look,
In these weak numbers read rebuke;
Which are but jealous lest too much
God’s master-piece thou shouldst retouch.
Where a sweetness is complete,
Add not sweets unto the sweet!
Or, as thou wilt, for others so
In unfamiliar richness go;
But keep for mine acquainted eyes
The fashions of thy Paradise.
To
Monica Thought Dying
You, O the piteous you!
Who all the long night through
Anticipatedly
Disclose yourself to me
Already in the ways
Beyond our human comfortable days;
How can you deem what Death
Impitiably saith
To me, who listening wake
For your poor sake?
When a grown woman dies
You know we think unceasingly
What things she said, how sweet, how wise;
And these do make our misery.
But you were (you to me
The dead anticipatedly!)
You—eleven years, was’t not, or so?—
Were just a child, you know;
And so you never said
Things sweet immeditatably and wise
To interdict from closure my wet eyes:
But foolish things, my dead, my dead!
Little and laughable,
Your age that fitted well.
And was it such things all unmemorable,
Was it such things could make
Me sob all night for your implacable sake?
Yet, as you said to me,
In pretty make-believe of revelry,
So the night long said Death
With his magniloquent breath;
(And that remembered laughter
Which in our daily uses followed after,
Was all untuned to pity and to awe):
“A cup of chocolate,
One farthing is the rate,
You drink it through a straw.”
How could I know, how know
Those laughing words when drenched with sobbing so?
Another voice than yours, than yours, he hath!
My dear, was’t worth his breath,
His mighty utterance?—yet he saith, and saith!
This dreadful Death to his own dreadfulness
Doth dreadful wrong,
This dreadful childish babble on his tongue!
That iron tongue made to speak sentences,
And wisdom insupportably complete,
Why should it only say the long night through,
In mimicry of you,—
“A cup of chocolate,
One farthing is the rate,
You drink it through a straw, a straw, a straw!”
Oh, of all sentences,
Piercingly incomplete!
Why did you teach that fatal mouth to draw,
Child, impermissible awe,
From your old trivialness?
Why have you done me this
Most unsustainable wrong,
And into Death’s control
Betrayed the secret places of my soul?
Teaching him that his lips,
Uttering their native earthquake and eclipse,
Could never so avail
To rend from hem to hem the ultimate veil
Of this most desolate
Spirit, and leave it stripped and desecrate,—
Nay, never so have wrung
From eyes and speech weakness unmanned, unmeet;
As when his terrible dotage to repeat
Its little lesson learneth at your feet;
As when he sits among
His sepulchres, to play
With broken toys your hand has cast away,
With derelict trinkets of the darling young.
Why have you taught—that he might so complete
His awful panoply
From your cast playthings—why,
This dreadful childish babble to his tongue,
Dreadful and sweet?
In No
Strange Land (The Kingdom Of God)
The kingdom of God is within you
O world invisible, we view thee,
O world intangible, we touch thee,
O world unknowable, we know thee,
Inapprehensible, we clutch thee!
Does the fish soar to find the ocean,
The eagle plunge to find the air-
That we ask of the stars in motion
If they have rumor of thee there?
Not where the wheeling systems darken,
And our benumbed conceiving soars! -
The drift of pinions, would we hearken,
Beats at our own clay-shuttered doors.
The angels keep their ancient places-
Turn but a stone and start a wing!
'Tis ye, 'tis your estrangèd faces,
That miss the many-splendored thing.
But (when so sad thou canst not sadder)
Cry- and upon thy so sore loss
Shall shine the traffic of Jacob's ladder
Pitched betwixt Heaven and Charing Cross.
Yea, in the night, my Soul, my daughter,
Cry- clinging to Heaven by the hems;
And lo, Christ walking on the water,
Not of Genesareth, but Thames!
A Question
O bird
with heart of wassail,
That toss the Bacchic branch,
And slip your shaken music,
An elfin avalanche;
Come
tell me, O tell me,
My poet of the blue!
What's YOUR thought of me, Sweet?--
Here's MY thought of you.
A small
thing, a wee thing,
A brown fleck of nought;
With winging and singing
That who could have thought?
A small
thing, a wee thing,
A brown amaze withal,
That fly a pitch more azure
Because you're so small.
Bird,
I'm a small thing--
My angel descries;
With winging and singing
That who could surmise?
Ah,
small things, ah, wee things,
Are the poets all,
Whose tour's the more azure
Because they're so small.
The
angels hang watching
The tiny men-things:-
'The dear speck of flesh, see,
With such daring wings!
'Come,
tell us, O tell us,
Thou strange mortality!
What's THY thought of us, Dear?--
Here's OUR thought of thee.'
'Alack!
you tall angels,
I can't think so high!
I can't think what it feels like
Not to be I.'
Come
tell me, O tell me,
My poet of the blue!
What's YOUR thought of me, Sweet?--
Here's MY thought of you.
That toss the Bacchic branch,
And slip your shaken music,
An elfin avalanche;
My poet of the blue!
What's YOUR thought of me, Sweet?--
Here's MY thought of you.
A brown fleck of nought;
With winging and singing
That who could have thought?
A brown amaze withal,
That fly a pitch more azure
Because you're so small.
My angel descries;
With winging and singing
That who could surmise?
Are the poets all,
Whose tour's the more azure
Because they're so small.
The tiny men-things:-
'The dear speck of flesh, see,
With such daring wings!
Thou strange mortality!
What's THY thought of us, Dear?--
Here's OUR thought of thee.'
I can't think so high!
I can't think what it feels like
Not to be I.'
My poet of the blue!
What's YOUR thought of me, Sweet?--
Here's MY thought of you.
A May
Burden
Though meadow-ways as I did tread,
The corn grew in great lustihead,
And hey! the beeches burgeoned.
By Goddes fay, by Goddes fay!
It is the month, the jolly month,
It is the jolly month of May.
God ripe the wines and corn, I say,
And wenches for the marriage-day,
And boys to teach love's comely play.
By Goddes fay, by Goddes fay!
It is the month, the jolly month,
It is the jolly month of May.
As I went down by lane and lea,
The daisies reddened so, pardie!
'Blushets!' I said, 'I well do see,
By Goddes fay, by Goddes fay!
The thing ye think of in this month,
Heigho! this jolly month of May.'
As down I went by rye and oats,
The blossoms smelt of kisses; throats
Of birds turned kisses into notes;
By Goddes fay, by Goddes fay!
The kiss it is a growing flower,
I trow, this jolly month of May.
God send a mouth to every kiss,
Seeing the blossom of this bliss
By gathering doth grow, certes!
By Goddes fay, by Goddes fay!
Thy brow-garland pushed all aslant
Tells - but I tell not, wanton May!
July
Fugitive
Can you tell me where has hid her
Pretty Maid July?
I would swear one day ago
She passed by,
I would swear that I do know
The blue bliss of her eye:
'Tarry, maid, maid,' I bid her;
But she hastened by.
Do you know where she has hid her,
Maid July?
Yet in truth it needs must be
The flight of her is old;
Yet in truth it needs must be,
For her nest, the earth, is cold.
No more in the pool-ed Even
Wade her rosy feet,
Dawn-flakes no more plash from them
To poppies 'mid the wheat.
She has muddied the day's oozes
With her petulant feet;
Scared the clouds that floated,
As sea-birds they were,
Slow on the coerule
Lulls of the air,
Lulled on the luminous
Levels of air:
She has chidden in a pet
All her stars from her;
Now they wander loose and sigh
Through the turbid blue,
Now they wander, weep, and cry--
Yea, and I too--
'Where are you, sweet July,
Where are you?'
Who hath beheld her footprints,
Or the pathway she goes?
Tell me, wind, tell me, wheat,
Which of you knows?
Sleeps she swathed in the flushed Arctic
Night of the rose?
Or lie her limbs like Alp-glow
On the lily's snows?
Gales, that are all-visitant,
Find the runaway;
And for him who findeth her
(I do charge you say)
I will throw largesse of broom
Of this summer's mintage,
I will broach a honey-bag
Of the bee's best vintage.
Breezes, wheat, flowers sweet,
None of them knows!
How then shall we lure her back
From the way she goes?
For it were a shameful thing,
Saw we not this comer
Ere Autumn camp upon the fields
Red with rout of Summer.
When the bird quits the cage,
We set the cage outside,
With seed and with water,
And the door wide,
Haply we may win it so
Back to abide.
Hang her cage of earth out
O'er Heaven's sunward wall,
Its four gates open, winds in watch
By rein-ed cars at all;
Relume in hanging hedgerows
The rain-quenched blossom,
And roses sob their tears out
On the gale's warm heaving bosom;
Shake the lilies till their scent
Over-drip their rims;
That our runaway may see
We do know her whims:
Sleek the tumbled waters out
For her travelled limbs;
Strew and smoothe blue night thereon,
There will--O not doubt her!--
The lovely sleepy lady lie,
With all her stars about her!
Memorat
Memoria
Come you living or dead to me, out of the silt of the Past,
With the sweet of the piteous first, and the shame of the shameful last?
Come with your dear and dreadful face through the passes of Sleep,
The terrible mask, and the face it masked--the face you did not keep?
You are neither two nor one--I would you were one or two,
For your awful self is embalmed in the fragrant self I knew:
And Above may ken, and Beneath may ken, what I mean by these words of whirl,
But by my sleep that sleepeth not,--O Shadow of a Girl!--
Nought here but I and my dreams shall know the secret of this thing:-
For ever the songs I sing are sad with the songs I never sing,
Sad are sung songs, but how more sad the songs we dare not sing!
Ah, the ill that we do in tenderness, and the hateful horror of love!
It has sent more souls to the unslaked Pit than it ever will draw above.
I damned you, girl, with my pity, who had better by far been thwart,
And drave you hard on the track to hell, because I was gentle of heart.
I shall have no comfort now in scent, no ease in dew, for this;
I shall be afraid of daffodils, and rose-buds are amiss;
You have made a thing of innocence as shameful as a sin,
I shall never feel a girl's soft arms without horror of the skin.
My child! what was it that I sowed, that I so ill should reap?
You have done this to me. And I, what I to you?--It lies with Sleep.
Come you living or dead to me, out of the silt of the Past,
With the sweet of the piteous first, and the shame of the shameful last?
Come with your dear and dreadful face through the passes of Sleep,
The terrible mask, and the face it masked--the face you did not keep?
You are neither two nor one--I would you were one or two,
For your awful self is embalmed in the fragrant self I knew:
And Above may ken, and Beneath may ken, what I mean by these words of whirl,
But by my sleep that sleepeth not,--O Shadow of a Girl!--
Nought here but I and my dreams shall know the secret of this thing:-
For ever the songs I sing are sad with the songs I never sing,
Sad are sung songs, but how more sad the songs we dare not sing!
Ah, the ill that we do in tenderness, and the hateful horror of love!
It has sent more souls to the unslaked Pit than it ever will draw above.
I damned you, girl, with my pity, who had better by far been thwart,
And drave you hard on the track to hell, because I was gentle of heart.
I shall have no comfort now in scent, no ease in dew, for this;
I shall be afraid of daffodils, and rose-buds are amiss;
You have made a thing of innocence as shameful as a sin,
I shall never feel a girl's soft arms without horror of the skin.
My child! what was it that I sowed, that I so ill should reap?
You have done this to me. And I, what I to you?--It lies with Sleep.
A
Holocaust
'No man ever attained supreme knowledge, unless his heart had been
torn up by the roots.'
When I presage the time shall come--yea, now
Perchance is come, when you shall fail from me,
Because the mighty spirit, to whom you vow
Faith of kin genius unrebukably,
Scourges my sloth, and from your side dismissed
Henceforth this sad and most, most lonely soul
Must, marching fatally through pain and mist,
The God-bid levy of its powers enrol;
When I presage that none shall hear the voice
From the great Mount that clangs my ordained advance,
That sullen envy bade the churlish choice
Yourself shall say, and turn your altered glance;
O God! Thou knowest if this heart of flesh
Quivers like broken entrails, when the wheel
Rolleth some dog in middle street, or fresh
Fruit when ye tear it bleeding from the peel;
If my soul cries the uncomprehended cry
When the red agony oozed on Olivet!
Yet not for this, a caitiff, falter I,
Beloved whom I must lose, nor thence regret
The doubly-vouched and twin allegiance owed
To you in Heaven, and Heaven in you, Lady.
How could you hope, loose dealer with my God,
That I should keep for you my fealty?
For still 'tis thus:-because I am so true,
My Fair, to Heaven, I am so true to you!
Ultimum
Now in these last spent drops, slow, slower shed,
Love dies, Love dies, Love dies--ah, Love is dead!
Sad Love in life, sore Love in agony,
Pale Love in death; while all his offspring songs,
Like children, versed not in death's chilly wrongs,
About him flit, frighted to see him lie
So still, who did not know that Love could die.
One lifts his wing, where dulls the vermeil all
Like clotting blood, and shrinks to find it cold,
And when she sees its lapse and nerveless fall
Clasps her fans, while her sobs ooze through the webb-ed gold.
Thereat all weep together, and their tears
Make lights like shivered moonlight on long waters.
Have peace, O piteous daughters!
He shall not wake more through the mortal years,
Nor comfort come to my soul widow-ed,
Nor breath to your wild wings; for Love is dead!
I slew, that moan for him: he lifted me
Above myself, and that I might not be
Less than myself, need was that he should die;
Since Love that first did wing, now clogged me from the sky.
Yet lofty Love being dead thus passeth base--
There is a soul of nobleness which stays,
The spectre of the rose: be comforted,
Songs, for the dust that dims his sacred head!
The days draw on too dark for Song or Love;
O peace, my songs, nor stir ye any wing!
For lo, the thunder hushing all the grove,
And did Love live, not even Love could sing.
And, Lady, thus I dare to say,
Not all with you is passed away!
For your love taught me this:-'tis Love's true praise
To be, not staff, but writ of worthy days;
And that high worth in love unfortunate
Should still remain it learned in love elate.
Beyond your star, still, still the stars are bright;
Beyond your highness, still I follow height;
Sole I go forth, yet still to my sad view,
Beyond your trueness, Lady, Truth stands true.
This wisdom sings my song with last firm breath,
Caught from the twisted lore of Love and Death,
The strange inwoven harmony that wakes
From Pallas' straying locks twined with her aegis-snakes.
'On him the unpetitioned heavens descend,
Who heaven on earth proposes not for end;
The perilous and celestial excess
Taking with peace, lacking with thankfulness.
Bliss in extreme befits thee not, until
Thou'rt not extreme in bliss; be equal still:
Sweets to be granted think thy self unmeet
Till thou have learned to hold sweet not too sweet.'
This thing not far is he from wise in art
Who teacheth; nor who doth, from wise in heart.
Where
Art Thou Come?
'Friend, whereto art thou come?' Thus Verity;
Of each that to the world's sad Olivet
Comes with no multitude, but alone by night,
Lit with the one torch of his lifted soul,
Seeking her that he may lay hands on her;
Thus: and waits answer from the mouth of deed.
Truth is a maid, whom men woo diversely;
This, as a spouse; that, as a light-o'-love,
To know, and having known, to make his brag.
But woe to him that takes the immortal kiss,
And not estates her in his housing life,
Mother of all his seed! So he betrays,
Not Truth, the unbetrayable, but himself:
And with his kiss's rated traitor-craft,
The Haceldama of a plot of days
He buys, to consummate his Judasry
Therein with Judas' guerdon of despair.
Contemplation
This morning saw I, fled the shower,
The earth reclining in a lull of power:
The heavens, pursuing not their path,
Lay stretched out naked after bath,
Or so it seemed; field, water, tree, were still,
Nor was there any purpose on the calm-browed hill.
The hill, which sometimes visibly is
Wrought with unresting energies,
Looked idly; from the musing wood,
And every rock, a life renewed
Exhaled like an unconscious thought
When poets, dreaming unperplexed,
Dream that they dream of nought.
Nature one hour appears a thing unsexed,
Or to such serene balance brought
That her twin natures cease their sweet alarms,
And sleep in one another's arms.
The sun with resting pulses seems to brood,
And slacken its command upon my unurged blood.
The river has not any care
Its passionless water to the sea to bear;
The leaves have brown content;
The wall to me has freshness like a scent,
And takes half animate the air,
Making one life with its green moss and stain;
And life with all things seems too perfect blent
For anything of life to be aware.
The very shades on hill, and tree, and plain,
Where they have fallen doze, and where they doze remain.
No hill can idler be than I;
No stone its inter-particled vibration
Investeth with a stiller lie;
No heaven with a more urgent rest betrays
The eyes that on it gaze.
We are too near akin that thou shouldst cheat
Me, Nature, with thy fair deceit.
In poets floating like a water-flower
Upon the bosom of the glassy hour,
In skies that no man sees to move,
Lurk untumultuous vortices of power,
For joy too native, and for agitation
Too instant, too entire for sense thereof,
Motion like gnats when autumn suns are low,
Perpetual as the prisoned feet of love
On the heart's floors with pain-ed pace that go.
From stones and poets you may know,
Nothing so active is, as that which least seems so.
For he, that conduit running wine of song,
Then to himself does most belong,
When he his mortal house unbars
To the importunate and thronging feet
That round our corporal walls unheeded beat;
Till, all containing, he exalt
His stature to the stars, or stars
Narrow their heaven to his fleshly vault:
When, like a city under ocean,
To human things he grows a desolation,
And is made a habitation
For the fluctuous universe
To lave with unimpeded motion.
He scarcely frets the atmosphere
With breathing, and his body shares
The immobility of rocks;
His heart's a drop-well of tranquillity;
His mind more still is than the limbs of fear,
And yet its unperturbed velocity
The spirit of the simoom mocks.
He round the solemn centre of his soul
Wheels like a dervish, while his being is
Streamed with the set of the world's harmonies,
In the long draft of whatsoever sphere
He lists the sweet and clear
Clangour of his high orbit on to roll,
So gracious is his heavenly grace;
And the bold stars does hear,
Every one in his airy soar,
For evermore
Shout to each other from the peaks of space,
As thwart ravines of azure shouts the mountaineer.
This morning saw I, fled the shower,
The earth reclining in a lull of power:
The heavens, pursuing not their path,
Lay stretched out naked after bath,
Or so it seemed; field, water, tree, were still,
Nor was there any purpose on the calm-browed hill.
The hill, which sometimes visibly is
Wrought with unresting energies,
Looked idly; from the musing wood,
And every rock, a life renewed
Exhaled like an unconscious thought
When poets, dreaming unperplexed,
Dream that they dream of nought.
Nature one hour appears a thing unsexed,
Or to such serene balance brought
That her twin natures cease their sweet alarms,
And sleep in one another's arms.
The sun with resting pulses seems to brood,
And slacken its command upon my unurged blood.
The river has not any care
Its passionless water to the sea to bear;
The leaves have brown content;
The wall to me has freshness like a scent,
And takes half animate the air,
Making one life with its green moss and stain;
And life with all things seems too perfect blent
For anything of life to be aware.
The very shades on hill, and tree, and plain,
Where they have fallen doze, and where they doze remain.
No hill can idler be than I;
No stone its inter-particled vibration
Investeth with a stiller lie;
No heaven with a more urgent rest betrays
The eyes that on it gaze.
We are too near akin that thou shouldst cheat
Me, Nature, with thy fair deceit.
In poets floating like a water-flower
Upon the bosom of the glassy hour,
In skies that no man sees to move,
Lurk untumultuous vortices of power,
For joy too native, and for agitation
Too instant, too entire for sense thereof,
Motion like gnats when autumn suns are low,
Perpetual as the prisoned feet of love
On the heart's floors with pain-ed pace that go.
From stones and poets you may know,
Nothing so active is, as that which least seems so.
For he, that conduit running wine of song,
Then to himself does most belong,
When he his mortal house unbars
To the importunate and thronging feet
That round our corporal walls unheeded beat;
Till, all containing, he exalt
His stature to the stars, or stars
Narrow their heaven to his fleshly vault:
When, like a city under ocean,
To human things he grows a desolation,
And is made a habitation
For the fluctuous universe
To lave with unimpeded motion.
He scarcely frets the atmosphere
With breathing, and his body shares
The immobility of rocks;
His heart's a drop-well of tranquillity;
His mind more still is than the limbs of fear,
And yet its unperturbed velocity
The spirit of the simoom mocks.
He round the solemn centre of his soul
Wheels like a dervish, while his being is
Streamed with the set of the world's harmonies,
In the long draft of whatsoever sphere
He lists the sweet and clear
Clangour of his high orbit on to roll,
So gracious is his heavenly grace;
And the bold stars does hear,
Every one in his airy soar,
For evermore
Shout to each other from the peaks of space,
As thwart ravines of azure shouts the mountaineer.
"Manus
Animam Pinxit"
Lady who hold'st on me dominion!
Within your spirit's arms I stay me fast
Against the fell
Immitigate ravening of the gates of hell;
And claim my right in you, most hardly won,
Of chaste fidelity upon the chaste:
Hold me and hold by me, lest both should fall
(O in high escalade high companion!)
Even in the breach of Heaven's assaulted wall.
Like to a wind-sown sapling grow I from
The clift, Sweet, of your skyward-jetting soul, -
Shook by all gusts that sweep it, overcome
By all its clouds incumbent: O be true
To your soul, dearest, as my life to you!
For if that soil grow sterile, then the whole
Of me must shrivel, from the topmost shoot
Of climbing poesy, and my life, killed through,
Dry down and perish to the foodless root.
Sweet Summer! unto you this swallow drew,
By secret instincts inappeasable,
That did direct him well,
Lured from his gelid North which wrought him wrong,
Wintered of sunning song; -
By happy instincts inappeasable,
Ah yes! that led him well,
Lured to the untried regions and the new
Climes of auspicious you;
To twitter there, and in his singing dwell.
But ah! if you, my Summer, should grow waste,
With grieving skies o'ercast,
For such migration my poor wing was strong
But once; it has no power to fare again
Forth o'er the heads of men,
Nor other Summers for its Sanctuary:
But from your mind's chilled sky
It needs must drop, and lie with stiffened wings
Among your soul's forlornest things;
A speck upon your memory, alack!
A dead fly in a dusty window-crack.
O therefore you who are
What words, being to such mysteries
As raiment to the body is,
Should rather hide than tell;
Chaste and intelligential love:
Whose form is as a grove
Hushed with the cooing of an unseen dove;
Whose spirit to my touch thrills purer far
Than is the tingling of a silver bell;
Whose body other ladies well might bear
As soul,--yea, which it profanation were
For all but you to take as fleshly woof,
Being spirit truest proof;
Whose spirit sure is lineal to that
Which sang Magnificat:
Chastest, since such you are,
Take this curbed spirit of mine,
Which your own eyes invest with light divine,
For lofty love and high auxiliar
In daily exalt emprise
Which outsoars mortal eyes;
This soul which on your soul is laid,
As maid's breast against breast of maid;
Beholding how your own I have engraved
On it, and with what purging thoughts have laved
This love of mine from all mortality
Indeed the copy is a painful one,
And with long labour done!
O if you doubt the thing you are, lady,
Come then, and look in me;
Your beauty, Dian, dress and contemplate
Within a pool to Dian consecrate!
Unveil this spirit, lady, when you will,
For unto all but you 'tis veiled still:
Unveil, and fearless gaze there, you alone,
And if you love the image--'tis your own!
Lady who hold'st on me dominion!
Within your spirit's arms I stay me fast
Against the fell
Immitigate ravening of the gates of hell;
And claim my right in you, most hardly won,
Of chaste fidelity upon the chaste:
Hold me and hold by me, lest both should fall
(O in high escalade high companion!)
Even in the breach of Heaven's assaulted wall.
Like to a wind-sown sapling grow I from
The clift, Sweet, of your skyward-jetting soul, -
Shook by all gusts that sweep it, overcome
By all its clouds incumbent: O be true
To your soul, dearest, as my life to you!
For if that soil grow sterile, then the whole
Of me must shrivel, from the topmost shoot
Of climbing poesy, and my life, killed through,
Dry down and perish to the foodless root.
Sweet Summer! unto you this swallow drew,
By secret instincts inappeasable,
That did direct him well,
Lured from his gelid North which wrought him wrong,
Wintered of sunning song; -
By happy instincts inappeasable,
Ah yes! that led him well,
Lured to the untried regions and the new
Climes of auspicious you;
To twitter there, and in his singing dwell.
But ah! if you, my Summer, should grow waste,
With grieving skies o'ercast,
For such migration my poor wing was strong
But once; it has no power to fare again
Forth o'er the heads of men,
Nor other Summers for its Sanctuary:
But from your mind's chilled sky
It needs must drop, and lie with stiffened wings
Among your soul's forlornest things;
A speck upon your memory, alack!
A dead fly in a dusty window-crack.
O therefore you who are
What words, being to such mysteries
As raiment to the body is,
Should rather hide than tell;
Chaste and intelligential love:
Whose form is as a grove
Hushed with the cooing of an unseen dove;
Whose spirit to my touch thrills purer far
Than is the tingling of a silver bell;
Whose body other ladies well might bear
As soul,--yea, which it profanation were
For all but you to take as fleshly woof,
Being spirit truest proof;
Whose spirit sure is lineal to that
Which sang Magnificat:
Chastest, since such you are,
Take this curbed spirit of mine,
Which your own eyes invest with light divine,
For lofty love and high auxiliar
In daily exalt emprise
Which outsoars mortal eyes;
This soul which on your soul is laid,
As maid's breast against breast of maid;
Beholding how your own I have engraved
On it, and with what purging thoughts have laved
This love of mine from all mortality
Indeed the copy is a painful one,
And with long labour done!
O if you doubt the thing you are, lady,
Come then, and look in me;
Your beauty, Dian, dress and contemplate
Within a pool to Dian consecrate!
Unveil this spirit, lady, when you will,
For unto all but you 'tis veiled still:
Unveil, and fearless gaze there, you alone,
And if you love the image--'tis your own!
A
Carrier Song
I.
Since you have waned from us,
Fairest of women!
I am a darkened cage
Song cannot hymn in.
My songs have followed you,
Like birds the summer;
Ah! bring them back to me,
Swiftly, dear comer!
Seraphim,
Her to hymn,
Might leave their portals;
And at my feet learn
The harping of mortals!
II.
Where wings to rustle use,
But this poor tarrier -
Searching my spirit's eaves -
Find I for carrier.
Ah! bring them back to me
Swiftly, sweet comer!
Swift, swift, and bring with you
Song's Indian summer!
Seraphim,
Her to hymn,
Might leave their portals;
And at my feet learn
The harping of mortals!
III.
Whereso your angel is,
My angel goeth;
I am left guardianless,
Paradise knoweth!
I have no Heaven left
To weep my wrongs to;
Heaven, when you went from us;
Went with my songs too.
Seraphim,
Her to hymn,
Might leave their portals;
And at my feet learn
The harping of mortals!
IV.
I have no angels left
Now, Sweet, to pray to:
Where you have made your shrine
They are away to.
They have struck Heaven's tent,
And gone to cover you:
Whereso you keep your state
Heaven is pitched over you!
Seraphim,
Her to hymn,
Might leave their portals;
And at my feet learn
The harping of mortals!
V.
She that is Heaven's Queen
Her title borrows,
For that she pitiful
Beareth our sorrows.
So thou, Regina mi,
Spes infirmorum;
With all our grieving crowned
Mater dolorum!
Seraphim,
Her to hymn,
Might leave their portals;
And at my feet learn
The harping of mortals!
VI.
Yet, envious coveter
Of other's grieving!
This lonely longing yet
'Scapeth your reaving.
Cruel! to take from a
Sinner his Heaven!
Think you with contrite smiles
To be forgiven?
Seraphim,
Her to hymn,
Might leave their portals;
And at my feet learn
The harping of mortals!
VII.
Penitent! give me back
Angels, and Heaven;
Render your stolen self,
And be forgiven!
How frontier Heaven from you?
For my soul prays, Sweet,
Still to your face in Heaven,
Heaven in your face, Sweet!
Seraphim,
Her to hymn,
Might leave their portals;
And at my feet learn
The harping of mortals!
I.
Since you have waned from us,
Fairest of women!
I am a darkened cage
Song cannot hymn in.
My songs have followed you,
Like birds the summer;
Ah! bring them back to me,
Swiftly, dear comer!
Seraphim,
Her to hymn,
Might leave their portals;
And at my feet learn
The harping of mortals!
II.
Where wings to rustle use,
But this poor tarrier -
Searching my spirit's eaves -
Find I for carrier.
Ah! bring them back to me
Swiftly, sweet comer!
Swift, swift, and bring with you
Song's Indian summer!
Seraphim,
Her to hymn,
Might leave their portals;
And at my feet learn
The harping of mortals!
III.
Whereso your angel is,
My angel goeth;
I am left guardianless,
Paradise knoweth!
I have no Heaven left
To weep my wrongs to;
Heaven, when you went from us;
Went with my songs too.
Seraphim,
Her to hymn,
Might leave their portals;
And at my feet learn
The harping of mortals!
IV.
I have no angels left
Now, Sweet, to pray to:
Where you have made your shrine
They are away to.
They have struck Heaven's tent,
And gone to cover you:
Whereso you keep your state
Heaven is pitched over you!
Seraphim,
Her to hymn,
Might leave their portals;
And at my feet learn
The harping of mortals!
V.
She that is Heaven's Queen
Her title borrows,
For that she pitiful
Beareth our sorrows.
So thou, Regina mi,
Spes infirmorum;
With all our grieving crowned
Mater dolorum!
Seraphim,
Her to hymn,
Might leave their portals;
And at my feet learn
The harping of mortals!
VI.
Yet, envious coveter
Of other's grieving!
This lonely longing yet
'Scapeth your reaving.
Cruel! to take from a
Sinner his Heaven!
Think you with contrite smiles
To be forgiven?
Seraphim,
Her to hymn,
Might leave their portals;
And at my feet learn
The harping of mortals!
VII.
Penitent! give me back
Angels, and Heaven;
Render your stolen self,
And be forgiven!
How frontier Heaven from you?
For my soul prays, Sweet,
Still to your face in Heaven,
Heaven in your face, Sweet!
Seraphim,
Her to hymn,
Might leave their portals;
And at my feet learn
The harping of mortals!
Beginning
of End
She was aweary of the hovering
Of Love's incessant tumultuous wing;
Her lover's tokens she would answer not--
'Twere well she should be strange with him somewhat:
A pretty babe, this Love,--but fie on it,
That would not suffer her lay it down a whit!
Appointed tryst defiantly she balked,
And with her lightest comrade lightly walked,
Who scared the chidden Love to hide apart,
And peep from some unnoticed corner of her heart.
She thought not of her lover, deem it not
(There yonder, in the hollow, that's HIS cot),
But she forgot not that he was forgot.
She saw him at his gate, yet stilled her tongue--
So weak she felt her, that she would feel strong,
And she must punish him for doing him wrong:
Passed, unoblivious of oblivion still;
And if she turned upon the brow o' the hill,
It was so openly, so lightly done,
You saw she thought he was not thought upon.
He through the gate went back in bitterness;
She that night woke and stirred, with no distress,
Glad of her doing,--sedulous to be glad,
Lest perhaps her foolish heart suspect that it was sad.
A Sunset
From Hugo's 'Feuilles d'Automne'.
I love the evenings, passionless and fair, I love the evens,
Whether old manor-fronts their ray with golden fulgence leavens,
In numerous leafage bosomed close;
Whether the mist in reefs of fire extend its reaches sheer,
Or a hundred sunbeams splinter in an azure atmosphere
On cloudy archipelagos.
Oh gaze ye on the firmament! a hundred clouds in motion,
Up-piled in the immense sublime beneath the winds' commotion,
Their unimagined shapes accord:
Under their waves at intervals flames a pale levin through,
As if some giant of the air amid the vapours drew
A sudden elemental sword.
The sun at bay with splendid thrusts still keeps the sullen fold;
And momently at distance sets, as a cupola of gold,
The thatched roof of a cot a-glance;
Or on the blurred horizons joins his battle with the haze;
Or pools the glooming fields about with inter-isolate blaze
Great moveless meres of radiance.
Then mark you how there hangs athwart the firmament's swept track
Yonder a mighty crocodile with vast irradiant back,
A triple row of pointed teeth?
Under its burnished belly slips a ray of eventide,
The flickerings of a hundred glowing clouds its tenebrous side
With scales of golden mail ensheathe.
Then mounts a palace, then the air vibrates--the vision flees.
Confounded to its base, the fearful cloudy edifice
Ruins immense in mounded wrack:
Afar the fragments strew the sky, and each envermeiled cone
Hangeth, peak downward, overhead, like mountains overthrown
When the earthquake heaves its hugy back.
These vapours with their leaden, golden, iron, bronz-ed glows,
Where the hurricane, the waterspout, thunder, and hell repose,
Muttering hoarse dreams of destined harms,
'Tis God who hangs their multitude amid the skiey deep,
As a warrior that suspendeth from the roof-tree of his keep
His dreadful and resounding arms!
All vanishes! The sun, from topmost heaven precipitated,
Like to a globe of iron which is tossed back fiery red
Into the furnace stirred to fume,
Shocking the cloudy surges, plashed from its impetuous ire,
Even to the zenith spattereth in a flecking scud of fire
The vaporous and inflam-ed spume.
O contemplate the heavens! whenas the vein-drawn day dies pale,
In every season, every place, gaze through their every veil,
With love that has not speech for need;
Beneath their solemn beauty is a mystery infinite:
If winter hue them like a pall; or if the summer night
Fantasy them with starry brede.
From Hugo's 'Feuilles d'Automne'.
I love the evenings, passionless and fair, I love the evens,
Whether old manor-fronts their ray with golden fulgence leavens,
In numerous leafage bosomed close;
Whether the mist in reefs of fire extend its reaches sheer,
Or a hundred sunbeams splinter in an azure atmosphere
On cloudy archipelagos.
Oh gaze ye on the firmament! a hundred clouds in motion,
Up-piled in the immense sublime beneath the winds' commotion,
Their unimagined shapes accord:
Under their waves at intervals flames a pale levin through,
As if some giant of the air amid the vapours drew
A sudden elemental sword.
The sun at bay with splendid thrusts still keeps the sullen fold;
And momently at distance sets, as a cupola of gold,
The thatched roof of a cot a-glance;
Or on the blurred horizons joins his battle with the haze;
Or pools the glooming fields about with inter-isolate blaze
Great moveless meres of radiance.
Then mark you how there hangs athwart the firmament's swept track
Yonder a mighty crocodile with vast irradiant back,
A triple row of pointed teeth?
Under its burnished belly slips a ray of eventide,
The flickerings of a hundred glowing clouds its tenebrous side
With scales of golden mail ensheathe.
Then mounts a palace, then the air vibrates--the vision flees.
Confounded to its base, the fearful cloudy edifice
Ruins immense in mounded wrack:
Afar the fragments strew the sky, and each envermeiled cone
Hangeth, peak downward, overhead, like mountains overthrown
When the earthquake heaves its hugy back.
These vapours with their leaden, golden, iron, bronz-ed glows,
Where the hurricane, the waterspout, thunder, and hell repose,
Muttering hoarse dreams of destined harms,
'Tis God who hangs their multitude amid the skiey deep,
As a warrior that suspendeth from the roof-tree of his keep
His dreadful and resounding arms!
All vanishes! The sun, from topmost heaven precipitated,
Like to a globe of iron which is tossed back fiery red
Into the furnace stirred to fume,
Shocking the cloudy surges, plashed from its impetuous ire,
Even to the zenith spattereth in a flecking scud of fire
The vaporous and inflam-ed spume.
O contemplate the heavens! whenas the vein-drawn day dies pale,
In every season, every place, gaze through their every veil,
With love that has not speech for need;
Beneath their solemn beauty is a mystery infinite:
If winter hue them like a pall; or if the summer night
Fantasy them with starry brede.
Nocturn
I walk, I only,
Not I only wake;
Nothing is, this sweet night,
But doth couch and wake
For its love's sake;
Everything, this sweet night,
Couches with its mate.
For whom but for the stealthy-visitant sun
Is the naked moon
Tremulous and elate?
The heaven hath the earth
Its own and all apart;
The hush-ed pool holdeth
A star to its heart.
You may think the rose sleepeth,
But though she folded is,
The wind doubts her sleeping;
Not all the rose sleeps,
But smiles in her sweet heart
For crafty bliss.
The wind lieth with the rose,
And when he stirs, she stirs in her repose:
The wind hath the rose,
And the rose her kiss.
Ah, mouth of me!
Is it then that this
Seemeth much to thee?--
I wander only.
The rose hath her kiss.
A Girl's
Sin - In His Eyes
Can I forget her cruelty
Who, brown miracle, gave you me?
Or with unmoisted eyes think on
The proud surrender overgone,
(Lowlihead in haughty dress),
Of the tender tyranness?
And ere thou for my joy was given,
How rough the road to that blest heaven!
With what pangs I fore-expiated
Thy cold outlawry from her head;
How was I trampled and brought low,
Because her virgin neck was so;
How thralled beneath the jealous state
She stood at point to abdicate;
How sacrificed, before to me
She sacrificed her pride and thee;
How did she, struggling to abase
Herself to do me strange, sweet grace,
Enforce unwitting me to share
Her throes and abjectness with her;
Thence heightening that hour when her lover
Her grace, with trembling, should discover,
And in adoring trouble be
Humbled at her humility!
And with what pitilessness was I
After slain, to pacify
The uneasy manes of her shame,
Her haunting blushes!--Mine the blame:
What fair injustice did I rue
For what I--did not tempt her to?
Nor aught the judging maid might win
Me to assoil from HER sweet sin.
But nought were extreme punishment
For that beyond-divine content,
When my with-thee-first-giddied eyes
Stooped ere their due on Paradise!
O hour of consternating bliss
When I heavened me in thy kiss;
Thy softness (daring overmuch!)
Profan-ed with my licensed touch;
Worshipped, with tears, on happy knee,
Her doubt, her trust, her shyness free,
Her timorous audacity!
Can I forget her cruelty
Who, brown miracle, gave you me?
Or with unmoisted eyes think on
The proud surrender overgone,
(Lowlihead in haughty dress),
Of the tender tyranness?
And ere thou for my joy was given,
How rough the road to that blest heaven!
With what pangs I fore-expiated
Thy cold outlawry from her head;
How was I trampled and brought low,
Because her virgin neck was so;
How thralled beneath the jealous state
She stood at point to abdicate;
How sacrificed, before to me
She sacrificed her pride and thee;
How did she, struggling to abase
Herself to do me strange, sweet grace,
Enforce unwitting me to share
Her throes and abjectness with her;
Thence heightening that hour when her lover
Her grace, with trembling, should discover,
And in adoring trouble be
Humbled at her humility!
And with what pitilessness was I
After slain, to pacify
The uneasy manes of her shame,
Her haunting blushes!--Mine the blame:
What fair injustice did I rue
For what I--did not tempt her to?
Nor aught the judging maid might win
Me to assoil from HER sweet sin.
But nought were extreme punishment
For that beyond-divine content,
When my with-thee-first-giddied eyes
Stooped ere their due on Paradise!
O hour of consternating bliss
When I heavened me in thy kiss;
Thy softness (daring overmuch!)
Profan-ed with my licensed touch;
Worshipped, with tears, on happy knee,
Her doubt, her trust, her shyness free,
Her timorous audacity!
A Girl's
Sin - In Her Eyes
Cross
child! red, and frowning so?
'I, the day just over,
Gave a lock of hair to--no!
How DARE you say, my lover?'
He asked
you?--Let me understand;
Come, child, let me sound it!
'Of course, he WOULD have asked it, and--
And so--somehow--he--found it.
'He told
it out with great loud eyes--
Men have such little wit!
His sin I ever will chastise
Because I gave him it.
'Shameless
in me the gift, alas!
In him his open bliss:
But for the privilege he has
A thousand he shall miss!
'His
eyes, where once I dreadless laughed,
Call up a burning blot:
I hate him, for his shameful craft
That asked by asking not!'
Luckless
boy! and all for hair
He never asked, you said?
'Not just--but then he gazed--I swear
He gazed it from my head!
'His
silence on my cheek like breath
I felt in subtle way;
More sweet than aught another saith
Was what he did not say.
'He'll
think me vanquished, for this lapse,
Who should be above him;
Perhaps he'll think me light; perhaps--
Perhaps he'll think I--love him!
'Are his
eyes conscious and elate,
I hate him that I blush;
Or are they innocent, still I hate--
They mean a thing's to hush.
'Before
he nought amiss could do,
Now all things show amiss;
'Twas all my fault, I know that true,
But all my fault was his.
'I hate
him for his mute distress,
'Tis insult he should care!
Because my heart's all humbleness,
All pride is in my air.
'With
him, each favour that I do
Is bold suit's hallowing text;
Each gift a bastion levelled, to
The next one and the next.
'Each
wish whose grant may him befall
Is clogged by those withstood;
He trembles, hoping one means all,
And I, lest perhaps it should.
'Behind
me piecemeal gifts I cast,
My fleeing self to save;
And that's the thing must go at last,
For that's the thing he'd have.
'My lock
the enforc-ed steel did grate
To cut; its root-thrills came
Down to my bosom. It might sate
His lust for my poor shame!
'His
sifted dainty this should be
For a score ambrosial years!
But his too much humility
Alarums me with fears.
'My
gracious grace a breach he counts
For graceless escalade;
And, though he's silent ere he mounts,
My watch is not betrayed.
'My
heart hides from my soul he's sweet:
Ah dread, if he divine!
One touch, I might fall at his feet,
And he might rise from mine.
'To hear
him praise my eyes' brown gleams
Was native, safe delight;
But now it usurpation seems,
Because I've given him right.
'Before
I'd have him not remove,
Now would not have him near;
With sacrifice I called on Love,
And the apparition's Fear.'
Foolish
to give it!--'Twas my whim,
When he might parted be,
To think that I should stay by him
In a little piece of me.
'He
always said my hair was soft--
What touches he will steal!
Each touch and look (and he'll look oft)
I almost thought I'd feel.
'And
then, when first he saw the hair,
To think his dear amazement!
As if he wished from skies a star,
And found it in his casement.
'He's
kiss the lock--and I had toyed
With dreamed delight of this:
But ah, in proof, delight was void--
I could not SEE his kiss!'
So, fond
one, half this agony
Were spared, which my hand hushes,
Could you have played, Sweet, the sweet spy,
And blushed not for your blushes!
'I, the day just over,
Gave a lock of hair to--no!
How DARE you say, my lover?'
Come, child, let me sound it!
'Of course, he WOULD have asked it, and--
And so--somehow--he--found it.
Men have such little wit!
His sin I ever will chastise
Because I gave him it.
In him his open bliss:
But for the privilege he has
A thousand he shall miss!
Call up a burning blot:
I hate him, for his shameful craft
That asked by asking not!'
He never asked, you said?
'Not just--but then he gazed--I swear
He gazed it from my head!
I felt in subtle way;
More sweet than aught another saith
Was what he did not say.
Who should be above him;
Perhaps he'll think me light; perhaps--
Perhaps he'll think I--love him!
I hate him that I blush;
Or are they innocent, still I hate--
They mean a thing's to hush.
Now all things show amiss;
'Twas all my fault, I know that true,
But all my fault was his.
'Tis insult he should care!
Because my heart's all humbleness,
All pride is in my air.
Is bold suit's hallowing text;
Each gift a bastion levelled, to
The next one and the next.
Is clogged by those withstood;
He trembles, hoping one means all,
And I, lest perhaps it should.
My fleeing self to save;
And that's the thing must go at last,
For that's the thing he'd have.
To cut; its root-thrills came
Down to my bosom. It might sate
His lust for my poor shame!
For a score ambrosial years!
But his too much humility
Alarums me with fears.
For graceless escalade;
And, though he's silent ere he mounts,
My watch is not betrayed.
Ah dread, if he divine!
One touch, I might fall at his feet,
And he might rise from mine.
Was native, safe delight;
But now it usurpation seems,
Because I've given him right.
Now would not have him near;
With sacrifice I called on Love,
And the apparition's Fear.'
When he might parted be,
To think that I should stay by him
In a little piece of me.
What touches he will steal!
Each touch and look (and he'll look oft)
I almost thought I'd feel.
To think his dear amazement!
As if he wished from skies a star,
And found it in his casement.
With dreamed delight of this:
But ah, in proof, delight was void--
I could not SEE his kiss!'
Were spared, which my hand hushes,
Could you have played, Sweet, the sweet spy,
And blushed not for your blushes!
The Way
Of A Maid
The
lover whose soul shaken is
In some decuman billow of bliss,
Who feels his gradual-wading feet
Sink in some sudden hollow of sweet,
And 'mid love's us-ed converse comes
Sharp on a mood which all joy sums--
An instant's fine compendium of
The liberal-leav-ed writ of love;
His abashed pulses beating thick
At the exigent joy and quick,
Is dumbed, by aiming utterance great
Up to the miracle of his fate.
The wise girl, such Icarian fall
Saved by her confidence that she's small,--
As what no kindred word will fit
Is uttered best by opposite,
Love in the tongue of hate exprest,
And deepest anguish in a jest,--
Feeling the infinite must be
Best said by triviality,
Speaks, where expression bates its wings,
Just happy, alien, little things;
What of all words is in excess
Implies in a sweet nothingness,
With dailiest babble shows her sense
That full speech were full impotence;
And while she feels the heavens lie bare,
She only talks about her hair.
In some decuman billow of bliss,
Who feels his gradual-wading feet
Sink in some sudden hollow of sweet,
And 'mid love's us-ed converse comes
Sharp on a mood which all joy sums--
An instant's fine compendium of
The liberal-leav-ed writ of love;
His abashed pulses beating thick
At the exigent joy and quick,
Is dumbed, by aiming utterance great
Up to the miracle of his fate.
The wise girl, such Icarian fall
Saved by her confidence that she's small,--
As what no kindred word will fit
Is uttered best by opposite,
Love in the tongue of hate exprest,
And deepest anguish in a jest,--
Feeling the infinite must be
Best said by triviality,
Speaks, where expression bates its wings,
Just happy, alien, little things;
What of all words is in excess
Implies in a sweet nothingness,
With dailiest babble shows her sense
That full speech were full impotence;
And while she feels the heavens lie bare,
She only talks about her hair.
The End
of It
For making her to love, and so her whim
From passion taught misprision to begin;
And all this sin
Was because love to cast out had no skill
Self, which was regent still.
Her own self-will made void her own self's will
Dream
tryst
Were mingled in the eastern Heaven,
Throbbing with unheard melody,
Shook Lyra all its star-cloud seven.
When dusk shrank cold, and light trod shy,
And dawn's grey eyes were troubled grey;
And souls went palely up to the sky,
And mine to Lucidè,
There was no change in her sweet eyes
Since last I saw those sweet eyes shine;
There was no change in her deep heart
Since last that deep heart knocked at mine.
Her eyes were clear, her eyes were Hope's,
Wherein did ever come and go;
The sparkle of the fountain drops
From her sweet soul below.
The chambers in the house of dream
Are fed with so divine an air,
That Time's hoar wings grow young therein,
And they who walk there are most fair.
I joyed for me, I joyed for her,
Who with the Past meet girt about:
Where her last kiss still warms the air,
Nor can her eyes go out.
The
Mistress Of Vision
I
Secret
was the garden;
Set i' the pathless awe
Where no star its breath can draw.
Life, that is its warden,
Sits behind the fosse of death. Mine eyes saw not,
and I saw.
II
It was a
mazeful wonder;
Thrice three times it was enwalled
With an emerald--
Seal-ed so asunder.
All its birds in middle air hung a-dream, their
music thralled.
III
The Lady
of fair weeping,
At the garden's core,
Sang a song of sweet and sore
And the after-sleeping;
In the land of Luthany, and the tracts of Elenore.
IV
With sweet-panged
singing,
Sang she through a dream-night's day;
That the bowers might stay,
Birds bate their winging,
Nor the wall of emerald float in wreath-ed haze away.
V
The lily
kept its gleaming,
In her tears (divine conservers!)
Wash-ed with sad art;
And the flowers of dreaming
Pal-ed not their fervours,
For her blood flowed through their nervures;
And the roses were most red, for she dipt them in
her heart.
VI
There
was never moon,
Save the white sufficing woman:
Light most heavenly-human--
Like the unseen form of sound,
Sensed invisibly in tune,--
With a sun-deriv-ed stole
Did inaureole
All her lovely body round;
Lovelily her lucid body with that light was inter-
strewn.
VII
The sun
which lit that garden wholly,
Low and vibrant visible,
Tempered glory woke;
And it seem-ed solely
Like a silver thurible
Solemnly swung, slowly,
Fuming clouds of golden fire, for a cloud of incense-
smoke.
VIII
But
woe's me, and woe's me,
For the secrets of her eyes!
In my visions fearfully
They are ever shown to be
As fring-ed pools, whereof each lies
Pallid-dark beneath the skies
Of a night that is
But one blear necropolis.
And her eyes a little tremble, in the wind of her
own sighs.
IX
Many
changes rise on
Their phantasmal mysteries.
They grow to an horizon
Where earth and heaven meet;
And like a wing that dies on
The vague twilight-verges,
Many a sinking dream doth fleet
Lessening down their secrecies.
And, as dusk with day converges,
Their orbs are troublously
Over-gloomed and over-glowed with hope and fear
of things to be.
X
There is
a peak on Himalay,
And on the peak undeluged snow,
And on the snow not eagles stray;
There if your strong feet could go,--
Looking over tow'rd Cathay
From the never-deluged snow--
Farthest ken might not survey
Where the peoples underground dwell whom
antique fables know.
XI
East,
ah, east of Himalay,
Dwell the nations underground;
Hiding from the shock of Day,
For the sun's uprising-sound:
Dare not issue from the ground
At the tumults of the Day,
So fearfully the sun doth sound
Clanging up beyond Cathay;
For the great earthquaking sunrise rolling up
beyond Cathay.
XII
Lend me,
O lend me
The terrors of that sound,
That its music may attend me.
Wrap my chant in thunders round;
While I tell the ancient secrets in that Lady's
singing found.
XIII
On
Ararat there grew a vine,
When Asia from her bathing rose;
Our first sailor made a twine
Thereof for his prefiguring brows.
Canst divine
Where, upon our dusty earth, of that vine a cluster
grows?
XIV
On
Golgotha there grew a thorn
Round the long-prefigured Brows.
Mourn, O mourn!
For the vine have we the spine? Is this all the
Heaven allows?
XV
On
Calvary was shook a spear;
Press the point into thy heart--
Joy and fear!
All the spines upon the thorn into curling tendrils
start.
XVI
O,
dismay!
I, a wingless mortal, sporting
With the tresses of the sun?
I, that dare my hand to lay
On the thunder in its snorting?
Ere begun,
Falls my singed song down the sky, even the old
Icarian way.
XVII
From the
fall precipitant
These dim snatches of her chant
Only have remain-ed mine;--
That from spear and thorn alone
May be grown
For the front of saint or singer any divinizing twine.
XVIII
Her song
said that no springing
Paradise but evermore
Hangeth on a singing
That has chords of weeping,
And that sings the after-sleeping
To souls which wake too sore.
'But woe the singer, woe!' she said; 'beyond the
dead his singing-lore,
All its art of sweet and sore,
He learns, in Elenore!'
XIX
Where is
the land of Luthany,
Where is the tract of Elenore?
I am bound therefor.
XX
'Pierce
thy heart to find the key;
With thee take
Only what none else would keep;
Learn to dream when thou dost wake,
Learn to wake when thou dost sleep.
Learn to water joy with tears,
Learn from fears to vanquish fears;
To hope, for thou dar'st not despair,
Exult, for that thou dar'st not grieve;
Plough thou the rock until it bear;
Know, for thou else couldst not believe;
Lose, that the lost thou may'st receive;
Die, for none other way canst live.
When earth and heaven lay down their veil,
And that apocalypse turns thee pale;
When thy seeing blindeth thee
To what thy fellow-mortals see;
When their sight to thee is sightless;
Their living, death; their light, most light-
less;
Search no more--
Pass the gates of Luthany, tread the region Elenore.'
XXI
Where is
the land of Luthany,
And where the region Elenore?
I do faint therefor.
'When to the new eyes of thee
All things by immortal power,
Near or far,
Hiddenly
To each other link-ed are,
That thou canst not stir a flower
Without troubling of a star;
When thy song is shield and mirror
To the fair snake-curl-ed Pain,
Where thou dar'st affront her terror
That on her thou may'st attain
Persean conquest; seek no more,
O seek no more!
Pass the gates of Luthany, tread the region Elenore.'
XXII
So sang
she, so wept she,
Through a dream-night's day;
And with her magic singing kept she--
Mystical in music--
That garden of enchanting
In visionary May;
Swayless for my spirit's haunting,
Thrice-threefold walled with emerald from our mor-
tal mornings grey.
XXIII
And as a
necromancer
Raises from the rose-ash
The ghost of the rose;
My heart so made answer
To her voice's silver plash,--
Stirred in reddening flash,
And from out its mortal ruins the purpureal phantom
blows.
XXIV
Her
tears made dulcet fretting,
Her voice had no word,
More than thunder or the bird.
Yet, unforgetting,
The ravished soul her meanings knew. Mine ears
heard not, and I heard.
XXV
When she
shall unwind
All those wiles she wound about me,
Tears shall break from out me,
That I cannot find
Music in the holy poets to my wistful want, I doubt
me!
Set i' the pathless awe
Where no star its breath can draw.
Life, that is its warden,
Sits behind the fosse of death. Mine eyes saw not,
and I saw.
Thrice three times it was enwalled
With an emerald--
Seal-ed so asunder.
All its birds in middle air hung a-dream, their
music thralled.
At the garden's core,
Sang a song of sweet and sore
And the after-sleeping;
In the land of Luthany, and the tracts of Elenore.
Sang she through a dream-night's day;
That the bowers might stay,
Birds bate their winging,
Nor the wall of emerald float in wreath-ed haze away.
In her tears (divine conservers!)
Wash-ed with sad art;
And the flowers of dreaming
Pal-ed not their fervours,
For her blood flowed through their nervures;
And the roses were most red, for she dipt them in
her heart.
Save the white sufficing woman:
Light most heavenly-human--
Like the unseen form of sound,
Sensed invisibly in tune,--
With a sun-deriv-ed stole
Did inaureole
All her lovely body round;
Lovelily her lucid body with that light was inter-
strewn.
Low and vibrant visible,
Tempered glory woke;
And it seem-ed solely
Like a silver thurible
Solemnly swung, slowly,
Fuming clouds of golden fire, for a cloud of incense-
smoke.
For the secrets of her eyes!
In my visions fearfully
They are ever shown to be
As fring-ed pools, whereof each lies
Pallid-dark beneath the skies
Of a night that is
But one blear necropolis.
And her eyes a little tremble, in the wind of her
own sighs.
Their phantasmal mysteries.
They grow to an horizon
Where earth and heaven meet;
And like a wing that dies on
The vague twilight-verges,
Many a sinking dream doth fleet
Lessening down their secrecies.
And, as dusk with day converges,
Their orbs are troublously
Over-gloomed and over-glowed with hope and fear
of things to be.
And on the peak undeluged snow,
And on the snow not eagles stray;
There if your strong feet could go,--
Looking over tow'rd Cathay
From the never-deluged snow--
Farthest ken might not survey
Where the peoples underground dwell whom
antique fables know.
Dwell the nations underground;
Hiding from the shock of Day,
For the sun's uprising-sound:
Dare not issue from the ground
At the tumults of the Day,
So fearfully the sun doth sound
Clanging up beyond Cathay;
For the great earthquaking sunrise rolling up
beyond Cathay.
The terrors of that sound,
That its music may attend me.
Wrap my chant in thunders round;
While I tell the ancient secrets in that Lady's
singing found.
When Asia from her bathing rose;
Our first sailor made a twine
Thereof for his prefiguring brows.
Canst divine
Where, upon our dusty earth, of that vine a cluster
grows?
Round the long-prefigured Brows.
Mourn, O mourn!
For the vine have we the spine? Is this all the
Heaven allows?
Press the point into thy heart--
Joy and fear!
All the spines upon the thorn into curling tendrils
start.
I, a wingless mortal, sporting
With the tresses of the sun?
I, that dare my hand to lay
On the thunder in its snorting?
Ere begun,
Falls my singed song down the sky, even the old
Icarian way.
These dim snatches of her chant
Only have remain-ed mine;--
That from spear and thorn alone
May be grown
For the front of saint or singer any divinizing twine.
Paradise but evermore
Hangeth on a singing
That has chords of weeping,
And that sings the after-sleeping
To souls which wake too sore.
'But woe the singer, woe!' she said; 'beyond the
dead his singing-lore,
All its art of sweet and sore,
He learns, in Elenore!'
Where is the tract of Elenore?
I am bound therefor.
With thee take
Only what none else would keep;
Learn to dream when thou dost wake,
Learn to wake when thou dost sleep.
Learn to water joy with tears,
Learn from fears to vanquish fears;
To hope, for thou dar'st not despair,
Exult, for that thou dar'st not grieve;
Plough thou the rock until it bear;
Know, for thou else couldst not believe;
Lose, that the lost thou may'st receive;
Die, for none other way canst live.
When earth and heaven lay down their veil,
And that apocalypse turns thee pale;
When thy seeing blindeth thee
To what thy fellow-mortals see;
When their sight to thee is sightless;
Their living, death; their light, most light-
less;
Search no more--
Pass the gates of Luthany, tread the region Elenore.'
And where the region Elenore?
I do faint therefor.
'When to the new eyes of thee
All things by immortal power,
Near or far,
Hiddenly
To each other link-ed are,
That thou canst not stir a flower
Without troubling of a star;
When thy song is shield and mirror
To the fair snake-curl-ed Pain,
Where thou dar'st affront her terror
That on her thou may'st attain
Persean conquest; seek no more,
O seek no more!
Pass the gates of Luthany, tread the region Elenore.'
Through a dream-night's day;
And with her magic singing kept she--
Mystical in music--
That garden of enchanting
In visionary May;
Swayless for my spirit's haunting,
Thrice-threefold walled with emerald from our mor-
tal mornings grey.
Raises from the rose-ash
The ghost of the rose;
My heart so made answer
To her voice's silver plash,--
Stirred in reddening flash,
And from out its mortal ruins the purpureal phantom
blows.
Her voice had no word,
More than thunder or the bird.
Yet, unforgetting,
The ravished soul her meanings knew. Mine ears
heard not, and I heard.
All those wiles she wound about me,
Tears shall break from out me,
That I cannot find
Music in the holy poets to my wistful want, I doubt
me!
Grief's
Harmonics
To the mere forms of their sweet day-selves drying,
On heaven's blank leaf seem pressed and flatten-ed;
Or rather, to my sombre thoughts replying,
Of plumes funereal the thin effigies;
That hour when all old dead things seem most dead,
And their death instant most and most undying,
That the flesh aches at them; there stirred in me
The babe of an unborn calamity,
Ere its due time to be deliver-ed.
Dead sorrow and sorrow unborn so blent their pain,
That which more present was were hardly said,
But both more NOW than any Now can be.
My soul like sackcloth did her body rend,
And thus with Heaven contend:-
'Let pass the chalice of this coming dread,
Or that fore-drained O bid me not re-drain!'
So have I asked, who know my asking vain,
Woe against woe in antiphon set over,
That grief's soul transmigrates, and lives again,
And in new pang old pang's incarnated.
------------------------------------------------------------------------------
Francis
Thompson, (born Dec. 18, 1859, Preston, Lancashire, Eng.—died Nov. 13, 1907,
London), English poet of the 1890s, whose most famous poem, “The Hound of
Heaven,” describes the pursuit of the human soul by God. Thompson was educated
in the Roman Catholic faith at Ushaw College, a seminary in the north of
England. He studied medicine at Manchester, but not conscientiously, and began
to take opium; he then went to London, where from 1885 to 1888 he lived in
destitution. In 1888 the publication of two of his poems in Wilfrid Meynell’s
periodical, Merry England, aroused the admiration of Robert Browning. Meynell
and his wife, Alice, befriended Thompson, induced him to enter a hospital,
nursed him through convalescence, and in 1893 arranged publication of a
collection, Poems. Thompson is chiefly associated with rhapsodic accounts of
religious experience written in a diction much influenced by 17th-century
Catholic verse, though he could also produce elegant, direct, and moving short
poems, such as “At Lord’s,” a remarkable lyric about cricket. From 1892 to 1896
Thompson lived near a Franciscan priory in north Wales, during which period he
wrote Sister Songs (1895) and New Poems (1897). He also wrote a number of prose
works, mostly published posthumously, including the essay Shelley (1909). The
Works of Francis Thompson, 3 vol. (1913), was published by Meynell. Thompson
died of tuberculosis.
This
article was most recently revised and updated by J.E. Luebering.
In the
winter of 1887, Mr. Wilfrid Meynell, the editor of a minor Catholic literary
magazine called Merry England, received a strange parcel. It contained an essay
and some poems, with a cover letter:
Dear
Sir,
In
enclosing the accompanying article for your inspection, I must
ask
pardon for the soiled state of the manuscript. It is due, not to
slovenliness,
but to the strange places and circumstances under which
it has
been written ... I enclose a stamped envelope for a reply ..
regarding
your judgement of its worthlessness as quite final ...
Apologizing
very sincerely for my intrusion on your valuable time,
I
remain,
Yours
with little hope,
Francis
Thompson
Kindly
address your rejection to the Charing Cross Post Office.
Mr.
Meynell glanced at the accompanying manuscripts, and then shunted them into a
pigeonhole where they were to remain for the next three months.
________________________________________
Francis
Thompson was born in 1859 to a respectable Catholic family; his father was a
doctor. He was sent to Ushaw College in the hope that he would become a priest,
but at the age of eighteen returned home, with a letter from the headmaster:
"I have been most reluctantly compelled to concur ... that it is not the
holy will of God that he should go on for the priesthood ... I quite agree with
you in thinking that it is quite time that he should begin to prepare for some
other career. If he can shake off a natural indolence which has always been an
obstacle with him, he has ability to succeed in any career."
Thompson
spent the next six years haphazardly studying to be a doctor, and failed the
medical examinations three times, twice in London, once in Glasgow. Somewhere
along the way he became addicted to opium.
At that
time Britain was importing tens of thousands of pounds of opium per year. It
was drunk as laudanum, a reddish-brown tincture of the bitter opium powder.
Laudanum was cheaper than beer or gin, and just as commonplace. It was both a
medicinal and recreational drug. Doctors prescribed it as a pain-killer and a
sedative; factory workers blew their wages on it every Saturday night. Mothers
and nurses raised the infant mortality rate by quieting their fretful babies
with it. It was also a popular method for suicide.
But the
deciding factor for Thompson was his unspoken ambition to be a poet. He was
familiar with the romantic tradition of writers taking opium through De
Quincey's Confessions of an English Opium Eater; a seductive book, with
glittering accounts of the reveries and euphoria of the early stages of
addiction. If Thompson hadn't actually written any poetry yet, he could at
least live the heroic life of the poet as envisioned by De Quincey and others.
So, after his third exam failure, he set off for London, to be a poet and take
opium at his leisure. By the time Wilfrid Meynell received his manuscript, he
was destitute and living on the streets.
Wilfrid
Meynell finally read the manuscript, and wanted to publish the work; but months
later his letter was returned as undeliverable by the Charing Cross Post
Office. After a fruitless search, he decided to publish one of the poems in the
April 1888 issue of Merry England in the hope of conjuring up its author. This
stratagem worked; Thompson, ragged from a recent opium bender, showed up in
Meynell's office. This was the turning point in Thompson's life. From then on,
Wilfrid Meynell and his wife Alice Meynell would be his protectors, his
guardians, his nannies. The first thing they did, wisely, was send Thompson to
a clinic to dry out, and then to a monastery to convalesce.
Thompson
wrote almost all of his poetry during his four years of withdrawal (his only
poem widely read today is The Hound of Heaven.) He wrote to Meynell: "Nor
need you fear the opium. I have learned the advantage of being without it for
mental exercise; and (still more important) I have learned to bear my fits of
depression without it. Personally I no longer fear it...." This was
premature. He still took laudanum occasionally, and around 1898 he became
permanently re-addicted. The apathy and depression of the later stages of
addiction caused him to quit writing poetry. He died in 1907 from some
combination of tuberculosis and laudanum poisoning.
Love! I
fall into the claws of Time:
But
lasts within a leavèd rhyme
All that
the world of me esteems --
My
withered dreams, my withered dreams.
The Life of Francis Thompson / By Everard Meynell. -
London : Burns & Oates Ltd, 1913.
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